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4.5/5(2 reviews)
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Lefebvre NicolasTHE reference!
Published on 12/23/12 at 12:49 (This content has been automatically translated from French)Many years ago I use this amp: concerts, rehearsals, classes ... and I finally decided to leave a review!
I will not go into the features, everything has been said. I émettrai cepandant remark: for me it lacks 2 inputs with the same input combo jack / XLR and 3-band EQ. Otherwise flush is the highest quality.
UTILIZATION
The config is simple: you plug and play. It is so rare that it must be specified! This amp has many advantages in his pocket amp serve, return, DI, preamp or sound card recording ...
SOUNDS
I use it in many contexts, but mainly with 2 guitars: an acoustic-electrics Aria lr baggs equipped 1982 and a gypsy Di Mauro St Louis Blues 1950 sound system with an ...…
I will not go into the features, everything has been said. I émettrai cepandant remark: for me it lacks 2 inputs with the same input combo jack / XLR and 3-band EQ. Otherwise flush is the highest quality.
UTILIZATION
The config is simple: you plug and play. It is so rare that it must be specified! This amp has many advantages in his pocket amp serve, return, DI, preamp or sound card recording ...
SOUNDS
I use it in many contexts, but mainly with 2 guitars: an acoustic-electrics Aria lr baggs equipped 1982 and a gypsy Di Mauro St Louis Blues 1950 sound system with an ...…
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Many years ago I use this amp: concerts, rehearsals, classes ... and I finally decided to leave a review!
I will not go into the features, everything has been said. I émettrai cepandant remark: for me it lacks 2 inputs with the same input combo jack / XLR and 3-band EQ. Otherwise flush is the highest quality.
UTILIZATION
The config is simple: you plug and play. It is so rare that it must be specified! This amp has many advantages in his pocket amp serve, return, DI, preamp or sound card recording ...
SOUNDS
I use it in many contexts, but mainly with 2 guitars: an acoustic-electrics Aria lr baggs equipped 1982 and a gypsy Di Mauro St Louis Blues 1950 sound system with an audio technica at831b or magnetic Benedetti.
Whatever the config quality is always present, a huge dynamic, sound straight, full compliance with the timbre of the instrument, a large projection, a perfect balance of registers and a slight compression on large attacks that the sound does not drool. The piezo is biting but without aggressiveness, magnetic velvety but with precision, the capacitor is purity itself.
The song also goes with happiness beaucouo (shure sm58) and it should be noted the high quality of the preamp.
There is magic in this amp!
OVERALL OPINION
5 years ago that I use, it has never been caught unawares.
This amp is transparent: it reveals the timbre of the instrument without browning. Despite its age and competition stirs it has no competitor (I speak knowingly to have tested almost everything that exists).
Of course I would do this choice because now I have two! And then my friends it is not magic, it's witchcraft ...
I will not go into the features, everything has been said. I émettrai cepandant remark: for me it lacks 2 inputs with the same input combo jack / XLR and 3-band EQ. Otherwise flush is the highest quality.
UTILIZATION
The config is simple: you plug and play. It is so rare that it must be specified! This amp has many advantages in his pocket amp serve, return, DI, preamp or sound card recording ...
SOUNDS
I use it in many contexts, but mainly with 2 guitars: an acoustic-electrics Aria lr baggs equipped 1982 and a gypsy Di Mauro St Louis Blues 1950 sound system with an audio technica at831b or magnetic Benedetti.
Whatever the config quality is always present, a huge dynamic, sound straight, full compliance with the timbre of the instrument, a large projection, a perfect balance of registers and a slight compression on large attacks that the sound does not drool. The piezo is biting but without aggressiveness, magnetic velvety but with precision, the capacitor is purity itself.
The song also goes with happiness beaucouo (shure sm58) and it should be noted the high quality of the preamp.
There is magic in this amp!
OVERALL OPINION
5 years ago that I use, it has never been caught unawares.
This amp is transparent: it reveals the timbre of the instrument without browning. Despite its age and competition stirs it has no competitor (I speak knowingly to have tested almost everything that exists).
Of course I would do this choice because now I have two! And then my friends it is not magic, it's witchcraft ...
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paraglisseSmall but powerful ... and expensive
Published on 11/24/12 at 14:32 (This content has been automatically translated from French)Acoustic amp 60 W
Dual channel
Some reverb
UTILIZATION
Simple to use acoustic or electric amp modeling (it's like stereo to mono, it renders well the models)
SOUNDS
Its very clean and neutral. Suitable for any acoustic guitarist wanting to be heard. Maybe its too uni-directional
OVERALL OPINION
Since 2010, I can use but it is very compact, well built but expensive (800 € negotiating)
Dual channel
Some reverb
UTILIZATION
Simple to use acoustic or electric amp modeling (it's like stereo to mono, it renders well the models)
SOUNDS
Its very clean and neutral. Suitable for any acoustic guitarist wanting to be heard. Maybe its too uni-directional
OVERALL OPINION
Since 2010, I can use but it is very compact, well built but expensive (800 € negotiating)
10
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Audio excerpts
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Tech. sheet
- Manufacturer: AER
- Model: Compact 60/2
- Category: Acoustic-Electric Guitar Amplifiers
- Added in our database on: 08/25/2011
We have no technical specifications for this product
but your help will be much welcomed
»
Other categories in Guitar amplification
Other names: compact602, compact60 2