Log in
Log in

or
Create an account

or
Add this product to
  • My former gear
  • My current gear
  • My wishlist
Royer Labs R-121
Images
1/256

All user reviews of 4/5 for the Royer Labs R-121

Filter
4.9/5
(13 reviews)
85 %
(11 reviews)
15 %
(2 reviews)
Write a user review
Users reviews
  • eyecantgetnomatriçageeyecantgetnomatriçage

    Very good at taking mood

    Royer Labs R-121Published on 04/29/13 at 04:05
    (This content has been automatically translated from French)
    MIcro tape



    NOTICE GLOBAL

    The R121 responds subtle Manire. The sound restitution is dfini as Oktava between range, but relatively placid. Vary greatly by pramplis. This is not my prfr but I do not know what gives decision proximity.
  • ericthegreatericthegreat

    very stylish

    Royer Labs R-121Published on 10/24/11 at 22:31
    The Royer Labs R- 121 mic is a weird looking device in my opinion but that doesn’t mean the sound isn’t good. with a permanently polarized 16-mm (0.63")diaphragm element and a preamp that requires 48V phantom power. It is built using a chassis for a large-diaphragm mic, i.e. a cylindrical box normally used for mics with diaphragm diameter of 25mm (1") or more 16-mm diaphragm size does not allow one to put it in the true large-diaphragm mic category (More on why later). It has an almost flat frequency response from 20Hz to 20kHz and cardioid pattern, but has no bass-roloff switch or 10dB attenuation pads. Comes with a pivot stand rather than a shock mount.
    Overall the mic sounds very decent…
    Read more
    The Royer Labs R- 121 mic is a weird looking device in my opinion but that doesn’t mean the sound isn’t good. with a permanently polarized 16-mm (0.63")diaphragm element and a preamp that requires 48V phantom power. It is built using a chassis for a large-diaphragm mic, i.e. a cylindrical box normally used for mics with diaphragm diameter of 25mm (1") or more 16-mm diaphragm size does not allow one to put it in the true large-diaphragm mic category (More on why later). It has an almost flat frequency response from 20Hz to 20kHz and cardioid pattern, but has no bass-roloff switch or 10dB attenuation pads. Comes with a pivot stand rather than a shock mount.
    Overall the mic sounds very decent for the money. A couple of observations. In my experience the mic meets the frequency response specifications and even exceeds the given range (picks up to about 23kHz). The mic is tailored for closer recording than regular studio condensers: 6" to 8" rather than 12" from source. It has almost no proximity effect when used on vocals but substantial proximity bass boost when used on acoustic guitar (which you have to remove with EQs since it has no bass-roloff switch).


    OVERALL OPINION


    Acoustic guitar and vocals sound very natural, guitar sounds very good with pick/strumming noise adding a nice bright touch to the recording. It sounds decent on shakers but would not be my first choice for that. I've had some problems removing excess boominess from the bass since with guitar it does get bass-heavy, but the overall quality is commendable. Lack of shock mount and bass-roloff switch I'd say are where R 121 cut quality to make the mic cheaper.
    The permanently charged diaphragm, it sounds comparable to the true condensor mics if not better. But electrets may lose up to 3db gam over a few years as the material charging the diaphragm gradually gets de polarized. Hope fully this mic can hold up.
    See less