All user reviews of 4/5 for the E-MU SP-1200

12 bit. Ergonomics impeccable. But nothing so rvolutionnaire we would like to believe.

Surbuzze a machine and therefore the hype is at least as large as the price compltement dplac.

UTILIZATION

Trs is easy to use, at the same time there is no risk of getting lost in the multitude of samples that can not fawn all sampler since only 10s if I remember well.

The rest is the E-Mu is square.

SOUNDS

The sound is pretty rotten for anything other than percussion. Sound 12 bit internal and hacks have probably made this machine a kind of "must-have" for all hip-hop producers who would have certainly gone out with both a 12 bit sampler of the era (S950 For example, if S1000/S1100 for 16 bit) and a good compressor.

The 12 bit provides a dynamic that forces pushing Reduces the volume. It's kind of natural compression that makes the sound "tape". Ms. phnomne with the Akai S950.

But the real plus is its groove, and above all the honors she MRIT.

OVERALL OPINION

A machine overrated, too CHRE too hype (it's a common thing in the middle hiphop!), Too everything to end up with a good machine Exceeds long.

Output 8 + Mono Mix Input.
The squenceur oldie is enjoyable.

UTILIZATION

The use is very simple. It's better than the Ensoniq Mirage.
To me, the manual is not clear to beginners trs. As we understand and measure.
Once the machine is familire gnial.

SOUNDS


Sometimes the correction signal can arrange two or three things.

OVERALL OPINION

I have since 1997.
The squenceur is too old.

For prices: Phantasm and Ralite are rarely compatible.
A remake, I would take two.