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Beyerdynamic Opus 67
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All user reviews for the Beyerdynamic Opus 67

Dynamic Microphone from Beyerdynamic belonging to the OPUS series

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  • Menestrel de malheurMenestrel de malheur

    All pourrave

    Beyerdynamic Opus 67Published on 10/09/12 at 18:57
    (This content has been automatically translated from French)
    tom

    OVERALL OPINION

    I thoroughly tested and sold pronto.
    It is useful to save a microphone stand as the mounting system is excellent, unfortunately sm57 microphone passes for a luxury side, many mediums and ... mediums.
    All nazbrok what, frankly mediocre and overpriced. Damage.
  • berlberl

    Done his job properly.

    Beyerdynamic Opus 67Published on 05/22/12 at 11:22
    (This content has been automatically translated from French)
    Hyper-cardioid dynamic microphone percissions / battery, gooseneck, with a very well thought clip for clipping on drums.

    OVERALL OPINION

    Unlike other reviews, I'm very satisfied on stage mainly for toms. Its gooseneck is correctly (but I use them gently). For other percussion, bongos, djumbés, I use them occasionally when setting fits. I much prefer the E604!
    For the snare, I used and then abandoned for Beta56 or MD421.
    I find them very easy to integrate into a drum mix, D112-Beta56-Opus67's where they make one's own and do dmg ... drool too much in the bass.
    The binding is very convenient and efficient.
    I have 4 and I do not regret, q / p very good.
    Read more
    Hyper-cardioid dynamic microphone percissions / battery, gooseneck, with a very well thought clip for clipping on drums.

    OVERALL OPINION

    Unlike other reviews, I'm very satisfied on stage mainly for toms. Its gooseneck is correctly (but I use them gently). For other percussion, bongos, djumbés, I use them occasionally when setting fits. I much prefer the E604!
    For the snare, I used and then abandoned for Beta56 or MD421.
    I find them very easy to integrate into a drum mix, D112-Beta56-Opus67's where they make one's own and do dmg ... drool too much in the bass.
    The binding is very convenient and efficient.
    I have 4 and I do not regret, q / p very good.
    See less
  • EvolussonEvolusson

    Beyerdynamic Opus 67Published on 09/18/06 at 13:14
    (This content has been automatically translated from French)
    Dynamic microphone for kick drum, or the recovery of elements of a battery.
    Frequency response: 40-12000 Hz
    Pattern: hypercardioid
    Sensitivity: 1.5 mV / Pa
    Impedance: 200 Ohms
    Weight: 150g

    OVERALL OPINION

    The two highlights of this microphone is, for me:
    -His claw, efficient & robust.
    Sa-directional, very pronounced, which provides excellent isolation of the source.

    Its level after two years of use Home Studio, I can not find it terrible, at least not on a snare drum. Tom on the other hand, it is much more efficient (up to 12 "maxi potato because it lacks in the bass for my taste)!

    The swan-neck allows optimum positioning, of course, but it has the unfortunate…
    Read more
    Dynamic microphone for kick drum, or the recovery of elements of a battery.
    Frequency response: 40-12000 Hz
    Pattern: hypercardioid
    Sensitivity: 1.5 mV / Pa
    Impedance: 200 Ohms
    Weight: 150g

    OVERALL OPINION

    The two highlights of this microphone is, for me:
    -His claw, efficient & robust.
    Sa-directional, very pronounced, which provides excellent isolation of the source.

    Its level after two years of use Home Studio, I can not find it terrible, at least not on a snare drum. Tom on the other hand, it is much more efficient (up to 12 "maxi potato because it lacks in the bass for my taste)!

    The swan-neck allows optimum positioning, of course, but it has the unfortunate tendency, in my case at least, to return to its original position with the vibrations associated with the game on the instrument ... So after a few minutes, it is not at all in the desired position: annoying!

    In summary, if the swan-neck was the road, I use probably more for my toms ... Unfortunately, this failure makes it almost unusable microphone (this is only my opinion of course!)
    See less
  • jctroyesjctroyes

    Beyerdynamic Opus 67Published on 05/06/10 at 14:21
    (This content has been automatically translated from French)
    See other (s) notice

    OVERALL OPINION

    I bought it for the conservatory or I give my current thinking in the light of the price it would have worked better than a SM57 on a DC. Well NOT this microphone has nothing for him and I still do not understand! Impossible to use in the studio, too bad. Live a little longer but well off to save a foot! ...

    I love to use as micro communication studio had to do something.

    Frankly not heard worse long a time I even thought it was broken.

    It does nothing to remove the qualitée other brand products
    Read more
    See other (s) notice

    OVERALL OPINION

    I bought it for the conservatory or I give my current thinking in the light of the price it would have worked better than a SM57 on a DC. Well NOT this microphone has nothing for him and I still do not understand! Impossible to use in the studio, too bad. Live a little longer but well off to save a foot! ...

    I love to use as micro communication studio had to do something.

    Frankly not heard worse long a time I even thought it was broken.

    It does nothing to remove the qualitée other brand products
    See less
  • darkcapitaindarkcapitain

    All Naz

    Beyerdynamic Opus 67Published on 03/04/11 at 11:44
    (This content has been automatically translated from French)
    dynamic
    hypercardioid
    40 to 12,000 Hz
    200 ohms,
    140 Gramm

    OVERALL OPINION

    I bought long ago but has recently started using.
    It really is all naz no no acute serious just a bit of medium and low medium.
    Tested on tom and snare and attack even with no EQ forced.
    Only advantage is that the clip excelente
    Anyway it is clearly far behind a mere 57 sm