All user reviews of 4/5 for the Shure SM58

- Cardioid Dynamic Microphone type (Unidirectional) SHURE SM58
- Bandwidth = 50-15 000Hz
- Impedance = 150 Ohms
That's the technique, it's copied.
Micro song for concert more than priori studio.

OVERALL OPINION

Used for singing (not me) or transplanting non self amplified instruments.
I did not so I jam with my friends musicos group, as everyone is not always equipped or do not walk up with his gear, I have my little need me (small sound system, microphone etc.) In short this microphone does its job, troubleshoots very often a second voice (Usually the singers have their micro, often a SM58 matter!)
There are probably better, but it's really happening everywhere micro, slightly swollen in the mediums he flatters voice a little and not catch too (Well it is a micro therefore not still do anything else feedback it is likely these small animals there!)
That I am not an expert, so I can not say more.
For me it and a safe bet! For a pro I know ...

Very good vocal microphone, but also versatile instruments, brass, etc.
I put a note 8, for its versatility: it is the micro to do everything, never disappointing, excellent value, and it is indestructible.

OVERALL OPINION

It must be thirty years since I use exclusively, before I turn to other recent pickups:
- Beta 58A: flattering to the singer, bass fishing, insensitive to feedback, but a bump in the midbass, and finally, despite appearances, less faithful than the SM58.
- SM57: I tried it with a pleasant surprise: an incredible fishing, foundry raw attack, but it remains true. In summary, this is THE micro "old school", that must be mastered (plosives beware!), But that will reward you a hundredfold once you know the tame, which is not always easy.
- AKG C535: while there, big surprise: virtually flat in équas an incredible fidelity all passes (including defects), but what a treat for the singer who can pass all its nuances.
So what to conclude?
To each his own microphone, you have to try. And given a microphone will sound differently depending on the room. So it's not a luxury to have several in his briefcase ...
As for the SM58, well ... if you have a microphone, so take that one: no surprises fear

Difficult to argue that micro present. Dynamic, I always take without switch. The horse on stage. I spend a voice in, sometimes a snare 57 when his brother is not. I also used a flute, which requires the flutist know stay in place ...

I like this microphone studio too. Some voices (including mine ...) go best in a 58 in a neuman a condo. It depends on the style of the singer, his voice, the dynamics are singing ...

In the end it is not given, but I've never found myself in a complaint and we can overlook a little without condemning to death the short term, or the letter on stage between hands without any back thought. He did nothing about particular property, which had to be seen as an advantage goes everywhere and no surprises.

OVERALL OPINION

I've used since I make music. Say long

Dynamic microphone singing made for the stage

OVERALL OPINION

I have over fifteen years, and I used a lot of vocal microphone (E840, E845, D880, Beta 58 ...). it does well in a lot of situations. it's not the one with the best sound, but overall it holds up.
I love its ease of use, versatility and above all his strength. One fault, it starts to be slightly above its level by newer and more expensive mics. What limits for studio use, nothing serious, it is not made for that.
Level quality / price ratio, it's not bad, I would say 7/10.
I think the choice again, I always have with me even if I do not use as often.
It does the job! I think this is the essential micro in its fleet, and if the park is only a microphone, this is the one you need.

Dynamic voice-oriented, for more detailed technical information Micro, I invite you to visit the site constructor.

OVERALL OPINION

Used for the stage as a singer / rapper and as front / back for TV recordings and concert technician.

Also used for recording models, always vote.
Used in a rap / vocal group 5 singers (and 5 sm58) on very large installations such as in configs much smaller bar type.

Essential for robust, durable and widespread (and thus in great demand).

Can cause feedback problems, especially rappers, metalheads who tend to hold the microphone with your hand around the windshield, and if there May 58 on a small stage surrounded by walls, it can also be sporty to the sondier ...

also this bump in the midbass / midrange and lack of definition in the upper midrange (in fact everything you do not want to see a well-defined!) are correct in Eq

I work more now with sennheiser E548 which I prefer rendering, but if he wants to see the distance in terms of robustness (58 are virtually indestructible even after multiple drops, and you can easily replace the grid too low)

Cardioid Dynamic Vocal Microphone Type

OVERALL OPINION

How long have you use it?
8 years

Have you tried many other models before buying it?
so full!!

What is the particular feature you like best and least?
indestructible micro ... for me to take the mine fleet, was thrown to the ground by an edgy rocker!

However micro enough medium (in terms of sound), but any sound engineer is able to out a very good sound of the microphone.

How would you rate the quality / price?
With experience, you do again this choice? ...

Quality / price ratio very honest, very good quality microphone and it is still the reference microphone on live scenes!

Yes without hesitation, this mic has never failed me since I and god knows he was abused repeatedly!