All user reviews of 4/5 for the TC Electronic TC 2240

In addition to the previous opinion, note
- Connectivity predisposed to use guitar / instrument
- An interoperability second class (it is already) with the matching EQ (true stereo tool!)

UTILIZATION

- Downloadable manual and very well done as usual 'in TC

- Very flexible configuration through "pilot lights" on each band, gains / out, and the famous EQ matching, capable of determining the contribution of cut / boost, which distinguishes it from the vast majority of EQ! !

SOUND QUALITY

- The cold North (although not glossy as an EQ can be appreciated, the TC Electronics TC 1128, https://fr.audiofanzine.com/eq-graphique/tc-electronic/TC-1128/avis/ r.103409.html)

- Suitable for any surgical EQ module with a bandwidth of the four frequency ranges covered

- Total realism: respect the source, but suddenly no "grain" or "color" popular on other devices

- My favorite: the versatility of the EQ
- Nothing to dislike: Pre 'is above the input audio interfaces

OVERALL OPINION

- A few years

- The coast has declined bcp! the argus of AF is here a certain giddiness! Produces very little known, because interrupted production, and then a niche ignored by home-studio owners, who were able to bring to its "alternative" brit ', then the DRAWMER 1961 TL Audio 5021 (blah, blah)

- Much better reaction to the noise-floor devices to lamp

- Ideal for setting "gain stages" during prod '; for good without EQ during mixing

- I tried this and TL Audio EQ is much more accurate and complete!

- A lack of certainty for those who love HarmonicDistortion: on the contrary it is the linearity, and it is very good in this taste, I just drop his note because I value the distortion '. /.

Equalizer / prmapli paramtrique 4 Stereo analog tapes no lamp!
2U rack
Frequency Response 10Hz -100 kHz, +0 /-1dB
Dynamic Range> 116 dB (120 dB bypass)

THD <0.015% @ 1kHz, 0dBu

Balanced XLR Input 20 kOhm, max. +22 DBu
Jack 1 MOhm Unbalanced, max. +6 DBu

Output XLR Balanced 50 Ohm, max. 27 dBu
Unbalanced Jack 50 Ohm, max. +21 DBu

5 PPM Peak LED Metering Program

Input Gain 20 dB, 15 dB input Jack

Output Gain 0 dB to mute

Filters Equalizer Boost / Cut 20 dB
Symmetrical boost / cut 0.1 to 2 octave Bandwidth
Range 1: 20 to 2.000 Hz
Range 2: 50 to 5.000 Hz
Range 3: 100 to 10.000 Hz
Range 4: 200 to 20.000 Hz

Power Voltage Selector: 100-120 or 220-240 V, 50-60 Hz IEC connector hands, External Fuseholder

It Lights Up When unit is powered, stronger When equalizer section IS switched on

Input Gain Adjust sensitivity at input by + /-20dB

From Output Level +6 dB to minus infinity

Match EQ Level control of equalized signal

PPM Indicator Indicate Before clipping headroom available

Bypass EQ Equalizer bypass

Center Picks frequency band for correction. Marking in kHz

Bandwidth Controls Affected broadness of band. Scaling in octaves

Boost Function, neutral, cut level control

Indicate overload Overload

UTILIZATION

Setup is a simple equa paramtrique!

SOUND QUALITY

Trs is good in the lower spectrum: low kick, tom, serious guitar. It adds body to the sound, the bass is really awesome! I go into my Alesis D4 trigg my kick, a real massacre!
Not great on the snare drum, cymbals, guitars acute.

OVERALL OPINION

I use it for several months. I bought the 300 euros OCCAZ 'is quite expensive but worth it! Not as good an equa lamps, but it suits me perfectly!