All user reviews of 5/5 for the Mackie Onyx 1640

- Rack Console (trs but deep, it was dj say, right?)

- It has 16 mic / line channels, including two in comuter line between high impdance, 6 dparts auxiliary 4 ffects which returns a pair of assignable sub groups and four subgroups assignable in pairs .

-Connectivity is trs pro with XLR jacks and 6.35. Dirrectes outputs are taken on subD 25.

-The qualiseur is 4-band semi-parametric and on with a button mdiums commissioning, trs useful.

She has a damn good talkback section, except that the microphone is sensitive Intgr, trs sensible, even too sensitive. It is innutilisable live under threat of hanging. Fortunately, ill possibility is to connect another mic XLR.

In terms of regrets:
not of stro Galise and routable to dparts auxiliaries.
I would put 10.

UTILIZATION

The use of the console is simple, even for beginners like me.
The usual functions are easily accessible, however, I find the buttons on the qualiseur raprochs enough of each other. Beware those with big fingers! That said, let's not forget that the console is only 19''wide and the surface is busy ...
Watch out for between 1 and 2: The button that switches between the high impdance in between (which cuts between micro) is a little too PRS SETTING THE gain, which earned me a big scare at a concert.
The manual is on the site of tlchargeable Mackie and is rather well done but is available in English.
I do not put "only" 9 because of a.

SOUNDS

Of breath, I have been once. Attention all the same: a micro c'tait the c *** a "soften the capsule" that I drilled to gain and raise the fader to the max to get a correct level. .. Since I have my new microphone (for PG58), I have no problem. It just means that the console does not blow.
The qualiseur: Ah! They are good equivalents perkins! Just press the power button in servive and direct, without touching anything, the sound is more dj sypatique, warmer ... It is a joy handle. With a, even garish ways are less aggressive ...

My rating: 10.

OVERALL OPINION

I received the beautiful month of January.

What I like:
Pramps them and quas
Talkback section-
-Output FireWire card and dirrectes optional.
Routing-options plutt many for this type of console

I ENTSO:
The micro-talkback really too sensitive
- I would have AIM have a small switch that allows me to choose to record tracks with and without equivalents.
- Able to route the signal from the FW card and tape in to the auxiliary dparts

Go, I put a 9 because of all And because the perfect is not of this world (has to know ...) But it's a console that's worth the money, the FireWire option c ' gniale is really small world and all its place in the heart of my config in home studio as live. I do not really regret having bought.

16 mono inputs
Pramplificateurs Onyx
Insert
EQ switchable Perkins ("old") 4 strips of two semi-medium paramtriques
6 dparts individually selectable auxiliary pre / post fader
Pan, mute
4 subgroups with trust or not to mix LR
Solo slctionnable pre / post fader
Talkback section of well thought

This console is rack but what it is deep ...

UTILIZATION

We'll play it simple: it's a killer ...

There's that see all the features and look at the price APRS: Yeah, when even!

- The manual I see too much they can say more ... It can be download on the site www.mackie.com

- The routing, in relation to this amazing price range.

- Buttons: There's a small white bar at the bottom of the button makes case for whether the button is pressed or not, and that led to features such as 48 V, AFL, ...

- Colors: ide what this brilliant color choices ... Dj's beautiful (which changes nothing except the pleasure of puff above) but more practical: a background color in each section (gain, EQ, aux, routing).
Trs is visual, you know right away or we're going.
The equalizer knobs are blue and white (very discernible, which is not the case for all tables that have all too often the colors of knobs that are too similar in the dark)

- The potentiomtres: I read in some sort of magazine that franais knobs enjoyable n'taient not handle ... I do not agree at all: it slides well, smooth ...
It seems that they have two months to develop these knobs (they have that in a fouttre Mackie?), But Greg Mackie is attached so good ... We will not complain!

Everything is as good ergonomics dtail but work can work more effectively.

- Onyx interface (optional): A 16 to 450 tracks, which could be better? FireWire (mobile use, live recording ,...), intgre the table (space saving ),...
on the other hand, no way to route as you want (sending the sound card is APRS insert and before the equalizer)
And only two return tracks magntos: shame, but should not ask too much either.

In terms of use, some small BMOL:

- Fader 60mm: shame ... On ct bf is super deep (16U) but I think for the equalizer they could work out by putting potentiomtres double crown for mediums.

- Trs profound will integrate its not always easy working environment but the price to pay for all these functions on an analog (and numrique, with page-up, page-down is far from being practical)

For the rack, samzic given me a link where you can find a rack for the Onyx 1640 on Thomann (range Thon), and as I am in a good mood, I give you:
http://www.netzmarkt.de/thomann/thoiw9_artikel-175699.html

But it's really critical because it takes ...

The score of 10 is that I put into perspective with the price range.

SOUNDS

- Breath: What is a?

- The Onyx mic prampli: Good point. It's OK. In the CATEGORY of "transparent", they transcribe very dynamics of the signal returned to them. The bottom is relatively large, high Dfine well. They will never "wonders" as could the DDIS pramplis high-end, but his job will do well in all circumstances. You can count on it.
Only default, not a standard gain (60 dB) but more than enough for normal applications (less atmosphere to capture low trs, but it will pay the price) with a limit too, and a logarithmic breath appears to 3 / 4 of the race. Area that we explore only rarely trs signals "music"

- The equalizer Perkins: Right. Trs efficient and enjoyable. It is good, trs musical and leaves much to use. Little we know or turn the right button, a direct sound with a warmth that my computer will hardly get out.
I redcouvre mixing analog (and happiness).
Bypass also very practical (it is sometimes the best of all rglages ... lol)

The score of 10 is that I put into perspective with the price range.

OVERALL OPINION

I use it since it came out ...

The default is trs trs redhibitory far from being given the features and price.

I tried other models, but I think sincrement that it has no competition.
Otherwise, Allen & Heath with their Wizard3 dfendent is well (multi-purpose Intgr but the Onyx is more functional and better sound (personal opinion).
I am fully satisfied, I found the report qualitprix amazing and given the reliability and solid Mackie, this does not m'tonnerait that make a card table ...

They released the larger tables (24 and 32 tracks) with an 8 to prampli amlior and 100mm faders.

In an environment small / medium studio or sound, these consoles have a future ...
In a professional field, they are not ashamed if we did not put a ct SSL or other Amek (but compare what is comparable)

I'm trying to get me my little studio, and this table is aptly rle "Heart of my config".

I put 10 because of my views, I am more than fully satisfied.

It is complte, easy to CHAC, ... but then heavy. Reviews ... I try deprecated rack gear alone, you could pay dearly: 13.5 kg at arm's length, it's a big bb. And it's all mcanique Anloga is most srieux. Ultra practices + /-4dBmc for home studio coming to see apparatre furibarde the head of their neighbor. The manual is in English you must connatre before going running. For the rest see the test really sharp and ready-made transparent.

CHARACTERISTICS The main is its sound: How the potato table!

UTILIZATION

I had never had more than 2-3 slices between the fingers. In not even one week, I pig much of the story. You can really s'clater with routing and 4 sub. The map is OnyxFW trs pro traktion but must love ...
With two cables out Panou (expensive to s'panouir ...) and that transplanting live synchronized ADAT guaranteed to and from ADAT and table. I do not think you can be dcu his 2000 (with FW card) given the number of possibilities of use and the quality of rendering. She has little Integrates impec prs everywhere intermdiaire numrique analog ... A guard tooutes ways.

Registration pr-eq can certainly be bypassed, but ca is a shame for that table dedicates to live (which would also save power at the same time the eQ, but more square to really rework derrire)

And even if tomorrow j'achte biggest I keep my 1640, there will always be a small mtier for her!

SOUNDS

Rock fan, R'n'Blues, Jazz-R but also electronic music you lather. Eq monstrously powerful bass, SETTING THE freq in imposing medium (mid-high, mid low trs prcis), the quality of restitition AIGS really impeccable. She loves the grain of real instruments that restores warmly. You can see a certain faculty electronic instruments warm up, especially since it uses priphs srieux.
Takback overkill! (In case someone o zone a little too into the cabin?)
The absence of possibilitbr /> I like also jazz and carrment is spectacular, we see that there is the amrique below. The 1640 is also felt silky quartet for fawn groove.

The sound is simply stunning. With quality instructors I note strictly no breath + / - 5dB. + I'm not asking for that price. The color suits me and is right in my taste!

OVERALL OPINION

3 years, I still love her so much!

It is the center nvralgique my home studio with an ADAT between digital and analog part. Cubase runs on 2 or 4 channels depending on the Configni output of my card. The rest makes me everything I love, Rock Trance bleeding with a dynamic I have ever heard in this range. I only use once in Live and I really had no points. However, it was used a relay for headphones.
My notes are biased and reflect the adjustment of my needs in this price range. I am happy to see trs will appear on scne more often ..
I remake that choice 100%, it would be surprising if I DFASS even in case of acquisition of larger, I will keep it as a table group.

Is it rackable? Yes

How many lanes, bus, auxiliary sends, returns ...)? 16 channels, 6 aux, etc.

What type of connection? XLR RCA jack and Firewire

The equalizer is parametric? Yes

No effects ... For the idiots "oles" digital:
What is the accuracy of sampling (bits / kHz)? 44.1 kHz/48, 88.2 or 96 kHz.
Automation is supported? No

UTILIZATION

The configuration is very simple and the manual is in French or English.

SOUNDS

For the price it is really good. I really did not notice any breath when I record. They are found by pushing the knobs, but I never needed to go ...
The EQ and great, very musical to my ears.

OVERALL OPINION

I have this table for 2 years now.
I had a Mackie SR 24-4 before. It is dead! :-(
It's great to have the firewire output (16 tracks live in the MBP no worry)
I love the sound back by FW in 16 but there are also 2 tracks that return.
Super price/quality ratio.
I will repeat this choice with no regrets.