All user reviews for the PRS SE Singlecut

Everything has been said in previous reviews and I'll not particularly. I just want to add that the quality that emerges from this guitar under the price you can pay during questioning. In fact, when I play guitars that reach € 1500 I have great difficulty understanding what happened to the euro, except perhaps for a party in microphones found on the guitars.

UTILIZATION

In terms of use, then it's happiness. Same as above, I still have a lot of trouble sometimes make the game fun that gives this guitar under 250 € invested. The broad flat handle and is very easy to use, lighter than my Les Paul guitar and well balanced, it makes you want to play for hours without stopping. The finishes are excellent and for my part I have no problem detuning as some have to note in relation to plastic nut.

SOUNDS

At the sound, again proportionally microphones that you are bluffing efficiency. The neck pickup allows you to go to blues or rock with this hot and mesmerizing sound that makes me draw my hair. One criticism, lack of precision, but the volume and tone really help bring out all the nuances of my tube amp (I play with a mesa 5:25 express digitech gsp 1101). The bridge pickup provides sharper attack registers while keeping the high spirit guitars accajou maple. Obviously for metal that's not it but it's not what you ask of him. If you want to please invest € 200 more and paste it microphones in NOS (name of sound). So there you graze 500 € but you're in the same world and you operate the exceptional violin background (and I mean it) of this guitar. I tried comparing a LP Standard and frankly I kept my little PRS.

OVERALL OPINION

I have this guitar for less than a year, I'm an average guitarist who plays for fun. I have other guitars: G & L Tribute S500, LTD MH 1000 deluxe Lespaul Epiphone, but I confess that since I have I do not play with it when I'm in the rock records - blues. You will understand, used, provided it has been maintained, you can buy eyes closed. What is originally equipped or you decide to change the pickups, this guitar will allow you to play for hours and hours asking why pay more for a guitar. The philosophy of the brand is very relevant, as did Leo Fender in the G & L, we can finally get real pleasure without leaving its PEL or rotting life with his wife for buying guitar. So either you find a great instrument, and there you type above the € 2,000 and you have an instrument in precious wood, with microphones with onions and exceptional playing comfort, or you seek pleasure and trust me it no better for 300 €.

For manufacturing, I understand that it is made in korea.

But I'm not going to spread over the specs, it's classic:
form LP (PRS is also in court with Gibson for it ^ ^)
2 humbuckers (PRS)
volume & tone pots
3 position selector
22 frets

No vibrato on my model, but I did not used it on my guitar so previous ...
Sound familiar in short, a little "naked" but it's a part of its charm

By the way: she is very pretty! Of course this is a matter of taste, but unlike what some people think this is important: a nice guitar, it makes you want to play more often, it's as simple as that

Small clarification: the 2011 version takes advantage of inlays brand specific with what our wonderful bird dive ... Grrr, I'm just points of nacre

UTILIZATION

Very nice to use as much (or more to the shape of the handle, well rounded and good grip) than my previous guitar, an Ibanez Ergodyne (designed to be ergonomically you'll understand).

Complete history of the ergonomics side, it is light and the right hand falls very naturally on the bridge which is convenient for the quick games or a good rhythm in palm-mute

The shaft is the hair, it holds well in hand, it is fast and easy bends slightly curved and crossed, the varnish "smooth" does not catch on with sweat as other guitars (but I clean after each gig). The settings are very simple (two pots and a switch ... just not any better).

Only spots:
-Mechanics are not up to par (my G string goes out of tune from time to time, whatever the set of strings)
-The factory settings are not tip top (see below)

SOUNDS

I play a bit of everything from rock to ride clean well saturated (like trust, AC / DC, ...) by pouring a few times in the metal. Note that I have a multi effect, where a wide range of style.

And apart from this extreme case where the guitar shows its limits (large distos are a little slobbery, not precise, it is not a true LP on this one) she is doing well everywhere, even very well for its € 700.

On the neck pickup, the sound is warm to perfection, just lock onto a crunch or overdrive fluffy and go for hours and solo improvisation. The grain of micro PRS is typed without lapsing into the strange, the sound is soft but retains its slamming. This is my favorite mic, I'm over half the time

For the intermediate position, the two doubles are splitted, so you have 2 singles. Less heat than the handle but still this nice grain a bit more flashy: basically an ideal location for quiet arpeggios and agreements, the most neutral of the three possible.


For the bridge pickup finally, at first I was very disappointed: no force, no attack, a soft sound ... I had read some reviews before my purchase that went in this direction. But the neck pickup was so sumptuous that the seller's return was unthinkable ... In short, I spent a few evenings to pay the fine and especially the bridge pickup, I have put close to the strings to give the same power as the other and aligned with millimeter heads on each string. And then everything changed! At the slightest flick of the pick attack it, it's metal without being garish, a good rock distortion (or hard) over and wham! sckotché!


To summarize, the sound is THE highlight of the Singlecut (in addition to look). But be careful to listen before, the grain typed enough microphones can not please everyone. And if it's for the heavy metal, this guitar is not to look.

OVERALL OPINION

I use it for a year and a half (enough to get back). I had to play the occas on gibson, certainly better sounding distortion but are much more expensive.

I also tested an Epiphone around 400 €, heavy and clumsy, I regret the PRS! The ratio Q / P is concrete, and the choice I would do without hesitation, especially since I like the stuff that changes a few things seen and reviewed.

Most: sound, look and violin nickel

Cons: factory settings improved, mechanical faiblardes (but that is easily changed for those who are scared)

The PRS SE line of guitars is PRS's group of foreign made guitars. They are made for younger players or players who dont have the money to buy a USA made PRS. These guitars are pretty much built to the same spec as the USA models just being made overseas the production costs are lower. This is the SE Singlecut model in their cool white finish. The PRS white seems whiter than other companies whites. Whenever I see a white finish on a guitar like this I instantly think of the Dave Navarro Signature PRS. It has a mahogany body with a maple top. The neck is a set mahogany neck with the PRS wide fat profile. It has 22 frets with the PRS bird inlays. The tuners are non locking and the bridge is PRS's wrap around design. You get two PRS humbuckers with a master volume and a master tone with a 3 way toggle. The hardware is chrome. I guess gold hardware would look too much like the Dave Navarro sig. This example had a set of Seymour Duncans swapped in for a better overall tone. The PRS pickups are good but you cant beat the quality of a specialized pickup maker.

UTILIZATION

The PRS SE line of guitars are real solid players. This model has the wide fat neck or Pattern normal neck as they are called now. They are not as fat and daunting as the name says. They are like your typical Gibson necks with these. The wider width and flatter radius makes them a bit easier to play than a typical Gibson would. PRS doesnt put locking tuners on their SE guitars which is a shame. They are one of the few companies that design their own and constantly improve their tuners. I am hoping one day they will put a form of locking tuners on their budget line of guitars.

SOUNDS

As I mentioned earlier this example had a set of Seymour Duncans in it. This is a pretty common swap if you want a better overall tone. The swap in this guitar was the JB in the bridge and the Jazz in the neck. The Jazz in the neck is a good pickup for modern lead playing. The Jazz is like a 59 but with a bit more high end bite to it for clarity. With the old 59 it has more of a vintage vibe but that means its more setup for lower gain situations. In higher gain situations the 59 can get a bit washed out. Thats why the Jazz exists to take a lot of the 59 feel and make it more ready for higher gain situations. The JB in the bridge is a classic bridge pickup. It has a good bit of midrange and midrange is what you want when you dont want to get lost in the mix. Everyone likes the JB and it cna do just about every style of music. If the JB isnt heavy enough for you then you might want to consider an active pickup.

OVERALL OPINION

The PRS Singlecut is a great Les Paul Alternative. Something like this is a great substitute for a Les Paul Studio or something similar to that. The quality on these guitars is well above their price on the market. While this is a newer model with a newer finish you can get older models in different finishes for about 400 dollars which is a great value. If you are looking for a singlecut Les Paul style guitar for the cheap the PRS SE Singlecuts are a good alternative.

Made in Korea, 22 frets rosewood fingerboard, mahogany set neck, mahogany body, 2 pickups pRS humbuckers, 1 volume, 1 tone, three-position switch, PRS stop-bar, mechanical clutch, chrome hardware. Supplied in deluxe cover PRS which alone is worth 60 €.

UTILIZATION

The handle is a very nice profile of "C" or too thick or too thin, offering access to acute never met a guitar of this style. The ergonomics are excellent, the shape being roughly known, the surprise comes from the weight!
The quality of the sounds is amazing and makes even a severe slap in a lot of gibsons sold 2 or 3 times its price.

SOUNDS

I play mainly blues, rock and sometimes a little jazz and even the gypsy. my all-tube amp is a Hughes & Kettner Edition Tube 20W, the sounds are well suited to music styles that I play, and you sound fine and delicate at large have no problem! The microphone provides serious sounds of faith and thick velvety style of Santana or Gary Moore, which I like micro particulièrement.Le acute adds a range of sounds interesting intermediate position, perhaps a little too thick for rhythm funky? this guitar fits perfectly in the style of music I play, so I put 10.

OVERALL OPINION

After playing on a Hohner Les paul GT90, two types € piphone sheraton, a 1220 Ibanez Prestige series, I play for two months on this guitar.
The price / quality ratio is incredible, the only complaint I can do (and being really picky) just finishing that contrary to what may be presumed picture reported in the press, is not always as successful mainly at the sunburst sometimes a bit rude, and even on some copies at the table in maple flamed AA quality while the snapshot rather ad shows a table of AAA quality! I put 8 because of this detail, the aesthetic that still is important!

Korean-style
-Flamed maple top
-Mahogany body
Mahogany-set neck also
Rosewood fingerboard, 22 frets with pearl dot
Microphones: two humbuckers prs
-Mechanical oil bath prs
-1 Tone volume controlled by a toggle switch 3 positions

UTILIZATION

It is a marvel, simple and effective.
the handle is very nice with easy access to acute by a notch
the guitar is very light compared to a les paul example
the violin is superb flush has some white spots can be on this type of rosewood nothing serious
the mechanics are honest, but a pair of mechanical kind grover optimize the model and the holding of the agreement
the humbuckers are simpas and versatile enough however, should still improve the performance of EMG, Duncan, according to his di Marzio style.mais overall for the price they play with the big

SOUNDS

I play blues rock in a classic 30 amp custom Jack Daniel's all-tube
its rather aggressive for the bridge pickup without piercing the eardrums with a good definition has a clear comparative epiphone
the neck pickup has made me happy very bold and very warm with lots of bass necessarily!
all with a great sustain in the intermediate position against mapporte does nothing special and lacks some déquilibre sound personal but it has throughout his little character I put 8 because as I said above, we can improve performance

OVERALL OPINION

I lay for 4 months I paid 610 euros new
the supplied gig bag is great thank you prs
the +: violin, versatility, price, weight, in accordance
les: the mecaiques a little feeble, microphones, Loxides rapid bridge
it's not a PRS McCarthy
I do it again because this choice for the price it is in the tradition of expensive models +
it has a pretty face simple and effective

- Korean Model (at that price was not the dream of America, but we only see the fire when it was in the hands)
-Flamed Maple top, mahogany neck glued, rosewood fingerboard 22 frets, all in very tasteful
Bridge-PRS simple stop bar, no vibrato
PRS-Humbuckers also very good
-1 Vol, 1 tone, 3-position selector
-Mechanical clutch, chrome hardware
A priori-sold with a cover of very good quality

UTILIZATION

The handle is similar to a Les Paul, very round and bulky, but very enjoyable to play, if this type of race we appreciate. Mechanical levels no complaints.
The cut gives easely access to acute, we Balande really easily on the handle, it's pretty disconcerting, personally this is my second guitar, and a mid-range price quality are disconcerting, for the same price I ' I tested some Epiphone, Fender and Lag and there's really no photo. Level weight is lighter than all the guitars of the same type and same price range.
The settings are very simple (too? We would have liked a volume knob for each pickup, but honestly I preferred to ignore this little detail in the purchase and I regret nothing) and the sound can be adjusted easily .

SOUNDS

Hmm ... knowing that this guitar suits all styles of music, she should necessarily for me, I play the Rock (Incubus, Biffy Clyro, Thrice ...) and Metal (Cult of Luna, RATM, Korn ... ) and it fits me like a glove. The bridge gives mic sounds clear and the handle pops and gives the hot and harsh, and personally I find it much easier to use.
I played on a Cube 30, I play computer especially now with plugins + amp (H & K Warp), sometimes with a 100W marshall preamp tansistors with lamps. the tone knob is very effective and time at all we can easily move from jazz to metal, with no weakness in any of the styles. I for one am quite fond of the neck pickup, but even with an HH config we can see easily the versatility of this guitar, it is at home anywhere. Versatile, I tell you.

OVERALL OPINION

It will soon be a year since I use it (not very regular, I confess, I have not much time) and I'm really happy. It fits perfectly with what I play, and I know I will not be disappointed if he takes me the urge to play anything else.
Casually, I really like the mouth of the skyscraper. Do not rely on the small picture above the ugly, it is much more beautiful in real, it is great over for a guitar of this price, the ratio Q / P is really concrete. For my part I tried a Lag Roxanne from home in the same price (forgive me, I do not remember which model), the Yamaha of Tele ... There's no photo, PRS holds the road better. But I know there is a question of taste plays.

Most:

The versatility of sound
The quality of finish of all
Mouth
weight
the ratio Q / P

the -:

Hmm ... good will, the volume and not a single volume for each pickup, just to piss off what ...

I would do this choice? do you?

Made in Korea, 22fretes, 2 doubles PRS al Channel A tone, volume and switch ... how simple and effective!

UTILIZATION

This scraper is a joy to play, it is comfortable as possible (weight, indentation of acute super easy to CASC), it is better than the les paul (at large) and is mostly lighter!

SOUNDS

It can do everything except the funk, not enough slam but hey, it's a scratching type les paul funk is so not his style favorites (except for Lenny Kravitz when he is with his friend Slash!) But c is royal jazz, blues and all kinds of rock. The pop / variety 'in metalobourindelamort while going easy, accurate sound and well deffini what happens!

OVERALL OPINION

I've had a few weeks and I like it more this small, I love the sound, the look (I'll cover complete with two chrome microphone and a pair of Straplock as possible) and the comfort of 'instrument is that of happiness!
Before buying it, I tried a ribandelle to paul (epiphone gibson as) and I ended up opting for the single cut, which basically will be a best of both brands, and body microphone (latest) with the gibson epiphone acastillage of (which is much better to pass on the standard epiphone gibson as their namesakes!)
It's expensive but it is a true scratch for life!

Kore-Making in
-It has 22 Frets
Micro-PRS
Power Cord-free Vibrato
-1x Tone, 1xVolume, a 3 position selector
Mahogany-type Les Paul
PRS-Mechanical
-Comes with deluxe padded cover PRS
-Pearl inlays
Table-flamed maple

UTILIZATION

The handle is very nice round for access to the treble is super easy
It is a Les Paul shape with a cutaway but it is much lighter than the
The selector is very effective the other knob is effective
He could master Case 24 and the handle driver for the price

SOUNDS

I can not say if it suits my style because it is hyper polivalente and I play everything
I play on the VOX AD50VT and a multi-purpose VOX Tonelab LE
For sound it changes smoothly
The distortion sound is the sound i egg hard to clean Jore led zep too cool for c c funk style too but it ratrape in jazz blues

OVERALL OPINION

I DEPUIUS THE USE THREE MONTHS
I love everything I have nothing to say it may surprise you but they say a Gibson a few details
I try the epiphone gibson and I chose this one
value for money is great *
I do it again this choice undoubtedly

Everything said on the subject t

UTILIZATION

Much better than gibson

SOUNDS

I play blues, fawn Gary Moore, Paul person
often on the second position, it is plugged into an amp orange rocker 30 (says it all)

OVERALL OPINION

For the moment last week, I will return to give further notice
but you must know that to play and have a sound similar to a les paul cheap (IDAL for beginners, as the old road)
This is the PRS Singlecut IDAL, the whole branch of an amp orange, a hard hell, for the blues I do not get any better, up Submitted is great with botleneck one, I think the one I care for quite some time, and I'll sell the other

- Made of core (ha!)
- 22 frets, 2 humbuckers PRS humbuckers
- Manche al Mahogany
- Rglages: volume and tonalitbr /> - Mcaniques oil bath

The color is really nice trs

UTILIZATION

Guitar lgre astonishment, as nice (my taste)
The notches allow a CASC ais in the treble.
The handle is enjoyable to play trs
Good grip.

SOUNDS

The sound is just, trs prcis, good performance agreements
This guitar is versatile trs, trs with his warm, round the neck pickup: adapted for the blues. On the contrary, his grip over the bridge pickup, although mtallique, and with the distortion, a spit!
The pickups can make me think of a Seymour Duncan.

It can play everything from mtal, blues, rock ...

I play on an HK 30, enough, but I tried it on a Marshall 100W ... ouillouilluoille eardrums!

Gniale really, over a Roxanne, and a les paul ...

OVERALL OPINION

This guitar is really gniale, I bought 500 a month ago and the report qualitprix is ​​really impressive!
For a mid-range guitar was really something great, much better than what you may have that the price elsewhere.

I have not found anything as default for now as the sound level, Aesthetics, jouabilit ...

You really have to try it, simply by comparing and curiosities ... for me it's seen it all!

Oh yes: a default: back pain strength to play ...

PS: It is much more beautiful than the picture ...

-Made in Corea.
-22 Boxes.
-2 Knobs: one for volume and one for tone.
Channel curved (type lespaul) large enough.
Mechanical-oil bath.

UTILIZATION

-The handle is very nice.
-Access to acute is quick and no problem. The solos are not too hard to do, although the shoe might interfere in the back.
-The guitar is pretty heavy, but not more than others lespaul competitive landscape. It is well balanced.
-The design (colors chosen) is really fun.

SOUNDS

-The guitar is very versatile can play blues, rock, to metal.
-I play more typical metal pieces, and it sounds good with the bridge pickup pretty accurate. The neck pickup is when it is rounder and warmer (bold), and is perfect for solos or clean.

OVERALL OPINION

I use it for 6 months and I'm not disappointed. A very good midrange.

Most:
Appearance.
Sound (quite warm on the neck).
The grip fast enough.
The overall quality of the product for this price.

the -:
The mechanical change if the opportunity arises.

It's a good pick.

Features lowest

UTILIZATION

The handle is a delight, with a straight face that slides alone, access to acute is optimal (for a game sitting, not standing up for a game with the dug underneath the fly ), The weight is a strong point as the Beast does not hurt shoulder, in clear all the qualities required for a comfortable playing are present.
I also stated that since I bought it, it was not even out of tune (despite intensive game), so congratulations, mechanical PRS.
Thank you Mr Steven Wilson of Porcupine Tree released me from the world governed by Gibson and Fender ^ ^

SOUNDS

Personally I am very eclectic musically, and this without laughing ... wonder is ultra versatile. I play on a Zoom G9.2tt connected to a Marshall MG series (channel simulating the lamp disengaged, yeah y'en already two on the pedal is enough), and frankly ... words fail me to describe that happy came over me when plugged ... beautiful clean sounds are impeccable (for better sound, make use of the intermediate position), a bridge position slamming his well-balanced not saturated except when one looks for the neck position allows solo hot air and rythmques good round.
Switchée in distortion, the magic happens. Indeed, the micro fever is hot, sharp and precise at the same time, while the neck position is warm at all, the color tone of the set is a breathtaking, microphones fill out their functions.
(I said that I play on an emulated his Peavey amp for distortion, and acoustic simulation to clean complete with a chorus moderate).

OVERALL OPINION

Not without laughter? This guitar LowCost? It is true that I never tried her big sisters to award four figures, but I'm amazed, I hesitated with an Epiphone Flying V (made in Korea), the question is not even asked. I also have a LTD Viper 50, and an Ibanez RG-350 EX BK, and won the PRS stand pretty close to my bed instead of the Viper. I bought it there a little over a month ago and frankly it all on the scratch, comfort, look and sound and all for € 600 no, really? I have to thank Thomann, if the Gibson Flying V will not have faded took € 100 more during the Christmas holidays, I will be missed for a monument.
So here is my opinion, I honestly think this is an exemplary guitar manufacturers others should take example. I do it again this choice of course, but, but I'd (^^), not have and I will take the model with vibrato (the tailpiece bridge mix, is not a complaint either). A model that I invite you to try

see below

UTILIZATION

handle relatively thin and short, form of PSE LP and the same weight (it is heavy)., Access in a LP as acute (ie average).

SOUNDS

I think sounds for any style, jazz, blues, rock or hard rock, even if the funk is not clearly his cup of tea.

Tests on a H & K Statesman Dual EL84 and a fender hot rod. So two amps that meet well spcificits guitars (especially the statesman). Naturally, the sound is more round, fat (normal with microphones).

OVERALL OPINION

I possde a dozen guitars and this is the very first time I notice OPDs. Why? t because I bluff by the shovel. She holds the high Drage my gibson LP studio or my SG. It is clear to me all the guitars suprieure medium range I possde (Epiphone notte). To find a shovel suprieur level, you need to type in my Gibson LP standard (that is to say that I like it that little PRS) trs a good choice for any style.

PRS is a great modern guitar company that keeps on evolving their designs. Unlike the bigger companies they are not content with just putting out the same reissues every year and not adapting to new found technology and features. Their guitars are very modern in feel even if they still have traditional looks and sometimes tone. This is their singlecut model. Gibson tried to sue them to get them to stop making them because they are so good. This is the SE version which means that it is made overseas but still has all the great features of a USA made PRS. The design is pretty traditional. It has a mahogany body with a maple top. The flame top finish is a veneer over the real maple top piece. The neck is a set mahogany neck with the PRS wide fat profile. It has 22 frets with the PRS bird inlays. The tuners are non locking and the bridge is PRS's wrap around design. You get two PRS humbuckers with a master volume and a master tone with a 3 way toggle.

UTILIZATION

These guitars have a very modern feel even with the PRS design. The scale is 25 inches which gives it the snap of a Fender with the feel of a Gibson. Even with the simple wraparound bridge the guitar intonates very well which is quite a feat with the simple bridge design. The wide fat neck is not as fat as you might think. It has a very comfortable feel and the wide design gives you plenty of space on the fretboard to work. One gripe I have about PRS guitars is their pickup selector placement. I dont like how the pickup selector is way by itself on the rear of the body. I would prefer if it was on the upper bout like on a normal Les Paul or down by the knobs.

SOUNDS

PRS is pretty good about putting decent pickups even in their import models. These pickups are much better than what you would get in a stock Ibanez or a lower end ESP. PRS doesnt want to ruin the image of their high end guitars by putting out import garbage. The neck pickup is nice and creamy. You can really get a smooth lead tone with this pickup. The clean tones from the neck position are good as well. They are nice and bell like without sounding harsh. The bridge pickup is moderately hot and clear. You can get some good chunk out of this pickup. You might be able to play metal with the stock setup but you would most likely end up putting in some more high end aftermarket pickups.

OVERALL OPINION

I like the fact that PRS is putting out more reasonably priced guitars now. Their high end guitars are very nice but they are super expensive. With these SE import models you get much of the high end feel at a price that many more people can afford. I think these guitars can blow away just about any guitar in the same price range even with the stock import pickups. They did a great job of retaining all the unique features that PRS guitars have and just using more basic materials and veneers for the tops. Things that done really affect tone or playability. If you are looking for a PRS or just a great guitar for the price check out the PRS SE line.

- Features mentioned below, if not take a ride on the PRS website.
- In view of the finish of the grat is good value for money. It is class with personality without being destructive to the purchase.

UTILIZATION

- The handle is a handle of "Les Paul" style PRS, it is rounded, while not huge, for me it would be a bit of a handle Gibson type 50's (which resembles a log in the grip), but in a much smaller. So it makes it fairly easy to grip, if you love the sleeves flare, nothing to do with sleeves Ibanez or Fender.
- The weight of the guitar is light weight and balance is very good, the body of the guitar is fine and not chamfered, but given an acceptable thickness of the body does not interfere with his game right arm.
- Access to treble is a little bit problematic, the heel of the neck is fairly thick and wide, cutting the body does not help too much either. Following is a les paul, hurtling down a highway for wanting to have other models, but its still doable with the Great.
- At the sound is not hard to carve out one, two pickups with a three position selector switch and volume and overall tone. For volume and tone, one can say they are doing their job, the pots are progressive.

SOUNDS

- I plugged in the grat marshall JCM 2000 and a Roland Micro Cube, I added a Satchurator time and a Boss MT-2.
- I mainly play blues and rock / hardrock and some excursions in the area of ​​the metal. I've always been happy with the sound that emerged.
- In the clean sound of the bridge pickup is very acute on access, but without being garish or smacking, it does nothing specific in its clean but its still usable in jazz or blues if you play a little with tone. The neck pickup when it is well to round, felted, but there is enough light, it is very usable in blues or rock for quieter passages clean. Using both pickups together on a clean sound remains for me the best way to maximize the Great, the sound is full, there is no empty sound whatsoever agree or arpeggios.
- To crunch or lead sound, bridge pickup stands up very well. It is very clean, it does almost no feedback, but in high levels of saturation. The response of the microphone is good, his attack as it should and the dynamics of the game is respected. The neck pickup is very good too, it liquefies over the game, while holding the hand felted, very significant for the sweeping and even tapping. However I find that the two microphones set on a crunch sound / humid, make less than clean, it sounds a bit messy.
- With the addition of pedal, the grat is doing a very good way, the color of sound changes (logical) but its cleanliness and its definition is still as nickel than without.

OVERALL OPINION

- I used this guitar for almost three years before selling it to me a Transatlantic Mesa.
- It was my second guitar after a Cort X2, before buying it I tried epiphone (les paul and SG) for Ibanez, and Gibson Studio, a Lag Rm 200 (super nice, very nice surprise) , LTD of ... short string of guitar, I did lose my foot in favorite retailer! And in the same genre, I can honestly say that compared to its price it is a Gibson studio even better because the quality of constancy in PRS is safe, not at Gibson. Anecdotally, I heard that the specification of PRS is identical to U.S. models and SE series, only different types of wood and manufacturing (more steps performed at the machine series SE).
- In the kind Les Paul, both at the sound of aesthetics, I found nothing better in this price range.
- Most are versatile microphones, the clean side of the microphones, the flawless finish of the Great, easy to take his stick in hand, the ergonomics of the entire grat.
- Cons are: - Lack of split, the mechanics a bit light, finally here is really to find fault.
- A remake that choice I sink again.