All user reviews of 4/5 for the Sennheiser e 602-II

If you are in search of a great sounding kick drum or bass microphone then the Sennheiser e 602 II will serve you right. It cost under 200 dollars and has a fast response and low frequency extension. If you have a bass instrument or a kick drum that has that really low frequency this is the microphone to have that will pick it all up. It has a cardioid pick up pattern and it is a very rugged microphone. When its all said and done, it will depend on the angle that you have the Sennheiser e 602 II pointed toward your instrument or kick drum. If you find that sweet spot (on the kick drum) it will really give you the punchy sound and make those low frequencies pop. You will really tell when you listen to the play back of what you just recorded.
We have used this microphone for about 4 long years now off and on depending on where we are recording at.


OVERALL OPINION

The ability to pick up those really low frequencies is the Sennheiser e 602 II finest quality. I don’t have anything bad to say about this microphone. It is very rugged and is made to be dropped a few times. We are very happy that we chose to use this microphone and after using it for 4 years we still have it and still use it, it sounds and looks brand new. I recommend getting this microphone for your kick or bass instruments if you really want those low end frequencies to pop in your mix. The sound quality for the price is un-beatable, a microphone this good could easily cost around 300 bucks today. You can compare this microphone to the D112 but I still think the Sennheiser e 602 II sounds a lot better even though they have similar specs.

This mic is Sennheiser's answer to the AKG D112 and the Audix D6. It is a large diaphragm moving coil dynamic mic that is designed to mic up your very bassy sources. Primarily you will find this stuffed inside a kick drum. It connects with the standard XLR cable and doesn't need any phantom power to operate. It actually comes pre-fixed with a mic clip, so you don't need to worry about losing and replacing that little piece which is nice. The frequency response of this mic definitely seems to be tailored to kick drums in two specific places. First, on the low end, there is no obvious bass roll-off like you find on a lot of dynamic mics. This curve acts to preserve the bass you'll get from the proximity effect and the natural bass from the source, so you can get meatier sounding kick drums. There is also a bit of a dip around 250-300Hz to counter-act some of the boxy tone that some kick drums have. There is also a little bit of a presence peak at around 3k to help the beater on the drum head sound come through a bit more, so you can hear the kick drum better in a mix. The polar pattern is cardioid and it is a front address capsule, so you'll probably want to angle this to point at the drum head for the most balanced sound.

OVERALL OPINION

I have used these as the live kick drum mic a few times. I am usually loathe to switch out anything for the AKG D112, but I have actually been pretty impressed with the sound this mic can get more than once. It definitely depends on the drum and the player, but times have come up where this mic sounded better than the AKG D112 as well as the Audix D6. At the least, this mic gives them a run for their money. It is cheaper than its competitors, which helps it in the value area, but overall I would say not as good a mic as the others. I would recommend it as a back-up.