- 03/23/13
ReviewWith a Strong Fruit Flavor - Orange OR15 Review
Every day that goes by it is more obvious that the famous Orange Tiny Terror turned the guitar amplification market upside down. It started a trend (a very positive one, if you ask me) for affordable, high-quality and low-power amps. In spite of the huge number of products in this segment, Orange is still the leading player when it comes to low-...
- 09/02/12
ReviewThe Art of Controllerism - Vestax VCI 380 Review
The famous Japanese manufacturer Vestax — a major brand in the DJ world since 1977 due to the very high quality of most of its products — offers now a two-channel MIDI controller, which you can also use as a standalone mixer.
- 07/02/12
ReviewAt Your Beck and Call - iZotope Iris Review
iZotope is famous for its effects, audio processing and restoration tools. Now, the manufacturer enters the world of virtual instruments with the launch of Iris, its first synth. Knowing iZotope, we expect nothing but a very original approach. Are we wrong?
- 04/07/12
ReviewStudio Killed the DAW Stars - Presonus Studio One 2 Review
Launched about two years ago, the first Studio One version impressed with its maturity. The program was stable, practical and well thought-out. It had almost nothing to envy the leading sequencing tools. Studio One has gone a long way since the first version: it was dramatically enhanced in v1.5 and now comes back with a really amazing version 2...
- 01/09/12
ReviewRoland Does the Quad - Roland Quad Capture Review
Do you want a small sound card with a high quality sound, clever features, a good construction, and an affordable price? If you do, follow me to give Roland's Quad Capture a try. If you need even more, follow me too because Roland has something in store for you.
- 11/28/08Review
M-Audio Strikes Again - M-Audio Profire 2626: The Test
With no fewer than 26 inputs, 26 outputs, 8 integrated Octane microphone preamps, and ProTools M-Powered compatibility, the latest interface from M-Audio aims to find its niche in the category of intermediate-level FireWire audio interfaces. Should the competition be worried?
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