All user reviews of 5/5 for the Behringer Composer Pro-XL MDX2600

This device is a dynamics processor Stereo or dual mono 1U rack analogue which included:
<ul>

Expender / gate

Compressor / Limiter

Esser

Peak limiter

Enhencer

</ul>
Simulating the circuit with his "lights" feature "Interactive Knee", SO Contour, rglage Auto attack time and release of the Tagus compressor activated, rglage line level -10 / +4 dB and possibility to link both channels for the second pilot or by the same potentiomtres the first channel (some are rglagent-even when individually).

For each of the possible Rglages two channels:
<ul>

Stage Expander / Gate:
<ul>

Trigger (Off + 10dB)

Relchement short or long

Mode "Expander" or "Gate"

</ul>



Stage Compressor / Limiter:
<ul>

Rglage threshold application (-40 to + 20 dB)

Compression ratio (from 1 / 1 infinite, in this case: limiter)

Attack time (0.3 ms 300)

Relchement time (0.05 s 5)

Set automatic or not these two rglages
The output level will affect the following Tage

Getting on or off duty depending on the Trat dynamics in a external audio signal (string latrale)

Inject it or not the audio outputs

Activation or not the high-pass filter in the chain latrale

Key "Interactive Knee"

Activation or not of the enhancer

Activation or not the lamp circuit emulator circtuit

Slction display of VU meters (the level of display or output)

On / off the Tagus compressor / limiter.

</ul>



Esser Floor:


<ul>

Application level (0 10 dB)

Removing sibilance of male voices or fminines

On / off of the floor (which also only works if the compressor is activated.

</ul>



Floor peak limiter:
<ul>

Rglage threshold application (0 dB + 15 dB, beyond = OFF)

</ul>



</ul>
LEDs and LEDs:
<ul>

Stage Expander / Gate:
<ul>

LEDs indicate if the input signal is below or above the threshold for
Indicator of long relaxation and implementation based on the noise gate in place of the expander

</ul>



Stage Compressor - Limiter:
<ul>

LEDs indicate the application of rduction signal (from - 1 to 30 dB)

VU level of nitre or output (-30 + 18 dB)

Indicator for monitoring the chain latrale

Indicator of the commissioning of the string latrale

"Lo Contour" (the high pass applied to the string latrale)

Indicator turning on the attention of the Interactive Knee

Indicator of the commissioning of the automatic rglage attack time and relchement

Indicator of switching on the emulator of circtuit lamps

Indicator of activation of the Enhancer

Indicator of the state of nitre-LED signal level (input or output)

Indicator On / Off the Tagus.

</ul>



Floor Desseur:
<ul>

Indicator of the introduction of the female and male version of desseur

Indicator of the rduction treble (-12 -3 dB)

Indicator for power on / off of the Tagus.

</ul>



Floor peak limiter:
<ul>

LED that illuminates when the signal threshold Exceeds fix (and when attnu)

</ul>



</ul>
Connectors, a pair of:
<ul>

XLR line input

Jack 6.3 mm symtrique of line

XLR line out

Jack symtrique 6.3 mm line out

Jack 6.3 mm assymtrique sending the string to latrale

Jack 6.3 mm assymtrique back from the string latrale

</ul>

UTILIZATION

I am to see so many tonn rglages possible, as many lights and LEDs in a space as Reduces (only 1U in height with 19 inches wide are shared between the two channels!) .

Easy, no need manual to operate it, but it is still the same advice to STUDY to learn the intricacies MODEL own this one.

As usual with Behringer, the rotary potentiomtres are notched. The inconveinient is that it is impossible to make with rglages purposes but the advantage is that with the habit, it can quickly and easily find rglages that were selected.

Well, for electronic and classical music, it&#39;s not appropriate to use trs gear such as this dtruit the original musical of the song. But against, there&#39;s nothing for the CONTRL "sound mood" or hard rock bands, especially scne as it is-even when the amps and mnager ensceintes, especially the facade, while retaining a maximum of music. This is especially Designed to be insert into branch on the master section of the table to mix contrller what sends it to the amps and speakers.

The Tagus Expander / Gate can fight effectively against noise indsirables due to compression and also helps fight against feedback.

SOUND QUALITY

The sound quality is correct trs rglages provided that are well made because they spend practically the only cock ^ ^ The music is fast dtruite sitt a map of R COMIS adjuster.

OVERALL OPINION

I have just the reevoir.

Advantages:
<ul>

Rglage automatic attack and relchement section compressor / limiter activated

Chanage latral possible (Tagus contrllable compressor by an external signal)

Trs visible LEDs and LEDs

Many rglages and lights in a space as Reduces: I&#39;m bluffing ))

Cheap one point that this applies even bother to get it used, especially when you live in Switzerland ))

</ul>
The inconveinients:
<ul>

Potentiomtres notched, as usual at Behr ^ ^

</ul>
Well, I have not tried other (except for the Joemeek VC3Q but it is not the same cathgorie) because the o live, music stores have little trs stocks, I have to order it. Perfect for mnager amps and speakers of power.

Gather information about the manufacturer's website.

UTILIZATION

Simple. Bar graph useful. Buttons notched apprciables trs.

SOUND QUALITY

The sound quality is more or less subjective and is the apprciate each (he sounds as you got?)

OVERALL OPINION

It's been three and a half years I use it. I 'Inserra between prampli, connect to the PC and the mixer. I used rguler volume PC when I play video games or when I watch a DVD. It fulfills its rle, cash many levels, and provides a good output. The device is filled with buttons and switches that I used frquemment. Yet they still work: without grsillement or failure (mcanique and electronic). This is almost a miracle.

Well, little notice purely personal, but above all to put some music in this view (useful because a compressor to play video games, I find out about, but hey ........ ..) so voila, behringer return with the youngest (who has 3 or 4 years for that matter, but I've found 60 euros later I'm not .....) gn behringer feedback is critical devices but with a smaller component cot, and is cheaper to pay the bill .. Ben and I say children, even if some few people can afford to buy tables and swallow 3000.00 euros, I'm sure in their small home studio, despite these BCAN, the finished product certainly sound better, but will always be that model, it will be necessary to review with the pros, the real, to finalize everything, and even I'm on, take everything ZrO. So, when you have not too many ways, and that we want to make nice models, without any prtention, starting with the behringer, to be released by a major cole sound, but really believe that this kind of guy will choose the behringer !!!!!!! for the compressor in it even, it's his job properly, a lot of option, I think that the tube function is a little weak, and according to Esser, really wheezing, but a very low level, the rest is his job properly and clean 60 euros used, certainly I would do this choice, then the pros sound DSOL for my query, but s'agirrait to play with the same weapons, it do not fight with a knife against a gun (mtaphore rotten that will delight fans of gangters ------- shriff there is a new town, I ........

UTILIZATION

Tut is said to top

SOUND QUALITY

Everything is said to top

OVERALL OPINION

See above

See description above
doc trs use and complete technical and french more

UTILIZATION

I use it as bassist with the config: B200r Ampeg combo amp and passive Jazzbass 75
must look for it we want to lower the compressor section is interesting

SOUND QUALITY

To compress a bass is nikel, a fine tune to not fall into sounds too metallic
qq requires hours of listening to refine

OVERALL OPINION

Super telling,
Once found the right set
gives a good potato and eliminates small game defaults