All user reviews of 3/5 for the DPA Microphones d:vote 4099

This dun static versatile attachment system. Several systems are planned (guitar, violin ...) The overall quality seems very good.

OVERALL OPINION

I waited a long time to test the microphone to finally have a real acoustic guitar sound on stage. Done: - in my home studio is not bad at all, it can make a decision without worrying too much movement in front of microphone and placing it well get good results, comparable to good static "cigarillos" - but attention on stage: it is unmanageable, do not listen to the marketing department that you are talking about lack of feedback ... if you play alone and with a return ok not too strong, but in group c is not worth it, it hangs around .. in short, quick fix has not arrived yet .... so we submitted a Shoeps my guitar before I can move, I also have some problems with grip but at least J have a great sound. So a very good mic but on stage it is not at all suitable, and yet it is what the importer communicates!. Gaff gaff so before buying, because at 450 € it would be a shame for you to put it back in his box at the end of the scales, annoyed, put your jack in the DI <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_wink.gif" alt="" /> Note that I did not test all alone in my corner but Surrounded by famous musicians and a technical team that references in my area, so it is not a review of basic moaner you read but that of someone who's still looking for the solution once a transplanted acoustic guitar "on stage ".... and has still not found. Because of this little deception in the marketing department and the distributor in my area I'll put out a 3 / 10 because it is not good for the scene. on the other hand I said it's still a good mic in the studio, except that at this price point you have choices and sometimes much better, and then there is no need to have a microphone attached to your instrument. Go a 6!

It is a static supercardioid with a specific home for classical and folk acoustic guitar. It requires 48 V phantom power

OVERALL OPINION

Very good. He was promoted for use on stage because it allows greater mobility of the artist without changing the distance between the instrument and microphone. However, do not you dare skip playing, because even if the attachment is strong enough on the guitar, it does not allow sudden movements.

I made several attempts in the studio. Taking its most natural is obtained when the splint is placed on the bottom of the guitar.

In summary, the sound is very good, but if you do not intend to move too much with your guitar, the report Quait money is not justified.