All user reviews of 5/5 for the DiMarzio DP155 The Tone Zone

Excellent mic, I took it to compensate for the fact that I do not play on amp but DG stomp, which makes me lose a few harmonics. tonezone is monstrous in the treble, I'm happy with this trs mic I use for the total distortion, for rhythmic mtal trs saturated, and the fact that serious! I would put 9 because I know yet if this is the best, there's another ending for DiMarzio will come out with two strips, which will possibly be any tear.
I replaced the microphone Super distortion bridge of my ibanez with rg270DX.

- Lower 9, 8 medium, 6 acute. lots of bass, midrange and treble well represented emerging property: pluto-oriented big rock.

- I use this microphone position Chevallet (version floyd a little wider) for 2 months and indeed I did not find any fault!

- In position humbucker has a clean sound quite "old" making good roots and saturation is really powerful! (370 mv still the beast!). once you get the splits in simple, clear sound is clear and precise but still very low saturation and you lose a little precision, which is normal.

- I have not tried other models, I hesitated between a couple gibson (496R + 500T) and DiMarzio (PAF pro tonezone +), and because Gibson had some problems of distribution (approximately 3 months of waiting) I pulled over DiMarzio, and I do not regret absolutely not! it's super cam: accuracy, power efficiency!

- In a French music magazine mail order it is displayed at 120 euros, driven by store it cost me 112 euros: it is not given but frankly it's on once everything is plugged think no more, This is a micro bomb! good quality / price ratio

- With the experience I referrer that choice without hesitation ... but who nevertheless tried the seymour duncan super distortion.

- Thanks to everyone who advised me of AF in mind this purchase!

Tt the afiens hello!!
I bought the tone zone two weeks ago. I installed with the help of my father without any problems.
I put on my easel epiphone lp standard .... I feel like I have a new scratch!! For those familiar with the bridge pickup epiphone standard, they know that the acute cause bleeding eardrums so they sound bad and have not come out as rhythmic searches and drafts. Buy the tone zone is giving new life to the guitar! The sound wonderfully acute, this microphone has two great qualities: accuracy and power. I plugged my Pod xt on the sound system in my studio Repeat 'I cry my acolites they were so impressed with the quality my new sound! I realize that thanks to the tone zone, I took a little more confidence in my game, because now armony out alone, and does not break clean sounds as before (sharp clarity of tone zone!).
Finally voila, the Tone zone that hard!

Then the tonezone Di Marzio, I just have it and I just get on my Ibanez RGT42 to replace the original shit that serves microphone.
So a test day and suddenly I have to redo the settings on my stuff.
Becaufe the microphone is terrible. I was looking for a specific micro and sounds to play so fast and brutal death that the sound turns to mush.
well I'm not disappointed, this microphone has a sacred potato, is accurate and it sounds great. harmonics are terrible. the highs are not aggressive, the mediums are boosted and bein serious but not present drafts (although I am granted B).
So without hesitation I redo this choice for a passive pickup that sounds accurate, otherwise I would opt for after the asset.

Hi, AFien!
So here I just get my Lespaul on which I am up in the Acute microphone, the DiMarzio Tone Zone home.
Both say right now, there is nothing to do with the mic pre, which contrasted with the ear ...

Its clear

It is on that point is quite low ... The sound is crystalline but I find it rough, weird for a microphone is said to be precise! But its still playable do everything, adding some effect, you get beautiful sound. Luckily, the highlight of this microphone is ...

In Disto

Ahhhh, then, there's really nothing to do! The sound is precise and biting, are not as good potato with an EMG active, but it beats up well! On this point I was not disappointed and I recommend it to anyone who plays any kind of metal! Even in tuning low enough, the microphone is accurate!

on the other hand, it seems splittable, but since the guy who gave me the Mount button do not, well I can not say how it is ...
- How do you report qualitprix?


Excellent pay 120 in-store installation free

Exprience with, you will do again this choice? ...

I think I will first take a look at the active emg, but if it comes to liability, no doubt, I do it again this choice

Go, 9 / 10 was because of its clear

Well I got my Epiphone SG qques days ago and even though I could not test this little wonder in all its facets, micro tears! Frankly in the style I play (New Metal), the sound is altogether enjoyable (and I mean it: D!). The output level is impressive I had to redo the Equals on my amp and I was pleasantly surprised by its clean, I find it clear, sweet, I thought that it y'avait many acute and it suits me perfectly! And of course there is a distortion ... KILL! I've never played with the assets but at least I think it's definitely one of the best if not THE best passive pickup (well better than Duncan). The sound of the guitar keeps its tone and distos are fat but accurate! The palm-mute are clear, there are all the notes played and the sounds are to die for! Harmonics out of themselves, it is sublime In short an excellent microphone, I advise those who play the big sound but want to invest in assets!

In short, I won, I paid € 120 free installation, and if I had money again for sure I do it again this election!

How long have you use it?
I fitted and tested yesterday was - say October 11, 2004.

What is the particular feature you like best and least?
TRS is a good mic with a big grain and potatoes with lots of Armona INTERESTED probably not due to bad mediums available to it. I mounted on a LAG Rockline replacing a Seymour Duncan Trembucker because the sound was too mdium and not enough low in relation to micro in my BC Rich Mockingbird with the Ms. US DiMarzio, BC Rich food littralement the GAL, whose handle is however more enjoyable, but that's what I always say: "it is the body of the guitar makes the sound more than the microphone, which is the only to give an outline of the grain and the game .. it's about gots and colors. " Apparently, nothing beats a good guitar Made in America

Have you tried many other models before acqurir?
I did try the Seymour Duncan Trembucker, the one with the studs in specially adapted for Floyd Rose guitars teams, whose sound is less potent than the DiMarzio Tone Zone. One complaint the latter: it is wrong for a Floyd Rose dimentionn precisely, if the high E and not in front of the blocks (that is - that the screws are on the microphone). Otherwise the loss of his must be minimal since the boost does not seem too Souffir.

How do you report qualitprix?
I bought it on the web, for 111 Euros a rest even when a case both given the dynamic rendering it has.

Exprience with, you will do again this choice? ...
It is possible that one because I Rasht if I have another guitar with enough potato, but I think staying in the BC Rich ... microphones and they ride home are fantastic, although I do not know what it is exactly. This means that it may be not tomorrow the day before.

A month ago that I acqureur port of micro ... I advise anyone who wants to release a standard sound! The low prsence allows both to obtain a clear, soft, even in Mount easel, and in the same time is to make the drive sound of remarkable power, without excessive as for X2N. The highlight is that we can provide big rhythm and take a solo with the same sound, something made impossible by most microphones nazillards too.
To this end, the super distortion is even more versatile, but more shy.
I found 112 euros, which is a reasonable amount for a microphone of this size. Many people focus on his point of view of amplification, but do not ngliger the importance of micro, the same source of the sound and then touch, the nose hair.
If the choice silent again, I walked again without the micro hsitation, for now I try to test as many microphones as possible about my diffrent scratch, and my favorite is the Tone Zone.

I acqureur port of Tone Zone 3 months ago to alleviate a severe shortage of potatoes in my pickup ... and I'm not! It's a fucking microphone that lets you combine gnique and warmth, saturation and treble that does not twist the ears, which is not earned premium abord.Je can not really tell you what he gives in his clear, given that both I play mainly distortion (the rhythmic Raining Blood sounds even better when such a. ..). But in the saturated micro is a killer that I plunged into a state close to ecstasy ... The price is more affordable, cheap and pay for micro qualit.Une precision of this, however: the Tone Zone possde a good dose of mdiums that may not please mtalleu means that looking for a bass / treble boosts.Cette Reserved (which is not really a) placing first, the DP155 is a great mic for those looking for saturation standards, versatile and musical.

I use this mic for almost a year, it is mounted on an easel in RG570EX ibanez.
I do not have much experience in various types of microphones because I has only one skyscraper, so I'll compare the encien, an Ibanez V7 V8 or I do not know.
Well the first thing that caught my eye is in its precision, both in the serious than acute, such as tremolos with palm mute on the E ring much more serious and cut net is less swimming in the soup this level. same for high-speed solos in notes semplent more cuts and sharp.
Being a metal, I like the big sound, but I egallement to ring in the treble, and I really think this microphone for ca is ideal: it has a little bump in the mid, which gives a good touch agressivit of the power chords (the sound is "rapper" was certainly the impression his agreement to play in the foam) and therefore a good place for the same precision for large rhythmic, and therefore clearly apparent acute versatile this level.
Its clear it is done well, but right after it depends on the equalization.
Oh, and more so the microphone is splittable for a good clear sound.
In short it is a micro hot and very aggressive in parallel. A very good investment.

So then, my microphone is preferred but we will try to remain objective.

The Tone Zone is what? According to legend already he was originally commissioned by a certain EVH (Eddie Van Hallen for short) which was fed to burn out his fingers trampas PAFs in paraffin, this microphone is ... ameilioré a PAF, and yes even a (Satriani has no monopoly of Paf retouched).
It has been boosted in the bass and meds, as well as the output level.

That's the legend, the facts now.
This microphone is known as a micro patator Lots of bass that comes out a little wrong elsewhere. In fact it is doing very well also clear ... if the violin and the rest of the electronics allow it (is not it? a guitar would be a set of things that vibrate together in harmony? you do not say)
What I have found on my Gibson Les Paul Classic:
- Present but very low just drooling
- The meds powerful and well-defined
- An output level that will more than respectable cruncher an easy tube amp while playing the volume and attack.
- Treble a bit weak people, but offset by the bridge position.

The big big thing about this mic is a safe and dynamic ENORMEEEEUUUUHHHH, JB is a laminate, the 500T suddenly seems cold and stiff, super distortion screaming something that braille .... Sings every note, harmonics stand alone.

It replaced a Gibson 500T (excélentissime also micro) and from a slight lack of output level and bass a little less accurate, it is very close to it. So everything has its place on a Gibson, do not bother to fear the soup low, but it will still be the proper position in height (but you pay all your guitars from time to time, right?) .

In short, if you are looking for a microphone who can be both subtle and powerful without going overboard, which can increase the level of a stringed bass that is missing, I suggest you try it
For if you are against a hooked end to the stratum and on TV, forget about its existence until