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Anonymous Published on 03/27/04 at 03:24 (This content has been automatically translated from French)The DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro ceramic 4 son.
Adopt Steve Vai, more rput for his solos shredder for his passion for occarina and chamber music.
In lead, he dmnage: tradition at DiMarzio pickups the faithful restitution, an adapted sound spectrum style, low prsentes and muscles, aggressive microphone. Quite lev gain fairly easy harmonics out. The sound remains prcis, it is never muddy.
Rhythmic, it's something else. In clean, one picks up a treble graillon garish, in short not pleasant at all, less than curb it vigorously with EQ and a bit of chorus.
In rhythmic saturated b'en is so so also: big rock, a happening, but ds that EQ is …Read moreThe DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro ceramic 4 son.
Adopt Steve Vai, more rput for his solos shredder for his passion for occarina and chamber music.
In lead, he dmnage: tradition at DiMarzio pickups the faithful restitution, an adapted sound spectrum style, low prsentes and muscles, aggressive microphone. Quite lev gain fairly easy harmonics out. The sound remains prcis, it is never muddy.
Rhythmic, it's something else. In clean, one picks up a treble graillon garish, in short not pleasant at all, less than curb it vigorously with EQ and a bit of chorus.
In rhythmic saturated b'en is so so also: big rock, a happening, but ds that EQ is found to nurse hairpin (large hollow in mdiums), it does not comfortable, not suited what.
Steve Vai has raided other less extreme microphones, "The Breed" DP166 (bridge) and DP165 (neck). Less extreme, but that's not the models "Jazz" ...
In conclusion, I think the Evo, over time, has an unpleasant personality. And it is not versatile. It sends the gain, but ... it is cold enough, not fabulous without clear effects, saturated it does its job, but it does not really me there is not enough "singing" .dropoff window
EMG 81 is far more frquentable (yes, that micro coldness of reputation is a blaze in compar Evo !!!).
A buy knowingly so.See less00
TIMONPublished on 03/02/03 at 12:56 (This content has been automatically translated from French)I had this on a micro metallmaster in acute
It is a powerful micro trs
It is not strong acute trs
clean sounds are no live in the amp
crunch sounds are a shit
the distorted sounds are not bad but the serious degeulent
In short this versatile microphone is not his strong point is the saturation and color of its issue that sounds pretty as HEAVY METAL ROCK AND ROLL
N hope to have the sound of STEVE VAI with
Over time the lesson of all this if you want the heavy AMERLOC Di Marzio and then if you want to ROCK AND ROLL SEYMOUR DUNCAN then the difference is subtle to the ears of debutant but for others it is huge03
kinder_guanoPublished on 11/03/06 at 23:59 (This content has been automatically translated from French)Rcup 'with me, 27/03/2004
The DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro 4 cramique son.
Adopted by Steve Vai, more for his solos rput shredder for his passion for occarina and chamber music.
In lead, it dmnage: tradition at DiMarzio, microphones restitution Fidler, a sound spectrum adapted to the style, and low Submitted muscles, a micro aggressive. Gain enough lev harmonics out fairly easy. The sound is prcis, it is never muddy.
In rhythm, is something else. By clean, we pick up a screaming treble burning fat, not enjoyable at all short, less than the curb with a strong EQ and a bit of chorus.
In rhythmic saturated b'en is so so too: big rock,…Read moreRcup 'with me, 27/03/2004
The DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro 4 cramique son.
Adopted by Steve Vai, more for his solos rput shredder for his passion for occarina and chamber music.
In lead, it dmnage: tradition at DiMarzio, microphones restitution Fidler, a sound spectrum adapted to the style, and low Submitted muscles, a micro aggressive. Gain enough lev harmonics out fairly easy. The sound is prcis, it is never muddy.
In rhythm, is something else. By clean, we pick up a screaming treble burning fat, not enjoyable at all short, less than the curb with a strong EQ and a bit of chorus.
In rhythmic saturated b'en is so so too: big rock, a happening, but we attacked the ds palm mute barbarian, he is not comfortable, not what suited .
Steve Vai has raided other microphones less extreme, the "The Breed" DP166 (bridge) and DP165 (neck). Less extreme, but it's not the MODELS "Jazz" ...
In conclusion, I think the Evo, over time, has a personality dsagrable. And it is not versatile. It sends the gain, but ... it is quite cold, not fabulous without clear effects in saturated it is doing its job, but it does not really me it is not enough "singing". And really too much treble.
An EMG 81 is much more frquentable my opinion (yes, the reputable micro coldness is a fire compared to Evo !!!). Or otherwise, in the passive b'en a Tone Zone.
A purchase knowingly so. Personally, I dtest.See less00