Biggest Ever Audio Mixing Contest is ON!
After Grand Pianos, it's the turn of the Upright Pianos bank to be ported to Synthogy's new audio engine. Let's give it a try.
We tested the Abbey Road 60's sound bank about one year ago. In the meantime, Native Instruments has already released three more Abbey Road sound banks: 70's, 80's and Modern Drums. Let's get this show on the road...
String sections from John Williams or Hans Zimmer are pretty nice but they don't sound very rock 'n' roll. So we are very happy to welcome Native Instruments' Session Strings — a string section for Kontakt that is original in several aspects...
Following our review series on virtual pianos, we test the results of a triple collaboration between a manufacturer (Native Instruments), another manufacturer (Scarbee) and an artist (Alicia Keys).
The launch of the Montclarion Hall Piano gives us the opportunity to present to you the full range of Tonehammer pianos, characterized by the same original approach of all the other instruments by the manufacturer.
While Avid and Cakewalk launched the new versions of their respective flagship sequencers just before Christmas, Steinberg chose NAMM 2011 to present the wistfully awaited version 6 of Cubase. This new version doesn't mess too much with the foundations of the sequencer but rather brings many new features regarding handling and functionality.
Vienna Symphonic Library recently presented its Vienna Instruments Pro. What is hidden behind this virtual instrument? Is it just an aesthetic update or a real evolution?
It was THE event at the 2010 AES show in San Fran: the launch of Pro Tools 9 took center stage and generated a lot of expectations. Pro Tools 9 is not merely a simple update. It is in fact a small revolution for Avid, given that the famous DAW is now open to the external world — for the first time ever.
The new Sonar version has arrived. However, instead of being version 9, it is named Sonar X1. Cakewalk actually decided to completely rebuild the interface of its sequencer. And it changes everything. For good.
The Mouth, second effect created by Tim Exile after The Finger, allows you to process any input signal in a creative way, even though it shows some preference for vocals. Is it a vocoder? More? Or less?
