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Native Instruments Monark Pro Review - The King Talks
In the domain of analogue synthesizer emulation, the race for fidelity continues. The biggest breakthroughs have not necessarily originated from the top editors. One of them, Monark, is reacting with…
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Orange OR15 Review - With a Strong Fruit Flavor
Every day that goes by it is more obvious that the famous Orange Tiny Terror turned the guitar amplification market upside down. It started a trend (a very positive one, if you ask me) for affordable…
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Vestax VCI 380 Review - The Art of Controllerism
The famous Japanese manufacturer Vestax — a major brand in the DJ world since 1977 due to the very high quality of most of its products — offers now a two-channel MIDI controller, which you can also …
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iZotope Iris Review - At Your Beck and Call
iZotope is famous for its effects, audio processing and restoration tools. Now, the manufacturer enters the world of virtual instruments with the launch of Iris, its first synth. Knowing iZotope, we …
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Presonus Studio One 2 Review - Studio Killed the DAW Stars
Launched about two years ago, the first Studio One version impressed with its maturity. The program was stable, practical and well thought-out. It had almost nothing to envy the leading sequencing to…
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Roland Quad Capture Review - Roland Does the Quad
Do you want a small sound card with a high quality sound, clever features, a good construction, and an affordable price? If you do, follow me to give Roland's Quad Capture a try. If you need even mor…
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M-Audio Profire 2626: The Test - M-Audio Strikes Again
With no fewer than 26 inputs, 26 outputs, 8 integrated Octane microphone preamps, and ProTools M-Powered compatibility, the latest interface from M-Audio aims to find its niche in the category of int…