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Yamaha RM1X
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All user reviews of 2/5 for the Yamaha RM1X

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4.2/5
(38 reviews)
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Users reviews
  • Moe SizlakMoe Sizlak

    Sounds useless but very good live sequencer

    Yamaha RM1XPublished on 03/02/12 at 04:15
    (This content has been automatically translated from French)
    MIDI connections in classic. Some effects, all horrible. No separate outputs.
    Just a good sequencer, very convenient for live (real) and to control all MIDI devices.

    UTILIZATION

    Rather simple and comprehensive user. Relatively well thought out.

    SOUNDS

    All sounds are crappy in plasticky, totally unusable for a production worthy of the name. The only interest is in the control of machines with MIDI. The "keyboard" does not Velocity overdub recording, too bad.

    OVERALL OPINION

    I use it for a long time.
    As I said above: all sounds are good for the trash, only the sequencer's worth.
    Read more
    MIDI connections in classic. Some effects, all horrible. No separate outputs.
    Just a good sequencer, very convenient for live (real) and to control all MIDI devices.

    UTILIZATION

    Rather simple and comprehensive user. Relatively well thought out.

    SOUNDS

    All sounds are crappy in plasticky, totally unusable for a production worthy of the name. The only interest is in the control of machines with MIDI. The "keyboard" does not Velocity overdub recording, too bad.

    OVERALL OPINION

    I use it for a long time.
    As I said above: all sounds are good for the trash, only the sequencer's worth.
    See less
  • (",)(",)

    Yamaha RM1XPublished on 01/24/03 at 15:42
    (This content has been automatically translated from French)
    Trs-connector audio summary (1out stereo + phones), no MIDI Through is not a luxury.
    -Many sounds DIFFERENT, editable in real time (one of the great quality of the machine)
    -3 Dpart effects catgories rank 3, a block rather dedi delay / distortion / EQ, another focuses on the chorus / flanger and a block for spcial reverbs
    Squenceur 16-track, recording proves to be tedious, however many people it employs a squenceur software easily edit parts, each pattern is divided into "section" which can write diffrent 16 parts per track.

    UTILIZATION

    I can not speak of the manual I did Jamia possd but even without it I'm out trs well, however it is better to know a little of the universe…
    Read more
    Trs-connector audio summary (1out stereo + phones), no MIDI Through is not a luxury.
    -Many sounds DIFFERENT, editable in real time (one of the great quality of the machine)
    -3 Dpart effects catgories rank 3, a block rather dedi delay / distortion / EQ, another focuses on the chorus / flanger and a block for spcial reverbs
    Squenceur 16-track, recording proves to be tedious, however many people it employs a squenceur software easily edit parts, each pattern is divided into "section" which can write diffrent 16 parts per track.

    UTILIZATION

    I can not speak of the manual I did Jamia possd but even without it I'm out trs well, however it is better to know a little of the universe or we just groovebox finds herself lost in the various sub-menus.
    all basic functions are accessible directly faade thanks to eight pots (not very practical because it always leaves their position rel, regardless of the relative value which causes no jump trs natural ...)
    However, the edition of possibilitr are rather crude, LFOs matrche poorly and are not natural trs again!
    recording parts of the puzzle revlent head even though it is supposed to be simplified by the "step sequencer", the keyboard is really degeu, trs not pleasant ...

    SOUNDS

    Big weakness of the machine, rhythmic sounds too mtallique, too round, there's a passen qelque sounds provided on them by double-modulated (sounds when the 808 is worse than j 'ever heard, when the drum for help it looks like they have t recorded in a crate mtal)

    synth sounds of the limit of unusable pads ridiculous bass lines degeulasses slobbery, impossible to get out something else that sounds hard it is reminiscent of a machine purely numrique. no edition features waveforms then forced to work deep sounds, it obviously costs less than a Nord Lead, but good nonetheless yamaha has accustomed us better (see pattern)

    the reverb is cold and the stink numrique full nose, the effects the most convincing is the delay that allows twelve o'clock CRER many funny parts, ladisto I will not even speak when the flanger and company it is still that is not as bad ...

    edition of the Veloci is fairly intuitive but since the keyboard does not recognize it can be a bit skeptical that level l. ..

    OVERALL OPINION

    I have used for 3 years, the base I t seduced by the price and the CHARACTERISTICS much larger than the groovebox, more's the only machine of its range of price that allows the preservation of these patterns on disk and import midi file standart tyoujours via the same medium

    but good for the price you can honestly difficilemen complain, it offers lots of handy features for tech

    East debutant but rather used as a sequencer / controller noon (the last a little CHRE the controller anyway ...)

    About me if I buy but certainly not against it allowed me familiaris with the sequencer functions (although the best machine for beginners even when the computer is in my opinion!)
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  • red stewpotred stewpot

    Yamaha RM1XPublished on 07/27/03 at 14:00
    (This content has been automatically translated from French)
    -Sounds are my trsmdiocre and got all look up and down the octave. We quickly made the rounds I used 2 years yet! The grain is also flat.
    - The squenceur is good and logical.
    - The audio engine train is not too much to ask for disk requires.
    - The buttons are super sensitive! I took it out often with super ultra gaff and 3 keys and 3 potentiomtres OUT!
    - A lightweight jump occurs by linking the sections is not pretty!

    UTILIZATION

    - It works alone you quickly cool loops (for tech INTERESTED live it) but ke for a.
    - The effects are quite numerous but not sound terrible
    - The ke squenceur There's a good in this machine!

    SOUNDS

    - I play and compose Electro Big …
    Read more
    -Sounds are my trsmdiocre and got all look up and down the octave. We quickly made the rounds I used 2 years yet! The grain is also flat.
    - The squenceur is good and logical.
    - The audio engine train is not too much to ask for disk requires.
    - The buttons are super sensitive! I took it out often with super ultra gaff and 3 keys and 3 potentiomtres OUT!
    - A lightweight jump occurs by linking the sections is not pretty!

    UTILIZATION

    - It works alone you quickly cool loops (for tech INTERESTED live it) but ke for a.
    - The effects are quite numerous but not sound terrible
    - The ke squenceur There's a good in this machine!

    SOUNDS

    - I play and compose Electro Big Beat and she soon tired and dgot! The sounds are really flat and trs all the same! Try frankly before investing! For the price of OCCAZ There's 10 times better.

    OVERALL OPINION

    In fact I have 7 years to try a lot of stuff and it is one of the most machines without Intrets. STRID I go but I really trsdu t and as a lot of people also (De-bugs dirty plans by playing careful scne those who play often enough!) .
    But I still say I do not know but even more than any other default it because I'm me There's dj spar 10 months. Ke And now I have the perfect solution Mpc 4000-Reason-Drumstation
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  • rezedarezeda

    Yamaha RM1XPublished on 08/15/06 at 03:28
    (This content has been automatically translated from French)
    2 out jack
    1 headphone
    input for a pedal

    In short, the bare minimum .... The effects on the master.

    UTILIZATION

    Nothing more simple, read the manual and just went c.
    The manual is clear and complete.
    C The problem that has to have to stop to record a pattern c and ca not practical to change and live the same compound for those who like to write in GRID mode. (Like me for the rest of the MPC g lol. ..=
    The modes STEP, GRID, OVERDUB, REPLACE when you want to write have no opportunity to listen to another sequence like an electron or korg ect ...
    If not for the live with real-time controllers c still okay.

    SOUNDS

    The sounds of Origin: horrible except for so…
    Read more
    2 out jack
    1 headphone
    input for a pedal

    In short, the bare minimum .... The effects on the master.

    UTILIZATION

    Nothing more simple, read the manual and just went c.
    The manual is clear and complete.
    C The problem that has to have to stop to record a pattern c and ca not practical to change and live the same compound for those who like to write in GRID mode. (Like me for the rest of the MPC g lol. ..=
    The modes STEP, GRID, OVERDUB, REPLACE when you want to write have no opportunity to listen to another sequence like an electron or korg ect ...
    If not for the live with real-time controllers c still okay.

    SOUNDS

    The sounds of Origin: horrible except for some rare exeptions.
    It is imperative to have a filter or multi-effects hardware and more ...

    Effects: apart from the distortion, overdrive and simulated tube the rest did not convince me.
    This machine sends TOO SERIOUS. (done to equalize in the machine but losses while fishing)

    OVERALL OPINION

    In short if I could go back I make dessuite and without regret.
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