All user reviews of 5/5 for the Palmer PDI 09

Analog technology, passive.
A jack and an output jack to connect a speaker.
On the other side the XLR output to go to the sound card or the console.
Next settings:
- An attenuator 30, 15, 0 dB
- A cursor Lift gnd, which eliminates any hum from bad ground. Handy when you land in an unfamiliar room.
- A cursor Bright, Normal, Mellow to simulate different micro investments before a cabinet.

Simplissime

I use it out of my SansAmp PSA-1, and only in Home Studio.
It allows me to correct the side a little rough around the edges, especially on distos from Tech21.

I use it for a few weeks.
I chose after much reading on this site, without having tried other stuff, I also bought a AFien.

What I appreciate most is that embellishes the sound without turning.
What I like least is that it does not replace a real microphone jack with a really good sound engineer for the price (60 € OCCAZ)!

HP simulator (3 possible settings)
Attenuator output -> attenuator careful not involved in the amplified signal (to be too good at this price!)

Side techno, ultra simple, robust and passive (ie without additional power supply).

Jack connectors to connect the amp head and speaker and line out XLR

In short, very simple, easy to lug around. I put 7/10, because the settings are limited but again, at this price ...

Already mentioned, it is very simple, lightweight, no need for manual but there is one that is clear.

Again, I put 8, not really customizable, but the ultra compact size allows it to take anywhere, and that's what we asked!

His side, well there is not wiggle, it's very good. Live the beast can be transplanted in the sound while keeping the sound of his amp, diffusion is the top for playing in bars or clubs that do not necessarily have real scene.

No more micro issues (investment, fall, feedback, ...).

I think there Mr Satriani who uses it and I also saw Christophe Godin play it live, is it enough to convince undecided??? In any case, it is a treat to mix, bass guitar and vocals to the console (when the same thing on a battery??).

I use it with an amp ENGL Powerball or preamp output AMT R1 (which is really a simulation of HP cardboard).

Small flat, the output level is low enough, it can eat a little home studio and dynamic, it's worth it to put a small preamp ass ... So, only 9/10!

I use this contraption for 3 years, I ordered it by chance because I could not find a good solution for the distribution of its small bar or live (no mic to dub guitar).

I love the simplicity (no need for power supply, live sound), small footprint (thank you for my back, in this world of gross or we leave the stack 50 kg it's good to see small things that sound) The sound quality and especially its unbeatable value for money.

I do not like, you can not configure much and the output level weakling.

Honestly, I do not know why there are still guys who do not have one!

DIs analog simulation study specifically HP
for guitars (the manual indicates that ...)

No power
An attenuator switch: 0 / -15 / -30 dB
A filter switch: Bright / Normal / Mellow
1 input jack
Through an amplifier for use with
One XLR output to connect the mixer

Opportunity to connect after a rack of effects in Mono, after a pedal
or use it with an amp in this configuration log
HP output of the input jack and connect the HP in the output Thru
using the attenuator. With a tube amp does not forget to connect
HP otherwise we slammed the receiver ...
Case not strong and compact, it fits in your pocket!

Well, it's a direct box, everyone connnait its usefulness! its particularity
is to have a good simulation of integrated HP.

Very easy to use, manual in English, but succinct enough.
The attenuator is useful when used with an amp.

Live: Connects directly to the rack of effects pedals or different to the table
mixing so to do without planting microphones and amps! (Save space, etc ...)
also useful in troubleshooting if the amp stopped working normally used in a
concert ...

Recording: allows a direct output with an amp does not have to
having two catches, one direct and one with micro example.
Home for the DI Studio to record his guitars in total silence!

Allows the use of distortion pedals and other directly without going through a preamp,
it opens a lot of new perspectives and research various sound!

The filter simulates:
- HP Bright kind of British
- Normal open a 2x12 or 4x12 enclosed by boosting a little mix to 80/100 Hz
- Mellow 2x10 by setting a 80/100 Hz and 2 / 4 kHz in the mix
Here is an example of the different filters available:
Filter position Bright / Normal / Mellow (http://site.voila.fr/prostudio/palmer/filter.wav)

It can be used after a pedal Disto eliminating "the effect of Bees" met
normally in this configuration.
Example made with a Disto Guyatone Metal Monster and Palmer set to filter position
"Normal" plugged directly into the mixer:
Disto: only / with Palmer (http://site.voila.fr/prostudio/palmer/guyatone.wav)

Another example with a GT2 sounds set to clear:
Its clear single / with Palmer (http://site.voila.fr/prostudio/palmer/acoustsansavec2.wav)

Very good sound, no breath, short exploitable!

This product really impressed by its qualities and its multiple benefits!

Disadvantages:
Obligation to buy 2 to make the stereo ...
Inability to use a guitar as his only input signal is too weak,
is through a pedal, preamp or another.
At first available only overseas, I found mine at Thomman
in against-refunding (for those who do not want to use the Net Leut CB)

Advantages:
Small
No power (not to forget batteries on stage, etc ...)
Settings effective and useful
A lot of potential uses
Interresting price: 88 euros

It's been a long time that a device had not as excited to share its possibilities
varied really finally bring something more and solves many problems
faced by a guitarist in the studio or in concert!
Well, I put it around 10 seems excessive, but well deserved.

See description Previous ...
Analog connections many think, lightweight and not bulky!

See description Previous trs well done ...
Easy to use, no battery, slecteur of Tone effective.

I use my pedals in APRS direct connection to a console, sonoritbr /> trs convincing and effective, I finally rsolu my amp problem!
trs homestudio useful as you can not use an 4x12 in his apartment
more quickly that the problem of placement or selection of microphones not to mention
the price of these ...
As the configuration remains the same in either or in the studio or on scne, we keep
the same sound without surprise or loss of time!

Excellent this thing! has used all, the kind of object retain on its gigbag!
galres more lugging amps, the sound is similar to the one we
paufine home, more microphones problem (everyone is not ingnieur sound)
Obviously there may be a bit before buying but APRS is pure bliss!

Everything has been said.

We can no longer simple. Even without a manual, you can use it.

Attention users of tube amps, it does not loadbox, then plug the output is essential to your thru speaker, otherwise the output transformer grill of your amp.

The manual is quite clear and sufficient.

This tool is a blessing for the guitarist who wants to register easily.

I first used a SansAmp Tri-AC, because my amp was broken, and the emulation of the internal baffle SansAmp does not satisfy me.
Much I appreciated the update on the clean and crunch, as I was very disappointed on overdrive.

Later, after repairing my amp, I plugged into a speaker output, out of curiosity (just to get the color of power tubes). N'dediou Oh! It's awfully good! The simulation is downright good (Note that it is not a simulation of a simulation of speakers but recovery of a baffle sm57).

Sounds clear as crunch sounds, or saturated, everything is transcribed perfectly!

As the simulation of a sm57 well placed, I took out my audio-technica mb2k which is a copy of sm57, and I make a comparison.

There is a slight difference which will give "benefit" to the microphone: The mids are more airy and somewhat fuller on that side micro.Ca brings a little "dirty" that makes all the heat taken by a microphone.
The micrometer is it a little more specific.
But this difference is very slight and I'm not even sure I can make a difference if we imposed on me in a blind test.

The mixture of the two is a real pleasure! The next most accurate palmer side warm / dirty the microphone, it transcends the sound.

I use it for 8 months.
I tried some other products before that.
- The simus Revalver of baffles. There is something synthetic annoying and there is no "scraouncth" in the low-medium
- Speakerphone: not bad but it puts my CPU flat.
- The torpedo Two Notes: excellent but my budget does not allow me to purchase it.

The peculiarities that I love most: All
The ones I like least: it does not like coffee.

The quality / price is more than good.

With experience, how not to make the election again?
It simplifies the records for those who do not like to bother with investments.
That does not leave polluting the surrounding noise in case of bad acoustics.
It is not expensive and it can pay big dividends.
And besides, it's part of survival kit to pick up concert

A <span style="text-decoration: underline;">Must Have!</span>

T says it all!

Even if all the notice is sufficient to get an idea, I hope to contribute as a bassist.

I use the output of my preamp to my PSA1.1 taken with his bass in his bright or saturated.

It is not unlike its cousin the loadbox PGA04. At the same time I bought to put the output of a preamp. Ya that connect the output on the thru speaker of any Manir ... Having said this explains it somewhat cumbersome. Nothing wrong

is perfect.

Friends guitarists and bass players, if you want a real sound pro, here is your servant. The solution while silent, economical and easy! Hat!

I use for less than a year often enough for my models.
Not of the quality ratio is unbeatable price and can save your life you're a guitarist or bassist!