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3.6/5(5 reviews)
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MGR/f0rced0pini0ndbx 1066 Dual Compressor Limiter Gate
Published on 11/01/01 at 15:00I bought this product from Guitar Center, new, for $400.
Has a counter switch that removes unwanted low frequency. Has an auto button that sets the attack and release on the commpressor.
It is dificult to find the settings you want on the commpressor, and doesnt sound good on bass.
The construction is very good on this peace of equipment while the quality is just the same as any other commpressor, in my opinion.
I think that it is pritty good but i think that it is a little highly priced for the quality sound that you get.
This review was originally published on http://www.musicgearreview.com…
Has a counter switch that removes unwanted low frequency. Has an auto button that sets the attack and release on the commpressor.
It is dificult to find the settings you want on the commpressor, and doesnt sound good on bass.
The construction is very good on this peace of equipment while the quality is just the same as any other commpressor, in my opinion.
I think that it is pritty good but i think that it is a little highly priced for the quality sound that you get.
This review was originally published on http://www.musicgearreview.com…
Read more
I bought this product from Guitar Center, new, for $400.
Has a counter switch that removes unwanted low frequency. Has an auto button that sets the attack and release on the commpressor.
It is dificult to find the settings you want on the commpressor, and doesnt sound good on bass.
The construction is very good on this peace of equipment while the quality is just the same as any other commpressor, in my opinion.
I think that it is pritty good but i think that it is a little highly priced for the quality sound that you get.
This review was originally published on http://www.musicgearreview.com
Has a counter switch that removes unwanted low frequency. Has an auto button that sets the attack and release on the commpressor.
It is dificult to find the settings you want on the commpressor, and doesnt sound good on bass.
The construction is very good on this peace of equipment while the quality is just the same as any other commpressor, in my opinion.
I think that it is pritty good but i think that it is a little highly priced for the quality sound that you get.
This review was originally published on http://www.musicgearreview.com
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10
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S. DursonPublished on 03/15/08 at 01:05 (This content has been automatically translated from French)
Gate / Compressor / limiter analog
So XLR connectors and jacks assymtriques or symtriques
+ Sidechain loop
USE
The config is like most other comp.
This is not facil WELL edit like any comp.
The manual is well and gives the same advice dition giving bases.
SOUND QUALITY
This is the high end of DBX, and rpute has not done nothing.
The comp and gate are excellent. I used some of the limit.
What I prefer: all
I dteste: nothing
NOTICE GLOBAL
I for one year. I put all the sauces.
The sound is the manufacturing quality is presents too!
It's not behringer knob that turns oval and fears that remains in the fingers.
For those who say that the gate can not hear...…
So XLR connectors and jacks assymtriques or symtriques
+ Sidechain loop
USE
The config is like most other comp.
This is not facil WELL edit like any comp.
The manual is well and gives the same advice dition giving bases.
SOUND QUALITY
This is the high end of DBX, and rpute has not done nothing.
The comp and gate are excellent. I used some of the limit.
What I prefer: all
I dteste: nothing
NOTICE GLOBAL
I for one year. I put all the sauces.
The sound is the manufacturing quality is presents too!
It's not behringer knob that turns oval and fears that remains in the fingers.
For those who say that the gate can not hear...…
Read more
Gate / Compressor / limiter analog
So XLR connectors and jacks assymtriques or symtriques
+ Sidechain loop
USE
The config is like most other comp.
This is not facil WELL edit like any comp.
The manual is well and gives the same advice dition giving bases.
SOUND QUALITY
This is the high end of DBX, and rpute has not done nothing.
The comp and gate are excellent. I used some of the limit.
What I prefer: all
I dteste: nothing
NOTICE GLOBAL
I for one year. I put all the sauces.
The sound is the manufacturing quality is presents too!
It's not behringer knob that turns oval and fears that remains in the fingers.
For those who say that the gate can not hear the sound small spring, etc. (there is a volume button). Well yes, it's hard rgler correctly compressor ... hh.
Excellent machine, I probably do it again this choice.
So XLR connectors and jacks assymtriques or symtriques
+ Sidechain loop
USE
The config is like most other comp.
This is not facil WELL edit like any comp.
The manual is well and gives the same advice dition giving bases.
SOUND QUALITY
This is the high end of DBX, and rpute has not done nothing.
The comp and gate are excellent. I used some of the limit.
What I prefer: all
I dteste: nothing
NOTICE GLOBAL
I for one year. I put all the sauces.
The sound is the manufacturing quality is presents too!
It's not behringer knob that turns oval and fears that remains in the fingers.
For those who say that the gate can not hear the sound small spring, etc. (there is a volume button). Well yes, it's hard rgler correctly compressor ... hh.
Excellent machine, I probably do it again this choice.
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01
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Anonymous Published on 06/11/07 at 02:33 (This content has been automatically translated from French)
See below
USE
See below
SOUND QUALITY
- Which instruments do you use?
I use it mainly for compressing voice.
But it also happens to me to use it for others like the bass drum
NOTICE GLOBAL
- How long have you use it?
11 years
- What is the particular feature you like best and least?
Intuitive rglages and its compliance are its great qualities
- Have you tried many other models before acqurir?
No this is my first and I never renvendrai
- How do you report qualitprix?
Perfect
- With the exprience, you do again this choice ...?
Yes for sure …
USE
See below
SOUND QUALITY
- Which instruments do you use?
I use it mainly for compressing voice.
But it also happens to me to use it for others like the bass drum
NOTICE GLOBAL
- How long have you use it?
11 years
- What is the particular feature you like best and least?
Intuitive rglages and its compliance are its great qualities
- Have you tried many other models before acqurir?
No this is my first and I never renvendrai
- How do you report qualitprix?
Perfect
- With the exprience, you do again this choice ...?
Yes for sure …
Read more
See below
USE
See below
SOUND QUALITY
- Which instruments do you use?
I use it mainly for compressing voice.
But it also happens to me to use it for others like the bass drum
NOTICE GLOBAL
- How long have you use it?
11 years
- What is the particular feature you like best and least?
Intuitive rglages and its compliance are its great qualities
- Have you tried many other models before acqurir?
No this is my first and I never renvendrai
- How do you report qualitprix?
Perfect
- With the exprience, you do again this choice ...?
Yes for sure
USE
See below
SOUND QUALITY
- Which instruments do you use?
I use it mainly for compressing voice.
But it also happens to me to use it for others like the bass drum
NOTICE GLOBAL
- How long have you use it?
11 years
- What is the particular feature you like best and least?
Intuitive rglages and its compliance are its great qualities
- Have you tried many other models before acqurir?
No this is my first and I never renvendrai
- How do you report qualitprix?
Perfect
- With the exprience, you do again this choice ...?
Yes for sure
See less
10
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Joseph sardinPublished on 03/08/05 at 14:53 (This content has been automatically translated from French)
The 1066 is a compressor, limiter, gate, expander 1U rack analogue.
I / O jack and XLR jack with sidechain in
UTILIZATION
Configuration very simple and intuitive.
The manual is sometimes little comprhensif in French (translation from English mdiocre). It is also not specially useful for someone who knows a little.
Rglage buttons are robust, have a good grip.
SOUND QUALITY
I use them for the bass drum and toms of the battery.
The effects are effective, good quality, and each has a great deal of rglages trs.
My prfr effect is the gate, at the sound reproduction.
OVERALL OPINION
It is a device trs good quality sturdy, quite heavy (2.3 kg).
Overall I am satisfied...…
I / O jack and XLR jack with sidechain in
UTILIZATION
Configuration very simple and intuitive.
The manual is sometimes little comprhensif in French (translation from English mdiocre). It is also not specially useful for someone who knows a little.
Rglage buttons are robust, have a good grip.
SOUND QUALITY
I use them for the bass drum and toms of the battery.
The effects are effective, good quality, and each has a great deal of rglages trs.
My prfr effect is the gate, at the sound reproduction.
OVERALL OPINION
It is a device trs good quality sturdy, quite heavy (2.3 kg).
Overall I am satisfied...…
Read more
The 1066 is a compressor, limiter, gate, expander 1U rack analogue.
I / O jack and XLR jack with sidechain in
UTILIZATION
Configuration very simple and intuitive.
The manual is sometimes little comprhensif in French (translation from English mdiocre). It is also not specially useful for someone who knows a little.
Rglage buttons are robust, have a good grip.
SOUND QUALITY
I use them for the bass drum and toms of the battery.
The effects are effective, good quality, and each has a great deal of rglages trs.
My prfr effect is the gate, at the sound reproduction.
OVERALL OPINION
It is a device trs good quality sturdy, quite heavy (2.3 kg).
Overall I am satisfied with TRS. APRs have test other devices often less expensive, it is the only one who really got love me. Much more than a Behringer, but for quality sound and unrivaled manufacturing: report qualitprix trs good.
I buy a second without hsiter, ds that I ncessaire money.
I / O jack and XLR jack with sidechain in
UTILIZATION
Configuration very simple and intuitive.
The manual is sometimes little comprhensif in French (translation from English mdiocre). It is also not specially useful for someone who knows a little.
Rglage buttons are robust, have a good grip.
SOUND QUALITY
I use them for the bass drum and toms of the battery.
The effects are effective, good quality, and each has a great deal of rglages trs.
My prfr effect is the gate, at the sound reproduction.
OVERALL OPINION
It is a device trs good quality sturdy, quite heavy (2.3 kg).
Overall I am satisfied with TRS. APRs have test other devices often less expensive, it is the only one who really got love me. Much more than a Behringer, but for quality sound and unrivaled manufacturing: report qualitprix trs good.
I buy a second without hsiter, ds that I ncessaire money.
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52
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Tech. sheet
- Manufacturer: dbx
- Model: 1066
- Category: Studio compressors
- Added in our database on: 03/10/2005
Specifications
| Input Connectors | XLR and 1/4" TRS (Pin 2 and tip hot) |
| Input Type | Electronically balanced/unbalanced, RF filtered |
| Input Impedance | Balanced > 50 kOhm, unbalanced >25 kOhm |
| Max Input | > +24 dBu balanced or unbalanced |
| CMRR | Typically >50 dB at 1 kHz |
| Output Connectors | XLR and 1/4" TRS (Pin 2 and tip hot) |
| Output Type | Servo-balanced/unbalanced, RF filtered |
| Output Impedance | Balanced 120 Ohm, unbalanced 60 Ohm |
| Max Output | > +21 dBm balanced, > +20 dBm unbalanced |
| Sidechain Input Connector | 1/4" Unbalanced (Tip-Sleeve) |
| Sidechain Input Type | Unbalanced, RF filtered |
| Sidechain Impedance | >10 kOhm |
| Sidechain Max Input Level | >+24 dBu |
| Sidechain Output Connector | 1/4" Balanced TRS (tip hot) |
| Sidechain Output Type | Impedance balanced, RF filtered |
| Sidechain Output Impedance | Balanced 2 kOhm, unbalanced 1 kOhm |
| Sidechain Max Output Level | >+21 dBu balanced or unbalanced |
| Bandwidth | 20 Hz to 20 kHz, +0/0.5 dB |
| Frequency Response | 0.35 Hz to 90 kHz, +0/-3 dB |
| Noise | < -95 dBu, unweighted, 22 kHz measurement bandwidth |
| Dynamic Range | > 118dB, unweighted |
| THD+Noise | 0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), < 0.1% any amount of compression up to 40 dB, 1 kHz |
| IMD | < 0.1% SMPTE |
| Interchannel Crosstalk | < -80 dB 20Hz to 20 kHz |
| Stereo Coupling | True RMS Power Summing |
| Compressor Threshold Range | -40 dBu to +20 dBu |
| Compressor Ratio | 1:1 to infinity:1 |
| Compressor Threshold Characteristic | Selectable OverEasy® or hard knee |
| Compressor Attack/Release Characteristic | AutoDynamic™ |
| Compressor Attack/Release Modes | Selectable Manual or Auto |
| Compressor Manual Attack Time | Scalable program-dependent |
| Compressor Manual Release Time | Scalable program-dependent |
| Compressor Auto Attack Time | Program-dependent |
| Compressor Auto Release Time | Program-dependent |
| Compressor Output Gain | -20 to +20 dB |
| Limiter Threshold Range | +4 dBu to +24 dBu (off) |
| Limiter Ratio | infinity:1 |
| Limiter Type | PeakStopPlus® two-stage limiter |
| Limiter Stage 1 | PeakStop® brickwall limiter |
| Limiter Stage 1 Attack Time | Zero |
| Limiter Stage 1 Release Time | Zero |
| Limiter Stage 2 | Predictive intelligent program limiter |
| Limiter Stage 2 Attack Time | Program-dependent |
| Limiter Stage 2 Release Time | Program-dependent |
| Expander/Gate Threshold Range | Off to +15dBu |
| Expander/Gate Ratio | 1:1 to 30:1 |
| Expander/Gate Attack Time | < 100 µsec |
| Expander/Gate Release Time | Program-dependent |
| SC Ext. Switch | Routes the external sidechain input signal to the detector |
| SC Mon. Switch | Routes the sidechain signal to the output, interrupting the normal audio |
| OverEasy® Switch | Activates the OverEasy compression function |
| Countour Switch | Activates the frequency-dependent detector function |
| Auto Switch | Activates automatic program-dependent attack and release times, disabling the manual Attack and Release controls |
| I/O Meter Switch | Switches between monitoring input and output levels on the Input/Output Level meter |
| Bypass Switch | Activates the direct input-to-output hard-wire relay bypass. Relay automatically hard-wire bypasses unit at power-down and provides a power-on delay of 1.5 sec. |
| Operating Level Switch | (rear panel) Switches the nominal operating level between -10 dBV and +4 dBu simultaneoulsy for both input and output levels |
| ST Link Switch | Link both channels for stereo operation. Channel One becomes the master |
| Gain Reduction Meter | 12-segment LED bar graph at 1, 2, 4, 6, 9, 12, 15, 18, 21, 24, 27 and 30 dB |
| I/O Meter | 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu |
| Compressor Threshold Meter | 3-segment LED bar graph at Below (-), OverEasy and Above (+) |
| Expander/Gate Threshold Meter | 2-segment LED bar graph at Below (-) and Above (+) |
| Limiter Threshold Meter | 1 LED to indicate PeakStopPlus™ limiting |
| Function Switches | LED indicator for each front-panel switch |
| Output Transformer Options | Jensen® JT-123-dbx or JT-11-dbx, BCI RE-123-dbx or RE-11-dbx |
| Operating Voltage | 100-120 VAC 50/60 Hz 200-240 VAC 50/60 Hz |
| Power Consumption | 20 Watts |
| Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T |
| Power Connector | IEC receptacle |
| Dimensions | 1.75"Hx19"Wx9"D (4.4cmx48.3cmx20.1cm) |
| Unit Weight | 5.1 lbs. (2.3 kg) |
| Shipping Weight | 7.5 lbs. (3.4 kg) |
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Manuals and other files
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Other names: 10 66