Getting Down to "Bassics" - Create Authentic Sounding MIDI Bass Guitar Parts
If you're a recording musician who doesn't play bass, creating realistic MIDI bass guitar parts can be a challenge. The tips and techniques offered in this article will help you put together authentic sounding tracks.
A Sonic Guru Speaks - Richard Devine on sound design, synths, software, studios and more
You may have heard Richard Devine’s distinctive electronic compositions, or seen his name on patch collections in various synths, but most likely when you hear his work it’s a system sound in a computer program, app, or hardware device, or a sound for a TV commercial. We caught up with him to ask about his work, his gear, and his techniques.
Improve Your Mix with A/B Referencing -Part 2 - What to Listen For When Comparing a Mix
In part 1 we looked at different ways to setup your gear for an A/B comparison. This time, we’ll offer some suggestions for specific aspects to focus on during your referencing session.
Tips on Alternate Tunings - How to Adapt Your Electric Guitar to Your Alternate Tuning
Fans of alternate tunings (especially metalheads) will often find themselves with overcooked noodles instead of strings, compromising their sound. Here are a couple of recipes to make sure your strings are always "al dente."
Improve Your Mix with A/B Referencing - Part 1 - Compare Your Mix to That of a Professional for Valuable Sonic Guidance
Referencing your mix against an existing recording via the process known as “A/B-ing,” is a great way to check the quality of your work and help you overcome inaccurate studio acoustics. Here in part 1 of this 2-part article, we’ll look at why referencing is so useful, and offer some setup options.
Get Ready, Get Setlist, Go! - Strategically Planning Your Set List Can Make All the Difference
A well thought out setlist is critical to the success of your gig. Whether for a band or a solo singer, the order in which you play your songs could mean the difference between a good show and a great show. A poorly constructed set list can cause the audience to turn off in the middle of your show.
Mastering at Home - Part 22 - How to Use Volume in Mastering
This penultimate article in our series dedicated to mastering at home is surely the one you've all been waiting for. Indeed, today we will talk about a couple of tricks to get a really HUGE sound. But before we start, a brief warning...
Vocal Recording Clinic with Kris Crummett - Tips on Recording Vocals for Musicians
No matter what musical style you're into, if you own studio gear, you probably record vocals at least some of the time. So when we had a chance to tap into the expertise of Kris Crummett — a prominent producer/engineer — on the subject of vocal recording, we jumped at the chance.
Scoring to Picture — Part 3 - Finding the Tempo and Writing the Music for a Commercial
Here in the final part of this 3-part article, I’ll finish scoring the hypothetical commercial, working with variables like tempo, start time, and meter, while never losing sight of the original assignment.
Mastering at Home - Part 21 - Best Audio Formats When Rendering a Mastered Track
In this antepenultimate installment, we'll discuss several points that you need to bear in mind to get an optimal final result, depending on how your music will be distributed.