Bose L1 Model II with B1 Bass
Bose L1 Model II with B1 Bass

L1 Model II with B1 Bass, Powered PA Speaker Cabinet from Bose in the Live Sound series.

  • Increase or decrease font size
  • Print
  • RSS

All user reviews of 4/5 for the Bose L1 Model II with B1 Bass

  • Like
  • Tweet
  • Submit
Average Score:4.6( 4.6/5 based on 13 reviews )
 8 reviews62 %
 3 reviews23 %
 1 user review8 %
Value For Money : Correct
Buy at Sweetwater

sergio85v's review (This content has been automatically translated from French)

Bose L1 Model II with B1 Bass
2 ½ years
yes, old Mackie which are fine but heavy, hk
diffusion, size, installation, facilitated in places that resonate, etc ...
harder to find the real grain of my bass.
it's expensive but it's good!

sylvkin's review (This content has been automatically translated from French)

Bose L1 Model II with B1 Bass
How long have you use it?
6 months

What is the particular feature you like best and least?
Compact, Weight, Qualitbr />
How do you report qualitprix?

Exprience with, you will do again this choice? ...

I have a system with two chambers without ToneMatch.

The Bose L1 Type 2 is stunning, I make accessories DJ of about 200 people, counting two Bose L1 with 2x2 Stereo Housings and see his own.

The black dot product is that you get mono when only a possde. You have to make Y-Cables can do what you want.

Other than that, good product recommender trs!

patcho's review (This content has been automatically translated from French)

Bose L1 Model II with B1 Bass
Oulala ... I read on AF critics and vidos of prsentations of Systm, and I did not believe gure. I am a singer / guitarist in trio and turns (+ / low batt) with prampli TL Audio (Ivory series) on the amplification of the crown and APG DS12 in faade and back (club) & reverb lexicon.

Well, I'll see my Bose (in 54) and asked him to lend me the new Systm (3000 deposit) for a concert and club sound in a small prsta mdiathque for friends, and go!

I camped the night before in all my local rp to test a bit before venturing out bte this tiny thing LIVE. Well, editing is commme BMD video: it took me a minute 30 to get my face! Without opening the manual ... Incredible ease.

Next up was "in my face and pan '... worked!
Come on, hop, Live now, I would ...

Good surprises:

1 - the bass line (with the test house with an active Ibanese ATX300 and LIVE with a Fender Jazz Bass uh, memory of 72) of its super clean! my Fender bass and remain stuck on the ground of surprise, like, "It is hidden Ampeg o?" The presets "TONE MATCH" (the mixer numrique) are a disaster ...

2 - the next day, the surprise is on the Fender Rhodes: the same, the preset step of Hell is effective trs

3 - I use any (preset, EQ, comp, chorus for my guitar, editing ...) without opening a single record. Okay, I'm a great professional (arf arf) used to the tables numriques Cubase, Samplitude etc.. but hey, a pleasure: a means that is well thought out in dpart if zicos can use it intuitively. no?

4 - the power is sufficient (we amme a lot of reserve) for the bar / small club (gauge 70-80 people max)

5 - voice cuts through me more than enough: is it! I love the acoustic guitar for the chorus!

6 - Well, it's no surprise, but we talk about when same: light weight, miniaturization, enconbrement ground and reduced air, assembly time and disassembly are amazing


1 - the worst: it seems to me Systm "timbrquot;, trs mdium high / high with espce of rsonnance mtalique ... even without effects ... and it lacks a little depth in the sound (this is felt in the color of the voice, not too low on the oddly) because the bass is missing l. .. srieusement a small master EQ to adjust the color enough to type diffrent rooms.

2 - This is accentuated by the reverbs, not the height of my taste: OK for my acoustic guitar (Alhambra NJ2) but then it is NOT for voice. It's too mtalique, a ring true, was "effect", not natural, nor ample. Too bad. The reverbs are not the height my taste as a singer. (It's always boring singers ;-)

3 - Enough of the acoustic guitar sound: goodbye warmth of wood (a super jumbo!), As reported in the rope mtalique sound system ... damage, may be I did not pass enough time to find a preset EQ and appropriate. But hey, it's also got question: if you are trs "piezo" you will be delighted!

4 - Well, too bad it gets to the point that FCHE: feedback. Let us agree: it is impossible to play this volume offers Bose L1 II with another Systm derire you put a micro electrostatic vote (for me it is the Shure Beta 87A): grip ensured e! Bose limit so really the case, but only limit it. I try to sing of an SM57 (yes, dj is live, and I like "less worse" than the 57 trs plbicit SM58 me out through the holes of nose) ds we wanted to mount the volume, it was warm manage: not allowed to move the axis of the cell under maximum penalty of feedback ... It was rev broken foot.

5 - Ae ears when you push the watts: PA = derire protection required! And I did not have them! And then it bizare to have the voice "in the mix", sometimes we push too much to agree (voice tires more quickly), which does not happen with returns in "circuits" diff ences. But it's not the same budget ... not the same weight either (ale, amps and more)

Ben was going to hurt the guys: 3 minutes of assembly and disassembly even less, incredible compactness, light weight, its + honorable, just good feedback tame, if I n ' silenced quip I buy without hsiter! Try to find an amplifier, a mixer and two Drinking numrique conventional speakers worthy of the name, the wiring for 3000! You will have a trunk full of pounds of maintenance. My friends sonoriss when his prsta Bose L1 II want to run in the club! (A trio of keyboard / rhodes / accordion - voice / trombone - percussion)

In short, counsel for those who turn in duo / trio in beautiful little places, with small car (goodbye truck!) And small muscles (like me!)