All user reviews of 5/5 for the Vox Tonelab ST

With multiple effects as usual in ToneLab a priority to crunch sounds and saturs many possible combinations 11 amps of 3 possibilities plus a multitude of firms (speakers) it makes much all this is it ... lose some!
the famous lamp is present on this little pedalier always fulfilled its role. USB connectivity allows you to manage the effects thanks to VOX Librairian brilliant Software !!!
Base Connectors: IN, OUT, IN and USB line

USE

Simple configuration see basic !!!
Editing sounds extremely simple and almost useless manual

SOUND QUALITY

The effects are good. I use it for too short a time to have tried everything but it's VOX TONELAB of the series.
I use all this with a marschall MG 100DFX great little amp (despite what some may say) and an Ibanez AS 73 to the hair !!!

NOTICE GLOBAL

I use it for one week !!! AC is short for a tour of the beast!
I like the compact and solid side of the machine with a sleek look and a bit classieu!
Report quality / excellent price

Brand: VOX
MODEL: ST Valvetronix TONELAB
Size: 17cm x 27cm x 4cm
Average price: 180,217 (185 bought for me)

- Technology lamp (12AX7)
- Modl 33 amp (11 amp with 3 configurations diffrent)
- 25 Effects Varis
- 50 programs recorded Pr (not erasable)
- 100 Programs memory (50 usable and customizable)
- Chromatic Acordeur intgrbr /> - expression pedals with adjustable sensitivity.
Port USB pourgestion library via its PC / MAC or use of sound card / ASIO
- Selector AMP / LINE for choice of studio or scne
- 2 mtal selectors for the selection of sounds

Note: This ToneLab is small, more appropriate use studio / home. Trs sounds like good quality and VOX
SERIES his TONELAB we are accustomed. Rglage a simple and effective. Using live as possible but complex.

UTILIZATION

With a 35-page manual is clear and trs explained using the Tonelab ST is a breeze. Sketches, illustrations and schmas own. The description of the amp, effect and rglages are simple and go direct to the point. Only the heading USB MRIT more attention mainly on the use of the ST mode sound card / asio.

The ST is small but the manual interface is easy to trs comprhensible and Accs. The edition sounds simple but is too superficial. Indeed its great ERRF compare, you can not edit certain types of effects in depth. This is merely the bare ncessaire ... Too bad ... The pedals of expression is trs small, and its course. But being able rgler the sensitivity of the pedals, can be ratraper lack of racing pedals and have a fully usable and fun as any pedals that is VOX.

Use the USB mode allows you to manage the library quietly without taking the head. Fast Fashion software sounds via computer (JamVOX) t would be a must.

SOUND QUALITY

Before acquiring a VOX TONELAB ST, I had a LINE6 POD XT LIVE. This is not the same template, but I must admit the VOX thanks his lamp out sounds clear and warm crunch trs. The amps DIFFERENT mode (STD, and SPL CST) allow a wide range of sounds. The effects are basic, simple and effective. I use this amp with a ST neutral keyboard to bring out the true sound of the amp without coloring the backgrounds mulate ST. I use a CORT KX5 FR for the guitar. On this point I must confess that VOX has a point on the mmeniveaux amp simulator that LINE6.

OVERALL OPINION

I use it since its release one month'm just prs. The report qualitprix is ​​good, it is often a medium rare at 195 above 200 below 190 etrarementen. With experience, I not reselect => why??

Because the quality seen to provide a pdalier as small and simple, I will choose one of its great forcment ERRF as such ToneLab LE is lowest use scne and allows a rglage depth.

Beginners or for use remaining studio / home, the ST is a great asset and will soon prevail in the multi-effect pdaliers quality for a reasonable price.

Characteristics have already been given and very well so nothing to add

UTILIZATION

The config is very simple, the USB did his job, too bad we can not appoint its user presets and that they do not scroll on the small display. The settings of the amp type selector simulated rear (4 positions: vox, fender, marshall and line) change really made sounds and offer opportunities élormément with sélactions speakers. The manual, I did looked rather than to assign or remove the assignment to the expression pedal, only weak point in the Tonelab.

SOUND QUALITY

Obviously sounds depend on the material used. I use it on my tube amp with two guitars and a very typical Les Paul Custom (Black Beauty) and strato 1975. The different types of amps are extremely realistic, very fine adjustments of legalization, the pedals are correct throughout with a fine for the tube over drive, the treble boost and distortion shop.
Phaser, delay, echo and reverb without corrests well. The tuner is readable cons to put into circulation must press both buttons at the same time! Acrobat is not! expression pedal I ordered footwear of 47 it is shaped to a dwarf! it measures exactly 16 inches long with a width of 7 cm max !!!!!!! So I let the beast on my desk and it works just fine

OVERALL OPINION

I bought the beast to improve my sound. I play a Fender Blues Junior and a Marshall Vintage Modern, a Les Paul Custom and a 75 years old Strato, blues rock music. I put on a facade Morley wah wah and a boost pedal that I got to do with Mojo. With the facade and the Tonelab Disco. I am 5 preset sounds for gibson and 5 for the stratum and basta. The Tonelab is not at all "gas factory", the knobs are really useful and sensitive it looks sturdy. The negative expression pedal! I put on the 47 and it is tiny and his race is ridiculous! is the only negative. So much for less than 200 euros is a super good plan. Given the amount of possible settings with patience everything must improve its scratch sounds.

I am fully tested yet because I just have bf but I'm happy to say how the sound is great.
Indeed I did something useful for modulating live (chorus reverb delay), but for recording data is AC everywhere full of distortion and clear sound effect and a constable pc which we live can be used as a sound card and is changed through its direct pc sound or feature you can download more of his guys do that for you at home.
Those about her bf not bad and fairly representative.

UTILIZATION

The ToneLab I had before with whom I live recordings for our album which is said to be marketed in passing (http://www.virginmega.fr/musique/album/lion-s-il-fallait-- 107909050, page1.htm) here is the link if you would take when the urge to come listen and buy it you will hear the ToneLab LE on but not really touch and even Ing me say that n had not retouched the sound is so pure and the st is the same.
increasingly easier to use right away was the sound.
I love and has more lights.
How beautiful the sound is round and immediately we get the sound.

SOUND QUALITY

Principle simple and brilliant and I'll get the sound you guys do to show
For my part, I chose the amp that I want to turn on an amp and as I set my preference (this is for the top line) then I add my purpose and I equate them to the pedal or not to expression a reverb and let the light acting on an amp in addition to a lamp and a bonus blackstar distortion and happiness for the ears neighbors children everyone is benefiting and especially me.

OVERALL OPINION

What more a very very good product in its range have really sincerely going to try or buy the closed eyes sincerely should be very difficult not to finally approve me personally I find my account and j got a config that would more than road for the LIVE studio and home. (see my config).
Thank you vox continue.

If you read this review, you probably already know that it makes the amp simulation, chorus effects, reverb, delay, of whawha .... short, lots of things.
Personally, I bought it for not putting more than 300 euros in a Pod XT, while wanting to record the guitar directly to a PC (including acid) to make pre-demo, and I'm not disappointed n have only spent 177 euros in this little gem. ^ _ ^
The USB port is doing its job, and frankly, having also played on the Pod XT, I found that the Tonelab sounds more like me. It's more rock n roll, a little less cold (because of the lamp?), And playing with different combinations, we can find the sound you seek. Comparatively, the POD has too many sounds that are never used (except to say to someone "listens to her, it's too funny

UTILIZATION

"...) I have not yet searched in all parameters (I have also not yet open record .... it can already say that just having fun fiddling the knobs).
The use is fairly intuitive, and for those who are wondering, looking at pictures of the beast, both switches can move up or down programs.
Short, easy to learn, easy to use. All good.

SOUND QUALITY

Having long been acoustic guitar, I had an old Epiphone somewhat abused to test ... I expected this to his usual old saucepan. WELL NO! It's brilliant! I really had good sound, and I'm not on there who like me have a really disliked (in clear as saturated).
I can not imagine the sound that I have on my next new guitar! ^ _ ^


OVERALL OPINION

I use it recently, but I feel I'm going to enjoy myself with this little wonder.
I could compare with the POD XT with a friend, and at first, but also the price attracted me to this Tonelab ST. I could not try it, but I listened to several essays on the internet and it's even better when it was in the hands.
One small problem: the headphone jack is roughly (size guitar), while a mini-jack output could be practical. But hey, it's quickly forgotten, and just a simple adapter.
The price / quality ratio is excellent! ToneLab and ST should be able to follow in funk, blues, pop, rock, hard rock, metal ... short, a little of everything. ^ _ ^

Is what I would do this election? Without any hesitation! From

A metal case, compact, weighing reassuring that does not slip on the floor, all is serious. The lamp is visible behind its schedule heats up the look. I am somewhat less convinced by the plastic jacks and power switch are the same as my DA5 on which I had to change these elements by the stronger ...
The power supply is light, techno cutting, it does not heat up and seems to fulfill its role without a nuisance.
Manuel

UTILIZATION

very adequate and well-written.

Controls accessible directly respond, but I'm not a fan of keystrokes to get to some features (presence, noise etc., min max of the pedal, edit 2 and 3, 10 presets progress ...)

The simple two-digit display is visible, a preset name is also very good

Vox, the only software available for PC only allows banks to manage that sounds. That annoyed me a bit, so I embarked on the creation of a publisher who meets preset (in my opinion) very well and this role than others: http://baloran.cekool.com/stedit-download


SOUND QUALITY

I like. Let me explain. Only home-studio owners, before the Tonelab, I was only 4 and Guitar Rig 2 amplitude. My guitar (PRS SE Custom Fender Tele Baja, Bass Yamaha RBX270) are connected directly to an Audio Kontrol 1 and Mackie MR5 monitors, or a little VOX DA5 to play without starting up the plant ... I was moderately convinced by the emulation: a lot of work to get to sound pleasant (I do not have to be talented ...) It seems very intuitive, often noisy or musical bit, CPU intensive ... etc.
With TonelabST, I find very pleasing sound without the fuss, I record them on with only a sequencer plugin compressor and a reverb and I'm just really Although there are as many digital processing in this contraption in a audio plugin, I find it really sounds more natural, warm. Well, the effects are not all of great finesse, the setting of "noise" a bit tricky (like dust under the carpet ...), breath a little present in certain combinations.
USB 1 works correctly, as the ASIO driver: it is simply limited to 44100 Hz I still pass through the analog input of my Audio Kontrol.

OVERALL OPINION

As mentioned above, having no experience on equivalent products, I really like my TonelabST. The Vox website (forum and toneroom) is quite nice and active. I remake this choice with the only hesitation may be the choice of the EX which replaces ST in 2011). I think the TonelabST has excellent value for money.

Pleasantly surprised