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Acidlab Bombass
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  • vibesvibes

    Acidlab BombassPublished on 04/24/06 at 06:40
    (This content has been automatically translated from French)
    Premieres zimpressions ...

    Case of the same size as the Bassline (three packs of cigarettes according to some ). Still as light (all aluminum), but the knobs are smaller than the Bassline and just as nice to handle.

    A big plus, in large mono output jack, a little less, the input audio minijack.

    A minijack between the gate (note length) between a minijack for CV (pitch of the note), and a minijack for ente accent.

    The envelope is more complete than the Bassline, there's the release which marks the difference.

    For the Glide must j'investigate I not yet traps, but here's an explanation of the creator ...
    It Is a-decay envelope, That Can modulate up or down from the normal pit…
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    Premieres zimpressions ...

    Case of the same size as the Bassline (three packs of cigarettes according to some ). Still as light (all aluminum), but the knobs are smaller than the Bassline and just as nice to handle.

    A big plus, in large mono output jack, a little less, the input audio minijack.

    A minijack between the gate (note length) between a minijack for CV (pitch of the note), and a minijack for ente accent.

    The envelope is more complete than the Bassline, there's the release which marks the difference.

    For the Glide must j'investigate I not yet traps, but here's an explanation of the creator ...
    It Is a-decay envelope, That Can modulate up or down from the normal pitch. This Is The Same function as in the great drumsynthy syncussion gold pearl Other DrumSynth.
    Sweep time controlled the decay time of the envelop. Sweep mod the Amount of the envelop on the VCO. In the middle There Is No sweep mod. Turning to the right you Increase the sweepmod up, to the left you Increase the sweepmod down. Sweepmod down is great with low release setting for prcussion sounds.
    There's so way to synthesize percussion analos ... yum

    The LFO range from slow to very fast, full waveform, including the famous random. The speed of the LFO will be the same for that of the filter and the one that plays on the pitch, but the waveform is the intensity are the choice for each (I know not explain DSOL ).

    UTILIZATION

    I use this machine only to blow up the fillings of my friends, it is useful to treat diseases linked to contamination by lead.

    SOUNDS

    This is the oscilloscope and the filter of the same Creator Bassline, except that it grows beyond the chopping delire

    Impressive, almost no wind even with the volume turned all the way.

    I connected directly to CV / Gate sequencer has Bassline, I pass the sound of my Bassline in the input audio Bombass, and I can go up to play three very fat oscilloscope (with or without noise) I filter with the Bombass ... aciiiiiiid

    The ring modulator and allow synchronizing the sound of cradifier but will remain very musical.

    There's also FM with filters pousssa the extreme that allows the sound to metal.

    A powerful enough noise but I can not describe it to you.

    The focus is insane, very powerful.

    OVERALL OPINION

    Many functions on this fairly new analog sympatic home acidlab. This box allows you to synthesize many sounds while staying in a log very acidic.
    You'll have your own IDE with dmo I hope to lay very soon ...
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