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TL Audio 5051 Mono Tube Voice Processor
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All user reviews of 3/5 for the TL Audio 5051 Mono Tube Voice Processor

Channel Strip from TL Audio belonging to the Ivory 2 series

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4.0/5
(21 reviews)
33 %
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43 %
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10 %
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Audience: Beginners Value For Money : Excellent
Users reviews
  • fjohnfjohn

    TL Audio 5051 Mono Tube Voice ProcessorPublished on 05/25/10 at 15:14
    (This content has been automatically translated from French)
    preamp is a hybrid with real pieces of light inside. Costeau, nice, nice VU meter knob pleasant to shoot. We see brillers lamps on each side is nice. Nothing to say.

    UTILIZATION

    No worries. Everything is clear for this type of device also ..

    SOUND QUALITY

    With the TLA 5051, it becomes very medium, soft, see soft. It is not transparent at all for a preamp, I say we should test this color before buying, especially if it is to go upmarket, you may be disappointed.

    Besides, I'm not sure that those who have a research believer Lamp / Vintage / heat is happy with this choice, I advise them to spend more by plugins to try to do already.

    For those who do not think I could …
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    preamp is a hybrid with real pieces of light inside. Costeau, nice, nice VU meter knob pleasant to shoot. We see brillers lamps on each side is nice. Nothing to say.

    UTILIZATION

    No worries. Everything is clear for this type of device also ..

    SOUND QUALITY

    With the TLA 5051, it becomes very medium, soft, see soft. It is not transparent at all for a preamp, I say we should test this color before buying, especially if it is to go upmarket, you may be disappointed.

    Besides, I'm not sure that those who have a research believer Lamp / Vintage / heat is happy with this choice, I advise them to spend more by plugins to try to do already.

    For those who do not think I could do without real light, I advise them preamp rather a more transparent, more versatile. The sensation of light will be more subtle.

    I did a riff on a Shoutout resumed in acoustic if you want to make you a notice with your ears, sources here (he also stallion in the preamps zoom R16, for fun):

    http://john.fender.free.fr/Export/AF/TLA5051VSOneQ/

    OVERALL OPINION

    I've had it about two months. I also have a JOEMEEK Q1. Well, I prefer the sound of JOEMEEK, there's no picture. The TLA may well have clearly more headroom, without saturation, he eats too much sound from what I get with the JOEMEEK which highlights the fine bass and treble clear and precise with respect to a sound becomes very medium, may be softer, softer to me.

    Besides, I sell mine.
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  • lucasd'airylucasd'airy

    TL Audio 5051 Mono Tube Voice ProcessorPublished on 12/06/10 at 01:31
    (This content has been automatically translated from French)
    In response to the notice below: I dispute that Ultragainl'équivale. The TLAudio rpésente thousand times more possibilities than a Behringer amp; certainly not the warmest of the preamp, but this account it is possible to change the lamps (eg Telefunken.)

    Blend 12AX7-transistor
    Connectors on this classic type of device (mic, line ...)
    Presence of a gate of more random


    UTILIZATION

    Configuration ideal for learning
    Getting a good sound requires an adjustment to the sources:
    - The voice, the record is generally very good with a microphone static if the following conversion is good, especially when the compression comes from the equation '
    - For guitar, device unsuited alone, …
    Read more
    In response to the notice below: I dispute that Ultragainl'équivale. The TLAudio rpésente thousand times more possibilities than a Behringer amp; certainly not the warmest of the preamp, but this account it is possible to change the lamps (eg Telefunken.)

    Blend 12AX7-transistor
    Connectors on this classic type of device (mic, line ...)
    Presence of a gate of more random


    UTILIZATION

    Configuration ideal for learning
    Getting a good sound requires an adjustment to the sources:
    - The voice, the record is generally very good with a microphone static if the following conversion is good, especially when the compression comes from the equation '
    - For guitar, device unsuited alone, requires a lot of boost and clarity is lost in the cream caused, however this can give with the pedals (the first try in first-position [before the band] and , but useful little practiced by time in post, ie before entering DAW) on the other hand, very good to take the mids of the guitar with a microphone
    - For percussive elements: it depends, but can be very useful in a battery made for Tom's or to soften the cymbals)
    - For BAR: provides added warmth and even swing with the comp 'in the extreme, it is still necessary that the initial sounds are minimally processed (reverb tends to drool)
    unless you are good converters: not recommended for treatment of external effects during mixing "in the box''
    - For synths: yes on tablecloths or to reduce the sound shrill stridency

    SOUND QUALITY

    - reproduction that can be flattering on the excellent singing proximity effect (sensuality, intimacy), eg. with a Neumann TLM; mezzo made it a standard dynamic SM58
    - The guitars are thereby muted, which may be interesting or to correct with EQ
    - Preamp rather go without colored in shades of garish range corresponding Joemeek: its brittish, creamy

    OVERALL OPINION

    Well to start, have used it for 2 years
    The +: a benefit very correct on vocals and wind instruments, to work, but also to rework: Second compresssion + Eq remedy: that between the logic of a chain of sound and color can make a very sweet welcome Park preamp '
    the -: good acoustics needed to go to a high level
    very good value for money
    With the experience: thank you Dad!
    Very correct
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