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Monacor MPR-6
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  • pablo.schubmehlpablo.schubmehl

    This product no longer exists

    Monacor MPR-6Published on 05/14/14 at 00:10
    (This content has been automatically translated from French)
    The MPR-6 is no longer about the Monacor brand.

    USE

    The MPR-6 is no longer about the Monacor brand.

    SOUND QUALITY

    The MPR-6 is no longer about the Monacor brand.

    NOTICE GLOBAL

    The MPR-6 is no longer about the Monacor brand.
  • charlatan transfercharlatan transfer

    Monacor MPR-6Published on 04/10/04 at 09:21
    (This content has been automatically translated from French)
    Small prampli analogue with two 6.35 mm jack inputs and output RCA Stereo.
    External power transformer (supplied)

    Frquence: 5 Hz to 40 kHz
    Eingangsempfindlichkeit - 2 mV/1V
    Impdance output: 10 kOhm
    Output voltage: 3.2 V max / 47kohm
    Gain: 53 dB
    Dynamic: 63 dB
    Distortion: 0.05%
    Operating Temperature: 040 C
    Voltage: 12V
    Current 100mA
    Dimensions 67x37x121mm
    Weight: 215g
    Inputs: 2 x 6.35 mm
    2 x RCA outputs

    UTILIZATION

    Operation extremely simple: plug and save ...
    The manual is practically non-existent, but not really helpful either ...
    Note that if only one microphone is plugged in the signal is returned on 2 2x mono cinch.

    SOUND QUALITY

    T…
    Read more
    Small prampli analogue with two 6.35 mm jack inputs and output RCA Stereo.
    External power transformer (supplied)

    Frquence: 5 Hz to 40 kHz
    Eingangsempfindlichkeit - 2 mV/1V
    Impdance output: 10 kOhm
    Output voltage: 3.2 V max / 47kohm
    Gain: 53 dB
    Dynamic: 63 dB
    Distortion: 0.05%
    Operating Temperature: 040 C
    Voltage: 12V
    Current 100mA
    Dimensions 67x37x121mm
    Weight: 215g
    Inputs: 2 x 6.35 mm
    2 x RCA outputs

    UTILIZATION

    Operation extremely simple: plug and save ...
    The manual is practically non-existent, but not really helpful either ...
    Note that if only one microphone is plugged in the signal is returned on 2 2x mono cinch.

    SOUND QUALITY

    The mission of this unit is to provide a microphone between the o it does not. It is therefore convenient to replace the old mic that was once on magntophones cassettes, for example taken stro "amateur" in concert.
    The gain is 53 dB, can not be changed.
    Ct's, do not ask him too, there is indeed a little breath ...

    OVERALL OPINION

    I used to record a chorus + organ in concert with a couple of dynamic AKG 222. Direct recording on CD (double a minidisc backup!). The MPR-6 allows me to attack the CD on between "online".
    Your exact was convincing enough even if ultimately
    1 / there was a little too much gain and the drive only allows minimum-12dB. On "strong" silent saturation possible.
    2 / breath evokes above is certainly audible, but not in this context trsgnant making "live" for the archives.

    Always about breath, I could compare the MPR-6 with the table pramplis Yamaha MG 12 / 4. This is quieter dernire (~ 3 dB overall), but only accepts XLR symtriques, which plays in the right direction.

    For 45 euro, do not expect a quality of madness, but it helps to have a possibility to record with real microphones on different recorders (MD, CD, etc.). Who do Never pramplis. In addition, the MPR-6 is very small and in a mobile trs, is justified!
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