All user reviews of 5/5 for the Ibanez TS808 Tube Screamer Reissue

paid £130 online - cheaper than my local music stores by £20.

first things first - this is not the kind of pedal u plug in a start banging out metallica riffs on. its a subtle increase of gain that just gives you that little bit extra when it comes to your solos. the tone is perfect! its warm, smooth and will complement anyone playing solos that don't require layers and layers of distortion. after all, stevie ray vaughan used these - and the moment you plug a strat into it you can see why. i use it with everything at 12 o'clock and it still makes me smile 6 months down the line.

the price is pretty steep and yea it looks a little goofy but thats it.

very strong metal construction - this thing can take a beating. hell if u kick enuff cr*p out of it you could always resell it as a vintage.

if you want to 'play every note' then this is the pedal for you. what i mean by that is, its not the kind of pedal Vai would use to do his lightning fast hammer-on cross-taps etc this is the perfect pedal for ppl that like heavy strings (i use 13s) and play everything with the hammer down - without reling on tiny thin strings and a bunch of effects.

think SRV and KWS and you've got a pretty good idea of how this sounds.



This review was originally published on http://www.musicgearreview.com

Tube Screamer TS808 version "Grand Guru of the pedal" ...

Components-rare, sorted on top.
EQ-revised.
-Gain settings changed: more than the original, but ... less, for a more clean

UTILIZATION

The classic 3 knobs: Level, Tone, Overdrive, yes it is simple ...
The adjustment of tone has improved, we obtain a range of its much broader than the original.
According to the amp, guitar, pickups, effects, sound volume, the settings will of course never the same ...
The combinations are endless.

SOUND QUALITY

Keeley has sublimated the original TS808 (already cool at the base), making it more organic, transparent and musical ...

In boost it provides heat, momentum, she opened her literally to the point that its absence can be very embarrassing if only one gets used.

In only generates overdrive, the grain is beautifully vintage and musical performances despite increased thanks to the headroom considerably higher than the original. On a stratocaster rendering is superb, authentic.

Keeley's work is also much in the balance of the equalizer that will respect you much more material, including through the mediums down while increasing the bass and treble.
It is rather quiet but beware, it can of course blow if the settings are not appropriate.
Also note that the TS along very well with other pedals, overdrives, compressors, boosters, which is not the case with all the pedals ...

OVERALL OPINION

I like the overdrive, without having tried them all, I focused on what is best.
After years of research, I kept 4: FullDrive Mosfet, the FuzzHead Keeley, the BB Preamp and Keeley TS808 ...
I'm not saying these are the best is subjective, but I say that on my hardware (LP Seymour Aph1 rise, rise Fender Stratocaster 57/62 + Ceriatone Marshall clone Jubilee) is what sounds the best to my ears.
Nevertheless, these pedals provide a lot of nice things to the sound of a tube amp ...

The first 3 are already acclaimed here, I wanted to make my contribution on the TS ...
It is expensive, very expensive, € 275 new on Ebay or at Keeley ... and addresses, I think, for enthusiasts, both professional and amateurs (slightly crazy).

Republication!! first of all it's TS808 "screaming tubes" Fuzer the feedback when the amp is already loading ... short is THE OVERDRIVE BOOST boosts the overdrives.

UTILIZATION

It plugs, we play and turn the pots with the foot. the switch is quiet but not always easy to initiate

SOUND QUALITY

The pitch correction is effective to balance the effect, the output level is "sufficient" to undermine any amp that is filled tube overdrive and used throughout its course (not displease the purists SRVéiste)
Connected to a transistor or combos to model the rendering is very different one finds the "bees" overdrive characteristics of such amps, you will have the sound of lamps in a tube amp or a very good modeling pre-amp.

OVERALL OPINION

I have a collector .. green boxes, I had to the just for the apple green ...
Be careful though, use a clean sound that does not involve the by-pass and adding a second soon becomes mandatory .... Billy Gibbons has used up to six. it's like rolling in E-type jag or find his 20 years, a must ...........

Overdrive pedals, used to "crunch" sound.
Simple, three knobs:

- Overdrive: the saturation intensity
- Tone: qualisation of a button
- Level: output volume

It's simple, it works, no need to superflux.

UTILIZATION

RULES and we play it!

The hard part is knowing what you want him to do, boost, lightweight overdrive, overdrive solo ...?

SOUND QUALITY

So l. .. has become more complicated.
Let me explain:

I reu the pedals as a gift and I had never heard of ... what is a an overdrive?? is a distortion and less violent??

First session: on my pedalboard with a transistor amplifier: I ... dcu triggers, nothing exceptional comes out. I told my friend c'tait scammed. I dclenche euhh ... something is missing from the shot, but I do not know what?? R-I activates ... Ahh yeah even when the small grain is nice, but for that price is the CHRE the small grain. I included on my board and I thank my friend ... OK no more!

Deuxime session: my head lamp 50W is resurrected, I turn the knobs limit saturation of the Tagus power (trs, trs fort), the PDAL j'enclenche m 'Meanwhile the same rsultat on the amp transistor and l.. .. the Blam mga giga tera slap in the face. It saturates the Tagus power and have the most beautiful sound I ever got out of this amp, sustain a blow dcoletts and buttons for an attack type bull in the ar no ... I have to calm. I go back my friend and I rolled a shovel to thank (j'exagre a little but it's almost a)

OVERALL OPINION

I use it for a little less than a year and it became the hub of my pdalier, his heart and the guts.

An overdrive is a put EHJV by saturating a little sound while keeping the possibility of diffrencier each string of the guitar, nothing to do with a distortion which transforms the agreements as a whole. This is done to play good old rock AC / DC, or the fusion of Rage Against the Machine. It EHJV file a monumental sound without making the porridge.
I also tried the marshall blues breaker of (the former not beautiful), but it is when even a notch below.

Use an amp with absolutely lamp, if one wants value for money.

If I do the mowing, I shed my tears and I Rasht one.

This is my own point of view and I would ask you to respect it as I will respect the VTRE. Thank you

Gain, tone, vol.
I put 8 in the absence of true bypass, it says the switch does not crack initiation, which is apprciable.

UTILIZATION

Trs simple, but full of sounds available.
I use it to boost, gain at least the flight out to the max to saturate lgrement allows the lamp of the amp (although lamps sr).
with the tone color trs found quickly.

SOUND QUALITY

I use it with my Gibson 335 for the booster between the amp and have a clear boundary of the overdrive.
was used to transform the sound of a slamming a little twin or even a hot rod down the volume by giving a lot of heat and adding a little grain.
In a Boogie, a more saturated (try a lead channel to boost even more!)
Warning nanmoins, you lose some serious (correct on the amp). The TS colors the sound, but I like a Manir.
For this to be top, it would take to change it with rare sorts of components and tests. (A specialist in only)

OVERALL OPINION

I just have it but I won. I was looking for some sort of boost to get my sound DIFFERENT amps (Twin, Hot Rod, Peavey, Marshall etc). I also have a Boss SD1, a RAT (for the distortion over rapper). This is the pedals, which is closest to the grain of the lamps. It works wonders just before the booster amplifier lamps. It's expensive but I think it will become indispensable to me.

It is an almost perfect clone of the original TS808:
ITS808 home ggg.com (general guitar gadgets, USA)

The mine has undergone these changes:
- 3 Germanium diodes (both parallelism, plus one in series)
JRC4558D-chip (yes made ​​the difference in the harmonics! Also diodes!)
R6 4k7-1k, 51k 10k R7, C3 473-224-0.22F 0.047F)
True-bypass switch millennium
-Switch on / off for the C3 0.22F which adds bass without too botch attack
Biensr resistors must be used "metal film" more accurate than "carbon film

UTILIZATION

But very simple configuration changes:
1 booster amp on distortion channel: metal and comp
2 booster strat clean blues pure joy
3 booster bass: with capacity C3 removed by the switch
4 Overd typ Clash / punk: knob to drive in the middle
5 fuzz / distortion: knob to drive to the max and the volume pot of the south mids

SOUND QUALITY

I love everything, even the parasites pretty reminiscent amps lamp ...
It's a pedal MUSIC foremost and indispensable support for composing / recording!

OVERALL OPINION

I also constructed the TS9 but she seems too aggressive, with less effect screamer bcp / sustain. The modification of the volume pot of a drive for mega is rotten and breaks the beauty of the pedal sound ... personally I handed the knob 500k!

I also availing oneself of a super ibanez tube clone in Russia to the '90s, it is lower in output but also musical ...
RANDOM HARMONIC!