All user reviews for the DigiTech RP350

Those who post their opinions often have only a very narrow view of what is done in this area, unlike testers writing a magazine that see spending a lot of products to be tested and also a much broader vision, eclectic and perfectly based on the particular product.

This is also called the culture.

Guitar 77 has not yet acquired the logical approach that greatly helps the operation of such a multi-effects, as it is not easy and intuitive configuration.

I think he does not know what he's talking, he wanted to pour his venom by emitting unfounded opinion, because not sufficiently justified objectively.

Another newbie who thinks Almighty behind his computer and makes us his little teenage angst! ; D; D; D

Digitech is known and recognized for the quality of its models, truly falling, there has to test the pedals Hendrix, Brian May etc to be convinced. In addition, the firm manufactures its own DSP and it sounds! : D: D: D

And what I say comes from my ears and my experience, this has nothing to do with marketing which I dissociate myself completely: it was a test independently.

I have nothing to fear from this kind of criticism and unfounded Free! 8) 8)

In the end, he speaks of the tenors of modeling: he quotes Zoom trying to make a name in modeling after being pretty average for years. Zoom has made real progress, but quite recently, difficult to talk about tenor regarding this brand, although it is true that it currently offers products more and more efficient.

Boss is also mentioned, but he wants preferably a tube multi-effects. There's no lights at Boss ...

And finally he quotes Vox as a tenor of modeling. Uh ... If he mastered his subject, he would know that this is creating modeling Korg Vox, since for a number of years, the British manufacturer Vox is a subsidiary of the Japanese giant Korg.

I take it where it comes from, that is to say not very high!

And when he says not to believe magazines, he is mistaken. If a product really did not work, we will not be testing, and it has happened! :dropoff Window

As for me, I stand by what I said in the test. If the models were zero, I would have obviously said.

And as I've said, sometimes it gets a little angry with the advertising service. But we say what we think in the articles independently.

At the beginning of his speech, the Newbie Guitare77 suggests he can not use the Digitech RP350 (see what I quote him above) and then he said he did not ring! : O

How to grant any credit in his view, in such conditions that are far from optimal to perform a real test?

Well, we do not provide, precisely, and we take opinions addition, people who know what they are talking about, who is recognized for it. ; )dropoff Window

USE

Come on!

SOUND QUALITY

To

NOTICE GLOBAL

Soon!

Intuitive operation - pick one of 30 settings from the Tone Library; add your choice from 30 Effect Library combinations. 27 Amp/Preamp/Acoustic models with A/B switching . Modern rectifiers and boutique amps
70 Factory/70 User presets. Power supply included. Included Cubase LE4 Music Production Software.Quick easy effect library access
Extremely versatile
USB connectivity
Built-in expression pedal
30 settings from the Tone Library
30 Effect Library combinations
118 total models
73 Effect models including classic distortion stomp-boxes
Up to 5 seconds delay
27 Amp/Preamp/ Acoustic models with A/B switching
18 Cabinet Models
70 Factory / 70 User presets

400% more horsepower. No wonder the RP350 modeling guitar pedal sounds so good. You're looking at the one of the world's most advanced audio processors, the 'engine' that gives RP models so much more raw impact and subtle detail. Many manufacturers use general-purpose, off-the-shelf chips. But creating the best guitar tone requires a 100% specialized, optimized processor. Being total audio processing fanatics, DigiTech 'Chip Wizard' engineers set out to create a super-processor specifically designed to power a whole new generation of effects and models. The design team worked for over two years, literally re-defining audio signal processing at the chip level. Then 'Tone Guru' engineers—fresh from Production Modeling triumphs like the Jimi Hendrix Experience Artist Series pedal—set to work taking advantage of all this new raw processing power. When you hear what AudioDNA2 does for the tone of the DigiTech RP350 you'll agree it was all worth it.

I think this multi-effects unit is capable of a lot more than most folks will have the patience or curiosity to get out of it. You really need to explore the unit.

<img src="http://ecx.images-amazon.com/images/I/5148RK-hiYL._SL500_AA300_.jpg" />

The Expression Pedal on the RP350 can be linked to control the RP350’s Volume, Wah, Whammy ™, YaYa™, or almost any of the RP350’s other parameters in real time with your foot. When a parameter has been linked to the Expression Pedal, a minimum (heel) and maximum (toe) value can also be specified. Apply extra pressure to the toe of the Expression Pedal to activate
he V-switch, and the Expression Pedal switches between the linked parameter and the Wah. The procedure for linking a parameter to the Expression Pedal is as follows:
1. Press either Edit button until the Expression row has been selected (indicated by the LED lighting on the Expression row).
2. Rotate Knob 1 until EXPPDL appears in the Display.
3. Rotate Knob 2 until the desired parameter to be linked appears in the Display. See page 30 for a complete list of parameters that can be linked to the Expression Pedal.
4. Rotate Knob 3 to select the minimum (heel) value the assigned parameter will reach with the Expression Pedal in the toe up position.
5. Rotate Knob 4 to select the maximum (toe) value the assigned parameter will reach with the Expression Pedal in the toe down position.
6. Store your Expression Pedal assignment to your preset. See page 12 for more information on the storing procedure

This review was originally published on http://www.musicgearreview.com

The DigiTech RP350, powered by the new AudioDNA2 super chip, delivers incredible tone and a mountain of processing power, including Lexicon Reverbs and stomp boxes based on the TS808, Big Muff Pi, Rat and DOD 250. This resource is a review summary of an RP350 video found on YouTube by northlander30.

Available at American Musical Supply for $129.95. If you're looking for a ton of presets and amp/cab simulations, this just might be the all in one solution for you.

Cool chorus is fantastic. 70 factory presets that can't be changed, but 70 user presets that are modifiable. With every preset, you have amp A and B so you can change through the 30 different amps and 20 different cab models (approximate.) Included pedal on the board helps to shape tones, introduce wah, and other cool effects.

Occasional strange artifacts in some of the presets, but ability to tweak with software can help round out strange sound anomalies.

For $129, this unit seems pretty well built. Whether it can stand the test of road abuse can only be analyzed if you've been able to use one for an extended period of time.

A decent number of presets and functionality for folks who don't mind multi-effects processors. If you're into boutique quality sound, you may want to avoid this unit, but if you like the buffet approach, the RP350 may be for you.

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This review was originally published on http://www.musicgearreview.com

See my prior review--posted 12-31-2006

See my prior review--posted 12-31-2006

Actually, I like this unit even less than before. There isn't much to like.

Where to begin. As noted in the prior review, this unit died after two hours. I later discovered that using the onboard controls to tweak settings while having it plugged into the computer resulted in a "fatal error" fault--shutting the thing down.
Basically the computer editing software is worthless. Even more so, if your computer uses the Vista OS. And forget about it if you're running any version of Linux.
DigiTech claims to have addressed the issue of Vista compatibility with a major firmware and X-Edit Revision. I just spent two hours trying to install the revisions. As I anticipated, the instructions provided by DigiTech's website do not work.

The hardware construction is superb.
Unfortunately, the firmware and software are worthless.

If I had this purchase to do over, I would not purchase this unit. Other units in this price range have on/off switches and operate on batteries as well as having superior features.
Pass this unit by. There are better units out there which are less trouble.

This review was originally published on http://www.musicgearreview.com

I have been a guitar player for over 35 years--mainly as a hobby. Sometimes in church.

I purchased this unit yesterday from Musician's Friend--needing a good multiFX pedal. I paid $180.00 for it.

What attracted me to the unit was that it had a USB port for use as an interface for recording guitar on computer--also Digitech provides [through their website] software which allows the user to edit and save patches on computer. In addition, the unit has two XLR outputs (L/R) which allow the user to run it direct to a mixer for either recording to run signal through onstage monitors in live performance.

The quality of the unit is crap. It has a metal case--which should indicate a stageworthy unit. However, if the casing was made from gold or platinum, this would still be worthless junk since the circuitry inside is crappy. Having owned this less than a day this thing shot craps when I tried to make some usable patches for myself.

As noted earlier, the outside construction is heavy duty--however digitech must not be putting quality circuitry in their units since it died after less than a day of light use.

Save your money and keep looking--this is junk.

This review was originally published on http://www.musicgearreview.com

Digitech is passed to higher model, but the CPU and treatment remain the same, and the format of the pedal.

For the types of effects available (complete list on the site builder) we have:
-A compressor, a microwave simulator (single to double or vice versa)
Wha-a (very correct)
Disto-modeling
D'ampli-
-Equalizer
-Noise gate (very handy for "breath" and parasites)
-Variety (chorus, delay, tremolo)
-Reverb.
To this was added a few drum machines (fairly basic, or even ugly) and a signal generator (sine, triangle or square) which can couple a parameter (volume, amplifier gain, chorus level ...) for sounds weird but potentially very attractive.

Each "floor" effect is fully adjustable (between 2 and 5 or 6 settings) which is an advantage of a view specs.

The technology is obviously digital, and connectivity is provided (TRS, XLR, USB, ...)

Frankly, I watched quite a competitor, and RP is the most complete multi in its range.

UTILIZATION

So to use, two options:
1. build his own sound from the "bricks" already pre registered in the multi (eg choosing a distortion overdrive, a fender amp, a bit of reverb for effect and here). It's simple, and the resulting sound and completely editable: ideal to approach what we want and then refine.

2. to fully exploit the RP, it is best to start with a blank database and add its modeling / effects one by one: it is long, laborious, it requires several weeks of experience (at least) but the output THE sound that you have running through your head ... except that sometimes one circles, and that the RP has its own limitations sound ...

In summary, the use is laborious if one wants to harness the power of the machine, but given all the settings arranged (many, which is an asset to a multi like this), the 350 did not fare badly

SOUND QUALITY

The sound quality ... To be honest, I carry around the same amp for 5 years beginning (roland cube 15X) which I think does not do justice to the sound of RP. Let's say it is very decent but we keep this side slightly cold and "thick" of numerical modeling.

But for trying to headphones, the sound is really good. The models look perfect (the marshall is a marshall, the vox vox a) and far less artificial effects.

So lets say its chemical side comes from the amp, the notes on this part is to be taken lightly ...

OVERALL OPINION

I use it for almost 5 years (and I had time to go around). I have not tried other models, largely because this type of multi remains relatively rare.

The use for which I bought it was true: my amplifier coupled to the base to 100 €, Father gave me flexibility and versatility and saved me to reinvest in a separate amp ... for a while.

For me, it is ideal if you want: to offer a wide range of sounds real cheap, make it last a very average amp or even a year gain in versatility lives on.

For lovers of his who want something specific and characteristic, or for allergic settings, go your way.

EVERYTHING NEEDS A GUITARIST THE APPLIANCE USE EASY TO UNDERSTAND not necessarily obvious at first glance EYE

UTILIZATION

YES IT IS POSSIBLE TO BUILD ITS OWN EFFECTS

SOUND QUALITY

FRANKLY WHEN HE TAKES A LITTLE HEAD ON COMING TO RESULTS IN MORE THAN SASTIFAISANT CONFI GURANT its own effects I have read that said a Notice SUE THE WERE NO DISTOS not great and lack of heat can be associated OUT A GAIN EQUALIZER AND FULL AND OTHER EFFECTS AND FRANKLY WHEN THE RULE IS WELL C EQUIVAULT ITS A GOOD PEDAL DISTO, HOWEVER IT IS TRUE THAT THE EFFECTS DEMO PRESET PATTERNS IN THE VOID devices are but the effects of parameter is even given A RESULT TO TOP


I PLAY WITH GUITRES BARETTE KRAMER AND GIBSON LES PAUL CUSTOM

OVERALL OPINION

The one I use since AN.CA been 14 years since I PLAY, THEREFORE, IT IS CLEAR THAT I HAVE tried many rack before

What I APPRECIATED C IS THAT ON EFFECT you can set 11 CONBINAISO NS EST TO SAY SUCH A FLANGER EQUALIZER Reverb SIMULATOR D AMPLIFIER A DISTO AND WITH SETTING INDIVIDUAL SUCH AS THE GAIN OF THE DISTO OR THE AMP LEVEL THE LOW VOLUME ON THE ACUTE MIDL EQUALIZER AND YOU CAN CHOOSE THE TYPE OF EQUALIZER DISTO REVERB AND OTHER OVER THERE IN a drum game accessories LIVE
The value for money is very good
If C had to be rebuilt HESTATION YES NO

Stompbox Distortion Models
based on Ibanez ® TS-9 Tube Screamer ™ *
based on Ibanez ® TS-808 Tube Screamer ™ *
Voodoo Labs Sparkle based on Drive *
based on Guyatone Overdrive OD-2 *
® DOD 250 Overdrive / Preamp
based on ProCo Rat ™ *
based on MXR ® * Distortion +
* based on Boss ® DS-1 Distortion
DigiTech ® Grunge ®
based on Boss ® MT-2 Metal Zone ® *
DigiTech ® Death Metal ™
DOD Gonkulator ® ™ Ring Mod
based on Roger Mayer Octavia *
based on Demeter Fuzzulator ™ ™ *
DOD Classic Fuzz ™ ®
based on Arbiter Fuzz Face *
based on EH ® Big Muff ® π *
Volume / Wah Models
DigiTech ® Full Range
based on Dunlop ® Cry Baby ® * Wah
based on Vox ® Clyde McCoy Wah ™ *
Compressor / Limiter Models
DigiTech ® Compressor
based on Boss ® * CS-2
Compressor / Sustainer
based on MXR ® * ™ Dynacomp
Chorus Models
based on Boss ® * CE-2 Chorus
based on TC Electronic ® Chorus *
DigiTech ® Dual Chorus
DigiTech ® Multi Chorus ®
Flanger Models
DigiTech ® Flanger
Triggered Flanger DigiTech ®
based on MXR ® * Flanger
based on EH ® Electric Mistress ™ *
Phaser Models
based on DigiTech ® Phaser
based on DigiTech ® Triggered Phaser
based on * MXR ® Phase 100
based on EH ® Small Stone ™ *
Pitch Models
DigiTech Whammy ®
DigiTech ® Pitch Shift
DigiTech ® Detune
DigiTech ® IPS
based on Boss ® OC-2 octave ™ *
Vibrato / Rotary Models
DigiTech ® Vibrato
DigiTech ® Rotary
DigiTech ® Vibro / Pan
based on Unicord Univibe ™ *
Tremolo Models
DigiTech ® Tremolo
DigiTech ® Panner
based on Fender Opto Tremolo ™ ® *
based on Vox ® Bias Tremolo *
Envelope / Special Models
DigiTech ® Envelope Filter
DigiTech ® Auto Ya ™
DigiTech ® YaYa ™
DigiTech ® Synth Talk ™
DigiTech ® Step Filter
DOD FX25 ®
Equalization
4 band EQ
Delay Models
DigiTech ® Analog Delay
* Boss ® DM-2 Analog Delay
DigiTech ® Digital Delay
Modulated Delay DigiTech ®
DigiTech ® Pong Delay
DigiTech ® Tape Delay
based on Maestro EP-2 ™ *
Echoplex Tape Echo ™ *
Reverb Models
based on Fender ® Twin Reverb ™ *
Lexicon ® Ambience
Lexicon ® Studio
Lexicon ® Room
Lexicon ® Hall
based on EMT * 240 Plate
Noise Gate / Auto Swell
DigiTech ® Noise Gate
DigiTech ® Auto Swell
Amp Models
based on &#39;57 Fender ® Tweed Deluxe ® *
based on &#39;57 Fender ® Tweed Champ *
based on &#39;59 Fender ® Tweed Bassman ® *
based on &#39;65 Fender ® Blackface Twin Reverb ™ *
based on &#39;65 Fender Blackface Deluxe Reverb ® *
based on &#39;65 Marshall ® JTM-45 *
based on &#39;68 Marshall ® 100 Watt Super Lead ™ * (plexi)
based on &#39;68 Marshall ® Jump Panel *
based on &#39;77 Marshall ® Master Volume ™ *
based on &#39;83 Marshall ® * JCM800
based on &#39;93 Marshall ® * JCM900
based on &#39;62 Vox ® * AC15
based on &#39;63 Vox ® * AC30 Top Boost
based on &#39;69 Hiwatt ™ * Custom 100 DR103
based on &#39;81 Mesa / Boogie ® * Mark II C
based on &#39;01 Mesa / Boogie ® Dual Rectifier ™ *
based on &#39;96 Matchless * HC30
based on &#39;88 Soldano SLO-100 ® *
DigiTech ® Solo
DigiTech ® Metal
DigiTech ® Bright Clean
DigiTech ® Clean Tube
DigiTech ® High Gain
Preamp Models
DigiTech ® Clean Tube 2101
DigiTech ® 2101
Clean Saturated Tube
Acoustic Models
based on Dreadnaught Acoustic
based on Jumbo Acoustic
Cabinet Models
based on 1x8 - &#39;57 Fender ® Tweed Champ ™ *
based on 1x12 - &#39;57 Fender ® Tweed Deluxe Reverb ® *
based on 1x12 - &#39;65 Fender ® Blackface Deluxe Reverb ™ *
based on 2X12 - &#39;57 Fender ® Bassman ® * Blonde
based on 2x12 - &#39;65 Fender ® Blackface Twin Reverb ™ *
based on 2x12 - &#39;63 Vox ® * AC30 Top Boost w / Jensen ® Blue Backs
based on 4X10 - &#39;59 Fender ® Tweed Bassman ® *
based on 4x12 - Marshall ® 1969 Straight w / Celestion ® * G12-T70
based on 4x12 - Marshall ® 1969 Slant w / Celestion ® * ™ 25WGreenbacks
based on 4x12 - Hiwatt ™ Custom w / Fane Speakers *
4x12 - Johnson ® Straight w / Celestion Vintage 30&#39;s
based on 4x12 - &#39;96 VHT ® Slant w / Celestion ® Vintage 30&#39;s *
Pickup Models
Single Coil> Humbucker
Humbucker> Single Coil

Missing much - all the major references are ....

Connectors

1 guitar input jack 6.35
1 stereo line input jack 3.5
1 line out / amp switchable mono jack 2 6.35 asymmetric
1 line out / amp switchable XLR 2
1 headphone
A USB interface for X-edit software and audio interface supports ASIO and WDM
Power supply!

And integrated battery with different styles

Hull and expression pedal fully metal.
This multi purpose exudes quality!

UTILIZATION

Very easy with the editing on a PC or Mac with X-edit.
Editing presets very intuitive multi-effects live on.

Manual in English. So non-English speaking ....

(Updated 15/01/2007) French Manual available for download on the site Digitech.

SOUND QUALITY

I quickly complete this opinion, because right now I do not have the last few days ...

Question her, it&#39;s a real killer! The Pod and other modeling pedals are dropped against the RP350! and again, I weigh my words ...
At no time can be felt on one side or digital "modeling".
This is the first time I hear some sound both pedals ...
I could compare with the original pedal that I own:
Modeling Dynacomp sounds almost identical to the original if not the same.
The same applies to the Tube Screamer, which is the original. Modeling the TC Electronic Chorus is stunning truth. Ditto for the Electro harmonix small stone. etc, etc, etc ...
It is simply stunning!
As for the amp models: &#39;wow! Already I felt that the models of the new Zoom and Vox Tonelab was successful. But now, with the Digitech, one enters another sphere. It is recognized on the grain of different amp. But having tested the above amps like "clean" I speak mainly of them ... However, the amp models plus "distos" also seem to be much higher than what I heard elsewhere

The ability to transform its simple dual microphones (and vice versa) also provides more significant. While it is clear that it will not turn your 54 Start in Jackson or Les Paul in your Start ...

If I could I would do 15/10, but is limited to 10/10 ...

OVERALL OPINION

Than superlative. For the price, it&#39;s almost unbelievable. The connection options are important. The build quality seems excellent. Above all, what sound quality! Everything is beautifully modeled. I think the point that selling all my pedals so they are faithfully reproduced by Digitech.

A multi-purpose high-level amateur and professional ...

Too numerous to mention. There are all small scratch quune not rich trs ADDITION esprer can find on the market deffets pedals. All in a single processor.
In addition it has the quality design, lergonomie, the simplicity and robustness. The RP350 is also nice to hear that view. 70 presets + 70 users, has left a wide choice for crativit sound.

UTILIZATION

Who adj practical programming your own sounds on a multi-effects, which is my case (jai a Digitech RP1) cest simple, fast and intuitive trs. Dil a sudden the manual (in English) nest worth anyway. As ldition PC, jai Tlcharger v.2.1 X-edit the site Digitech but I havent installed from Adobes russi because, apparently, it is Windows XP and nen I am that Windows 2000 (?). To see the latest

SOUND QUALITY

I do possde since a fortnight. I made a few presets dj. sounded terrible! Even without amp. The richness and quality of the sound palette is incredibly professional for a price that sadresse more amateurs from the pros. Congratulations to the designers and programmers Digitech. All best pedals and amps of the earth are my feet in a single Casing (EST carry less weight than my Marshall). My Strato is transfigured and falls is hooked.
The modlisations dampli trs are convincing, even without active distortion can approach the grain and warmth of the lights MODELS. Find gniale: the possibility of transforming his simple microphone (which is the case with my Lace Sensors) in doubles. The Wha-Wha did not face his ancestors ashamed. I find it efficient trs. Although quil MAIT took some time to understand, lassign particulire the pedals of a function dexpression (outside the volume and Wha-Wha) can be very useful in some cases to avoid the switch.
A good place also for his electroacoustic. Cest stunning ism.
What about evil? Careers News laccordeur Intgr Bypass or by simultaneously pressing the two switches, Up and Down is not well-ais. If using scne on several types of sounds they must enchantment based on your music program so as not to become a player to tap. Set as your brain to your mmoriser presets. But hey, Do not operate it in gnral 140 DIFFERENT sounds live. Lexprience shows quon to hold fast on 3 or 4 presets and adapted his musical style is little or no sen card.

OVERALL OPINION

As the drum machine EST intgre and the possibility denregistrer 10 sdun musical passage to return to playback in slow motion. Jai test yet. But really more opportunities cest connection (XLR or jack) to the point that jenvisage in some cases (small rooms, rptitions or records) to zap Lampl. Live sound does not saffaisse. Switches are prvus for it. Exit also all my old pedals.
A pdalier a while, a guitar and 3 Cables, one branch in 30 s, 60 s to adjust volume and EQ on the console and it is ready to play.
It is not life grand? Long live the RP350.

All the standard effects: distortion, Volume, Wah, Compressor, chorusflanger, pitch, vibrato, tremolo, envelope, reverb, wahmy, etc ...

There are Fender amp simulations, Marshall, Vox, etc. ..

But what counts is not quantity but quality.

UTILIZATION

- The general configuration is it simple?
I have not found the general configuration and simple intituive.
Without documentation french go your way

- The general configuration is it simple?
When it comes preset effects yes.
For the remainder bin not.

- The manual is clear and sufficient? ...
The doc in french is not extraordinary clarity

SOUND QUALITY

- Effects are they effective, responsive and realistic enough?
Some effects are correct;
The distortion is nice stride and not be to the metal.

Deas modeling amp feel good transistor, ie, a cold winter day
Not really realistic

- Which instruments do you use?
Fender American Vintage Stratocaster, Telecaster American Vox AD60 amp.

- Which ones you prefer, you hate?
I found nice swell effect.
What I wanted and I did not find any of the models of faithful
amps.
By means well against the switch transistors

It lacks baucoup lamps and heat.

OVERALL OPINION

- How long have you use it?
I tested one day and return to the store.

- What is so special that you like most and least?
Metal case of course, but presentation exceeded mochedouille.
Modeling low-end very cold.

- Have you tried many other models before buying it?
Certainly not enough. if I had tested other known brands I would even
not interrested in this multi purpose.

- How would you rate the quality / price?
250 euro? Way too expensive ..... and not good
The RP 250 provides the majority of these effects for 173 euros.

- With experience, you do again this choice? ...
No certainly not.
Yet I tried the headphones with my AD60 and directly on speaker
amplified and for several hours.

I have been influenced by a magazine making it extraordinary praise.
with praise of the fidelity modeling and everything else.
It is true that in marketing there are strong.
Unless you use a tube amp on top of the range, but then I do not see
interest in modeling.

The journalist in question was perhaps not neutral.
Maybe my RP 350 was defective, but even less reassuring.

Moral of the story: do not trust the magazines that says everything
this is the ball.

My choice rather switch to the tenors as zoom, vox, boss, etc.
and with a floor lamp preference.

All t adj said.

UTILIZATION

It's tough!

Indeed, at first glance I do not really understand the principle.

But in fact it is both easy and convenient!
For each sound, we know what Lmnt (amp, FX) is on or off.
(A small BMOL on the fact that we do not visualize if you are on the amplifier A or B)

The buttons are easy and enjoyable to use. The 30 amp prerglages coupled prrglages 30 FX can not from ZrO To create a sound personal.

CRER but to a sound, IDAL is the software that is super convenient in every way.

It is better rcuprer manual in French, it is trs correct.

My only regret is that it does not run on batteries, but only on the sector.

SOUND QUALITY

The pRSET provided to measure the capabilities of the beast.
I am not a specialist in the matter, but in any case this fills me with pedals.
I use it with headphones (requires apartment) or a Micro cube, so hard to say how a make a big amp.

In clear sounds as distortion, there are extremely varied colors, trs Dfine well.
It's really excellent! Trs good effects, the pedals are assignable on a few prs any Settings, we can express the sounds bizarre and trs INTERESTED.
The function is available wah wah very easy. The PDAL is enjoyable trs.

The passage of an effect the other is IMMEDIATE.

I use the pedals with a Godin Exit 22 and a Yamaha accessoiremment more cheap.

OVERALL OPINION

I did that for one month, and I have not had much time to "get into it."
But I enjoyed myself so much with the presets by trying to bend in all directions.

I'm the guitar for over a decade, playing as well (or poorly) the metallica that the ac / dc or Cabrel, satriani, etc ...

I had a G2.1u (for 1 ½ years) that I sold because the shipping pnible silent and could not be done by software.

I am absolutely delighted to have changed for this MODEL.

Using the formula: t just adjacent said!

UTILIZATION

Direct sound: I went out and in (table) XLR, if phantom power could be had using s'aurait t really the top.
the manual? What manual? ha-haaa! Strip stingy!

SOUND QUALITY

To speak only in terms of live performance sound system I would say that I searched and I found.
but the "edge" remains parameters (with patience). APRS rolls.
the rest I do not know anything technical and pisses me off!
gear: epi + grt sound bi-amp 1 kilowatt

OVERALL OPINION

Found 195 Roros nine ... this is good!
my little preferences? THE 3ime pedals: Amp A / B! derrire always a surprise!
if the phantom power supply could be had using s'aurait t really the top.

Made in America, not in a cave in Mongolia minor (I have nothing against Mongolia ...).

What are the effects or types of effects available?
Just about everything needed by the scratch, see the opinion of manson.reznor for the total.

Are they edited? Via an editor Mac / PC?
Yes on PC / Mac via Xedit Digitech

What technology is used?
Full digital.

What is the connection?
Input jack, headphone / Aux in mini jack, line out, line output 2 mono jacks / 6.35 amp switchable asymmetrical output 2 XLR / line amplifier, USB port for editing and recording.

Is this a rack or rack-mount model?
No, crank ground.

UTILIZATION

The general configuration is it simple?
3 Stomp: 2 to increment / decrement the patches (70 factory 70 user), a switch for channels A / B, 1 assignable expression pedal (wah, volume,

It is clear that for a novice, it can seem complex at first, but not rocket science either, just be trial and error, is to look at ...

The manual is clear and sufficient?
For once a book is really useful and well done, you should take advantage!
Digitech The site is a good source of information.

Editing sounds and effects is it easy?
Once largely digested, do not worry, it's childish. Via Xedit is even easier if you know what one is seeking.

SOUND QUALITY

The effects are they effective, responsive and realistic enough?
Excellent overall, the distos are varied and realistic emulations of amps and speakers allow an infinite number of sounds and textures while some are downright gaudy (but that is corrected for equalization), the modulations bluffing, the wah correct. We obviously have not rebounded lamps, but we are not in the way chemical Pocket POD sounds far from it!
Rendering the headphones or output of 2.1 of a PC is very good, excellent in the return of the effects loop of a good all-tube (tested on a Hughes & Kettner Tube 50).

Which ones you prefer, you hate?
My favorite: the distos, the Tube Screamer overdrive so, the delays and chorus superb.
I like less fuzz, and the whammy Picht shifter, but more because I have no use for anything else.

Which instruments do you use?
Ibanez RG1570 Prestige, Gibson Les Paul Studio. I play mostly 80's metal.

OVERALL OPINION

How long have you use it?
Since 2008.

What is so special that you like most and least?
+: Versatility (edition, 2 channels, cumulative effects), realistic effects / emulations (distos, delays), solid case (aluminum), alphanumeric display for naming patches.
-: Some effects / emulation (see above), no on / off button, a few bugs (patches that overlap or lose the settings, simply power cycle).

Have you tried many other models before buying it?
Pocket POD and POD 2, not like at all, VOX AD30VT amp too hairy ...

How would you rate the quality / price?
Excellent, and prices have fallen again in time (about 100 €)

With experience, you do again this choice?
Without hesitation, it's really a very good gear, reliable and affordable.

I still have my rp 200 that I use now to work with the rc-2 loop station boss, So I get a 350 to 200 with rp Because I can not compare the two DNA chip that makes all the difference. It is editable pc mac, to in, single stereo output, XLR output, USB port and above amp mixer.

UTILIZATION

Simple intuitive configuration, manual in English, but no problemo.

SOUND QUALITY

If I compare a multi effect AVRC boss is superior, both in modeling that all reste.Les PRS guitars are custom, télécater of fender usa stratocaster usa, and paul usa

OVERALL OPINION

I've had a month and I have not much to say except that the possibilities are énormes.J have had in the past korg boss and zoom (what the crap zoom) Paid $ 200.00 Canadian which does could mean much now that we leaning currency américaine.Je remake this choice the two fingers in the nose.