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LonewolfPublished on 07/31/05 at 13:42 (This content has been automatically translated from French)So here's a good micro trs trs.
A micro rock, but who can also make beautiful sounds clear trs.
It is in the low rev Submitted possde and an output level lev is relatively more prcis (cramique forces).
Ideal for the distos powerful, warm, full bass without using a tuning beyond the grave - 4 shades
L or it surprised me the most is the clean sounds, I expected the vraimnt not but lets get rev good clear round and warm, bluesy trs.
Trs a good alternative to magic Dimarzio Tone Zone (I love both)30
MakakPublished on 12/07/05 at 05:24 (This content has been automatically translated from French)I use it for a month.
I love this mic is great.
The ratio quality price is more than acceptable on the net! ^ ^
Oh yes I would do this choice!
11
Anonymous Published on 01/25/06 at 12:06 (This content has been automatically translated from French)Hi! Bridge pickup mounted on a Gibson Les Paul Classic. Big sound, big potato. The sound is full, nice clean bass, treble francs without being showy, big media to Gibson. A beautiful vibrant despite the output level. Be careful though, the SH6 is seymour example more clear and sharp, precise, and I prefer the grain of the prs hfs that "color" in the lower midrange, but a lower output level. Very good microphone that has the calbut for punchy sound, but we mean: serious all-equalization-and-sharp-and-mid-to-zero, it is good alone at home! Gary Moore can be gathered and Metallica (and why not after all ...). Acute aggressive? Oh!? Disagree. May depend on the guitar, but this remark is valid f…Read moreHi! Bridge pickup mounted on a Gibson Les Paul Classic. Big sound, big potato. The sound is full, nice clean bass, treble francs without being showy, big media to Gibson. A beautiful vibrant despite the output level. Be careful though, the SH6 is seymour example more clear and sharp, precise, and I prefer the grain of the prs hfs that "color" in the lower midrange, but a lower output level. Very good microphone that has the calbut for punchy sound, but we mean: serious all-equalization-and-sharp-and-mid-to-zero, it is good alone at home! Gary Moore can be gathered and Metallica (and why not after all ...). Acute aggressive? Oh!? Disagree. May depend on the guitar, but this remark is valid for all microphones.
In short: grain, balanced, big sound. A good microphone. The big sound typed Gibson.See less20
bongo666Published on 08/25/06 at 06:51 (This content has been automatically translated from French)Micro trs violent, with an output level suprieur EMG81!
Therefore difficult to matriser, and will tend to blame him too quickly saturate the amplifier, especially a lamp.
But as who can do more can do less, playing with the volume, we can reach its ultimate Gibson crunchy and have trs good rock and even to play in the yard of bluesmen.
Except that in addition, when to bourrines he knows how
Some samples:
Cunche in:
http://bongo666.free.fr/gibson/T500.rythm.mp3
in saturated:
http://bongo666.free.fr/gibson/T500.metal.mp3Read moreMicro trs violent, with an output level suprieur EMG81!
Therefore difficult to matriser, and will tend to blame him too quickly saturate the amplifier, especially a lamp.
But as who can do more can do less, playing with the volume, we can reach its ultimate Gibson crunchy and have trs good rock and even to play in the yard of bluesmen.
Except that in addition, when to bourrines he knows how
Some samples:
Cunche in:
http://bongo666.free.fr/gibson/T500.rythm.mp3
in saturated:
http://bongo666.free.fr/gibson/T500.metal.mp3See less30
awksPublished on 03/22/07 at 07:48 (This content has been automatically translated from French)Hello all scratch. By dint of reading the comments on this micro INTERESTED rather special, a little out of range classic, I do not rsist the urge to talk about my exprience on my Lespaul. Install a Gibson Lespaul customshop Lite with a floyd (good) with his little friend 496R, both in hardware like black EMG. What can I say? Well, it spcial, powerful and original. The hollow by the GNR mdium floyd, a deep and crystalline sounds at the same time. On a good distortion, suitable face. Clearly, has found a way to bluesy sound like a good vintage. I have more chance of having a spliteur and make it sound as simple as needed. But hey, I like the sound that kills HB with beautiful harmonious to t…Read moreHello all scratch. By dint of reading the comments on this micro INTERESTED rather special, a little out of range classic, I do not rsist the urge to talk about my exprience on my Lespaul. Install a Gibson Lespaul customshop Lite with a floyd (good) with his little friend 496R, both in hardware like black EMG. What can I say? Well, it spcial, powerful and original. The hollow by the GNR mdium floyd, a deep and crystalline sounds at the same time. On a good distortion, suitable face. Clearly, has found a way to bluesy sound like a good vintage. I have more chance of having a spliteur and make it sound as simple as needed. But hey, I like the sound that kills HB with beautiful harmonious to the ears. Going up in the towers of a Mesa or JCM800 head, and even with my tit 'Mosfet 100 is happiness. He asks that dcoller pulp from the bottom. This may be a "bridge" between Gibson and DiMarzio or genre ToneZone DropSOnic. (FYI, it's used by micro-Ayreon Arjen Anthony Lucassen on his Gibson Explorer) And I advise you to listen MP3 BONGO666 our little friend, comment Previous, who is well sonn and who speaks so well (except for the comparison with the EMG81, EXAGRES need anything) ...See less20