wil-ly
Published on 04/14/08 at 11:49
The "Purpose" is a nylon mdiator shape my faith enough particulire, which could resemble a shark fin shuffled with toes (I think we should look at the picture to understand). I am still quite puzzled by buying this mdiator "how we play with that thing?". It is true that its original appearance (which is only I bought the guitar player can leave lambda like you and me in a profound time of intense questioning and rflexion (which happens rarely, lambda is a guitarist MODEL intelligence and wit dductif). asymtrique morphology But in fact hides an incredible ergonomics, which offers the possibility to play with mdiator DIFFERENT angles:
_ The first, "basic", which is ct the "s" of "Fins," done everything right (see photo), offers an angle sufficiently wide and round, I trs is good for soloing as rhythm, with his little aggressive, rather "round". Note that in this position, the "toes" indoor-oriented of the hand to hold the plectrum surprenemment well on the index and trs offfre a comfortable game, especially for return phases.
_ The second, located opposite the first, prs of "f", provides a sharper angle than the first one with the most slamming, which I think will delight fans of shred and play prcis.
_ Troisime finally, "toes", offers sound thunderous rhythm for the game (mostly acoustic) brushed giving her enough pinched and brilliant, making almost get your 6-string for the 12 String-through "toes". For solo play on the other hand, it's not empty!
Note that it is also possible to play by combining angle n2 with its "toe" opposite.
I possde a large pannel of mdiators trs, and essentially Dunlop, from small to big Jazz Stubby Triangle, with a multitude of mdiators "standards" and even a Dugain, and I must say that is probably the most original, provides a choice of sounds for a given mdiator.
The one I have is 1.07, a versatile shape, to play solo as in rhythm.
Even if everyone has their preferences in mdiator, I recommend this for all mdiator scratch because it allows all kinds of games: basic, prcis or exprimental. In addition, it is original Aesthetics, and even pretty!
Voil this will surprise you can be to see so many line for a piece of plastic, but hey, who collects my picks, I am delighted this one.
The shape "Fins" are also in the range "Tortex"
_ The first, "basic", which is ct the "s" of "Fins," done everything right (see photo), offers an angle sufficiently wide and round, I trs is good for soloing as rhythm, with his little aggressive, rather "round". Note that in this position, the "toes" indoor-oriented of the hand to hold the plectrum surprenemment well on the index and trs offfre a comfortable game, especially for return phases.
_ The second, located opposite the first, prs of "f", provides a sharper angle than the first one with the most slamming, which I think will delight fans of shred and play prcis.
_ Troisime finally, "toes", offers sound thunderous rhythm for the game (mostly acoustic) brushed giving her enough pinched and brilliant, making almost get your 6-string for the 12 String-through "toes". For solo play on the other hand, it's not empty!
Note that it is also possible to play by combining angle n2 with its "toe" opposite.
I possde a large pannel of mdiators trs, and essentially Dunlop, from small to big Jazz Stubby Triangle, with a multitude of mdiators "standards" and even a Dugain, and I must say that is probably the most original, provides a choice of sounds for a given mdiator.
The one I have is 1.07, a versatile shape, to play solo as in rhythm.
Even if everyone has their preferences in mdiator, I recommend this for all mdiator scratch because it allows all kinds of games: basic, prcis or exprimental. In addition, it is original Aesthetics, and even pretty!
Voil this will surprise you can be to see so many line for a piece of plastic, but hey, who collects my picks, I am delighted this one.
The shape "Fins" are also in the range "Tortex"