All user reviews of 4/5 for the MXR M102 Dyna Comp Compressor

MXR quality, super strong. I bought mine OCCAZ (she has apparently lived before) and I find it very very soft knobs, I'm always afraid of brushing and blow up the settings. I do not know if this is the case or the latest new models.

UTILIZATION

There is always a moment galley before finding the right settings (like any compression eventually) but once seated it's all good. What must be used.

SOUND QUALITY

The comp itself is great, perfectly suited to what I wanted. Fun to play stoner / doom, I was looking for the comp to accompany my fuzz with good sustain and erase my attack when I play with a pick. Nickel from this point of view. Note that it is not transparent, it adds a little color that does not displease me, but that may hinder certain.

OVERALL OPINION

I use it for almost a year now. I love MXR still an excellent price / quality ratio when looking for a quality product without breaking the bank too much. A small flat on the cowardice of knobs, to check if it is still relevant or just mine.

Bought € 70 OCCAZ, I'm not disappointed and I hope to keep it a while

Good compressor pedal, precisely known. Ultra solid and heavy (MXR what!)
is made to last.
Two settings buttons (the compression rate and volume of output), but effective and with a lot of interactivity. It may take some time to fumble and refine until you find the sound you need ... but we get there!

UTILIZATION

I used it mainly for funky rhythms, arpeggios and (essentially) the slide. In all these uses it is reliable and sounds great, and even surprisingly good with the slide, in clear or slightly saturated. Provided reflect the fact that he tends to "pump" and the sound to distort it a bit, especially when the compression is turned up enough, but it's the fault of just all compressors, it's part of the effect. Just know and adapt his game and its settings accordingly.
While we're in the defects, we can add it produces a lot of breath. It has the charm of the old what!

SOUND QUALITY

The dyna comp is not at all transparent, it has a way of coloring the sound of its own and that is precisely what is cool (even though everyone seems to seek transparency today. As well ask an amp Marshall to be transparent. And then what?)
on the other hand it is not for shredders, because I think it is not made for saturation (that said, everyone's tastes). If you need a compressor to play legato and flowing solos, not clear whether this is the one for you. This is where you'll need something more "transparent".

OVERALL OPINION

I sold it because it was redundant and that I almost used it. But I rather regret that very special color, I repeat, is not at all a fault in my opinion. I'm not a very big user of the compressor, but I still regularly used some models as required (funky rhythmic "slap", slide, arpeggios ...) and this one was very properly the job.
From secondhand, I think it is a good price / quality ratio.

Analog compressor pedal.
A knob "output" manages the output level, a knob "sensitivity" runs the compression ratio.
Mxr classical case, a switch to activate the effect, powered by 9 volt battery or AC adapter. An input and an output, while mono.
Not that it really bothers me, but it's true, the power supply plug and misplaced, and YES, it's boring to just unscrew it to change the battery. After the sudden you're not embarrassed when you want to put velcro on the pedal!

UTILIZATION

The general setup is super simple, like most Mxr, we find in fact that two knobs, very interactive. After a while it binds to one or more preferred settings.
I did not have the manual. Editing sounds is a bit complex, because of the subtle nature of this kind of effect but it is fast!

SOUND QUALITY

The pedal has a very vintage compression, warm, and then typed. It will be great for jazz / blues / rock or the slide example, but the followers of sounds funkers rights similar to those of the "Live 86" by Serge Gainsbourg is confused maybe not!
This is not optimal for a booster drive, too colorful for my taste.
I used it with humbuckers. Now that I've typed a vintage Start, had to be should I réinteresser this little red pedal ...

OVERALL OPINION

I used it for a while, I tried the Boss Cs3 which did not suit me, too cold and right as well as being noisier than the dyna comp.
You have to push a little output for the same noise level as its base, it's a shame. The Super Comp Mxr home has an additional setting "attack level" handy ...
The value for money is honest, Mxr products are excellent in their price range and beyond. With experience, I try again the models, because I am sure there are better elsewhere ...

This pedal is a great introduction into the world of compressor side vintage!

The MXR Dyna-Comp is probably one of the more famous compressors out there. It's been around for who knows how long, and it's been part of rigs since before I was born. The ability to squish the notes works awesome for clean tones, and it can actually be used as a bit of a solo aid as well, assuming you don't plan on squishing the piss out of your tone. There are very few compressors out there as readily available as this, as well as being as musical sounding as this one.

UTILIZATION

MXR pedals are put into very strong housings. You could jump on this from the balcony, and I bet it would still survive. The only real issues I ever see with these are that the switches will sometimes go, but that's after years and years of hard touring abuse. I've seen people spill beers on these without any issues at all. Using it is very easy as there are only two knobs. You simply adjust the two knobs to the amount of compression you're looking for, and you're good to go. There are a few sample settings in the manual, and if you want more info, you can look in there, but considering how easy this pedal is to use, it's really not needed.

SOUND QUALITY

The sound is great. For clean tones, if you ever wanted that spanky kind of clean sound, this is the pedal you're looking for. You can squish the clean tone enough to where it sounds a lot more even and not nearly as "peaky" as clean tones tend to be. Country cleans are pretty much always heavily compressed, and this can do that kind of tone in spades. I don't really recommend using this on rhythms too much as it tends to be a bit too compressed, but on leads, it can be a pretty sweet lead boost that helps give you some extra sustain without harming the original tone too much.

OVERALL OPINION

If you're looking for a solid compressor for the price, this is probably the one you want to get. There are better ones out there such as the famous Keeley Compressor, but that's very expensive, and it's not exactly necessary for everyone. While that happens to be my main compressor, this one is great in a pinch, and I find myself using it whenever I go to a store to test out clean tones.

There are really two theories with pedal compressors. You either have a ton of control over your threshhold and attack, or you just get the normal two know volume and compression deal. MXR is very clearly a simple side to this coin. I remember a few years ago this was one of the few compressors out there. The mind with a lot of players was that a compressor was a compressor and that was the end of the story. So you just got a boss or an mxr and called it a day. These days you have a lot of choices and in different price ranges. This is in the lower end of the ranges and the control layour reflects that.

UTILIZATION

If you can't figure this out you have no business using a comp. It's got a sustain control. That's basically it. How much do you want? Most players are going to keep it around noon. Honestly it would be nice if MXR would have one of these with a fixed at noon control and just an on off switch. EHX has been doing this kind of thing with some of their pedals and it seems like a good idea.

SOUND QUALITY

Here's the thing. I've used about every comp out there. From the $300 boutique ones to the mid priced stuff to the cheaper ones like this. For the most part you get what you pay for but there are exceptions. I use this pedal in my beater rig. It's basically a Thinline tele with a Vox AC15 and some rendom pedals. I would have to say I run my knob at about 11 oclock most of the time. I don't like it to sound overbearing which can be an issue with this pedal at times. It's not as transparent as a Diamond comp which is obviously a lot more. This pedal will get you that nashville sound though, and in the sub $80 range I think this is your best choice for a comp. Yes, the script comp is a bit better. But in my opinion it's not worth the extra. If you're going to spend over $100 or so I would get a Keeley or something even nicer.

OVERALL OPINION

Like I said, great value for the sound quality. Not it's not going to sound like a Keeley or a script logo. But those are a bit pricier and not everyone wants to drop $160 on a compressor. This is a great beginner comp or just for people who aren't crazy about them. I recommend.

PDAL compression / sustain with adjustable output and sensitivity (compression ratio).
Some would probably have more paramtres settle (ratio, release ...), why there is the MODEL of the above or other trademarks, but it is no longer the "mythical" Dynacomp ...

UTILIZATION

A priori rglages are simple (a single knob to adjust the compression, the other is for the output level) but you have to spend some time addressing this and other effects pedals / amps according to a sound correctly. Indeed the Dynacomp is far from being transparent and changes the overall sound of fawn significant: by connecting the I t trsdu but its got some APRS (tens of) minutes set my amp and my other pedals while comparing with other settings of the sensitivity knob I t delighted by your exact.

For those who achtent the pedals or a new opportunity rcente, know that the possible problem in the notice of Peaveycroquette (see Previous opinion) no longer holds: the latest version This team is PDAL a standart outlet, but it is still on the cot: not practical when you do not have a power plug elbow!

The radius of the default of the knobs pedals are too sensitive (cot see anything of a Big Muff or a blower tube that can be rgler with surgical precision), the coup I sometimes run them with my foot when I try to reach another pedals on my pedalboard ... it's probably me who am not the pain that level but through a concert o we do not monitor his feet too can pose a problem.

SOUND QUALITY

This is definitely a compressor but it is far from being neutral if you want something really clean go your way, the Dynacomp adds color to the sound of its own and can not appeal.

I think the effect is lost teeth to the rhythm (which can be a desired effect but it works wonders on the solos that are gaining in heat and fluid just great. In arpge is also fun, the record is fairly INTERESTED condition not to the sensitivity too high (no nuance of the game is not apparent).
Note that with a lot of gain (in my case with an EHX Big Muff), the effect appears much less.

OVERALL OPINION

It is a few pedals which includes default course, but I love the warmth and precision that it brings my sound, some might criticize his lack of transparency but only for I love it! I can not do without support on this small red box before starting a solo.
This is a typical compressor trs unsuitable all playing styles and guitar, I would strongly advise you to try before you buy.

The MXR M102 Dyna Comp is one of the most common compressors on the market. It's one of the cheaper units and can be seen on many boards. It's reliable and easy to find. It's got 2 controls a small footprint and a sturdy build that MXR enclosures are known for.

UTILIZATION

The pedal has an Output knob and a Sensitivity knob. Standard 1/4" input and output. The manual explains pretty well how to make use of the knobs. But I feel like it's pretty subjective to the gear you are using. The pedal functions differently with different pickups and guitars I've used. So some good old fashioned knob tweaking will be needed. I've found that I can't yet find a setting to keep it on for everything.

SOUND QUALITY

I've used this pedal with various guitars. A tele, strat and les paul. Also my ESPLTD EC-1000 and my Schecter PT. All the guitars react a little differently due to output changes and set ups. It colors your tone and seems to roll of some high and low end. It's a very noisy pedal but I have it set up to be fairly quite with my NS-2. If you're looking for some country squash or some funky pop, this is a really good pedal for that. But for the more transparent tone sweetening you get on higher end compressors, you'll need to spend a little more money.

OVERALL OPINION

I like the Dyna Comp for more squashed compression, and it's really good for the money, but you can get a much better compressor for a bit more money. With less noise and more tweakability. I've tried other compressors and I think I am going the higher end route for compression. Though this is nice for the price, I can justify a few more bucks for less noise and quality.

Everything has been said

UTILIZATION

As discussed below, a compressor is greatly simplified. We can do better, but it is practical for its size and its setting "fast".
Yes, fast, because there are only two knobs, but hey, it takes still time to find the right balance between attack and sustain.

SOUND QUALITY

The Dynacomp is less neutral than other compressors, but also as said bottom is often why we bought it.
Quite a blast generated by this little box and got it for an ISP Decimator which annihilates the problem.
I play a Fender Esquire Custom GT and tapping on a P42. In many chordal arpeggios or torn, it gives me a good clean sound linear, although a bit colorful but I like this color.

OVERALL OPINION

I've had it for over a year, I bought it because I was not satisfied with the built-in compressor in my multi-effects (Vox ToneLab SE).
I tried the Boss CS3 in the same price range, I prefer the MXR.

In hindsight I'm not sure I would buy this pedal it rather than CS3, because I learned that it is known to make some changes' in CS3 to remove some blemishes that fact that I I preferred the MXR.

But be careful I'm very happy with my choice anyway.

This is a pretty basic analog compression pedal for guitar. It's not a rackable unit, it's a pedal. It can't be edited through MIDI or any computer software.

UTILIZATION

This pedal is very small and compact. It's only got two knobs on it, one for Output and one for Sensitivity. It's got the footswitch and the standard guitar 1/4" ins and outs. The manual explains what each knob does pretty well, though to really appreciate the sounds that you can get out of it, you need to do some knob twiddling on your own.

SOUND QUALITY

I've used this with my Strat and the Les Paul, and I totally prefer it with the Les Paul without a doubt. Hands down the best thing about it is its relative lack of noise. Most pedals in this range are very noisy in comparison. However, it's not exactly the most faithful compressor to my original sound. In fact, the only time it's really useful when you're coloring your tone significantly. The best thing about it is sustain on leads. However, it tends to give it that 80s, fake-sounding sustain that I don't really prefer. Sometimes it's necessary when playing live, but I tend to prefer something a bit more natural sounding. The compressor makes clean tones sound pretty uninspired and boring, and I'm convinced that they're only good at hiding dynamics that would only make your playing sound more compelling. You might need to compress some of them while recording, but I honestly think that you'd be better off with a rackable or outboard compressor, as it's more versatile than this and won't rob your tone of its personality.

OVERALL OPINION

I was hoping that the lack of extremely precise controls would make this pedal less frustrating to use, but the tones themselves were what ended up frustrating me the most. For the price, I guess this isn't too bad, but you can do better. If noise is a huge issue for you, this might be a good purchase, but you'd be better off in the long run going for something with more control and more transparency.