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DiMarzio DP159 Evolution Bridge
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DiMarzio DP159 Evolution Bridge
Le Taz Le Taz
Published on 11/25/06 at 19:16
Yeah guitarematos: the sound of steve is his fingers, the body of his guitar (Start type: alder), a pulling strings super low ... but first his fingers still happy for us, right?

I installed an Evo on a rare guitar, a fender telecaster custom shop setneck floydrose (1996). In short everything a guitar mahogany, neck-through (one piece for the body and the handle) a table maple, ebony fingerboard, pickups and Di Marzio an original floyd rose then. I prefer to tell you right away that the animal sounds a bit unconventional, or like nothing else. In the best case, it can be closer to a Luke I, but far back and a moonless night ...

Well actually, scratch that does not outright, except for collectors fendériennes quirks. The mahogany with ebony fingerboard and Floyd, sounds (would you believe?) Super mega cool. As I have a little pride, and I can not buy a 200 euro stew, just because it is absolutely sublime, I have an Evo slammed in his mouth and ... Pan in my mouth: the microphone was saved!

Well, I will not do Bellemare for three hours. This microphone is the absolute antithesis of a duncan. If you do the blues, I do not even know why you're reading this post, it's so obvious that it is not for that. However, I found it much more versatile as they say, respectful of the attack, an absolutely monstrous presence in the mix for the soloists, it makes even the solo play. In any case I was not crushed by a monster power is largely manageable, and I is not metal.

Recommended for lyrical soloists (the treble do not pouet when left ring, which is not given for all microphones ...), then metal, jazz rock (split, we just sent sacred casseroles funky , and lead, welcome Cusson, Winsberg, Gambale, etc.). shredder and course. Try it on guitar with more character, to promote the lead, but avoid the ash guitars, well, it would be really loud.