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I paid $120 for this amp, and I felt I got ripped off. I wasn't expecting a great sound given the price and the SS technology, but I was at least hoping it could deliver the goods in terms of a usable clean sound. Given that it kept flaking out on me and had reliability issues, there's no way I could recommend this head. Also, don't even thin...
The Bassman 10, made in the 1970s, is a 50-watt tube combo amp with 4 10' speakers (probably Jensens or Celestions) in a sealed cabinet. Standard black Tolex covering, silver control plate with standard Fender-style knobs. Two channels, one 'Normal,' one 'Studio.' Normal channel has two inputs, a bright switch and Volume, Bass and Treble. Studi...
Allans music, Adelaide. Needed a good kick ass stage amp for doing gigs. $1395 Beautiful clean tones. The drive channels are amazing and the contour button adds some serious balls to the sound. The fx are top notch. A variety of reverb sounds is nice rather than just the same old spring reverb. Loud and gutsy...
I utiise 6 years now but mostly for the studio, on stage it so that shipments must déjas have a room with a volume sufisant lol, for small rooms, I still had my old fidel Pevey TNT 115, I like all the particularitée the fender ....... except its weight!
I've had 6-7 months is a divine pleasure to use, it is a galre to transport, the head 25 kilos and 50 kilos the cabinet (2x15) a dm nagement each use, the better to have a local ddi and not to move except for the concerts. is the sound I was looking for more than 10 years but never had the opportunity to test it. I miss him more t...
I use this nice amp for 8 months. I also have SWR Workingman 15 combo, an Eden Traveler 300 coupled to a cabinet SWR Golliath 3. All have their own personality: Eden is great for jazz and funk, SWR perfect for portability, and the Bassman for all the rest. His fault: its weight (60 kg cabinet, although the head must do 25 kg), and also the poten...
