All user reviews of 5/5 for the Marshall TSL100

LAMPS

What is the power delivered?
100 W RMS 25W comuter

UTILIZATION

Lots of buttons but very simple, it's Marshall ...



SOUNDS

Will it fit your style of music?
I play mainly metal and when I read that the JCM2000 is not for metal ... just kidding Clearly this is not a high gain but push it a bit, with a good cab and a good shovel it sends heavy! Important not to cut the mids or play with the equalizer in V. .. Otherwise, you lose all the biting and aggression.

Clear: good clean sound for a Marshall! Complement it with a little chorus / Reverb / Delay and go for an arpeggio shivering ..
Crunch: the sound of AC / DC! Reduce the gain and you have a blues sound great!
Lead: my favorite channel! Needless to type an overdrive before or whatever else is ... sending it enough for the modern metal, clear you will not want to play in Suicide Silence or Behemott but what will the Guns to Kataklysm through Arch Enenmy or Paradise Lost, Metallica, ... is perfect, the question is, set his gear properly ...

With what (s) guitar (s) or effect (s) do you play?

LP standard and Shecter SheDevil.
TC electronic G-sharp (in the loop) + NS2


OVERALL OPINION

For how long have you been using it?
It's been a long time and I will say that for 10 years I have, it never fell down once, not even a fuse! I never got tired of her except when I get the urge to smash a small deathcore ... but hey I think if I had a 5150 I'm tired of not being able to play anything other than death ... Frankly, I have a LP and a Schecter (active) and the amp fully respects the guitars that branch there.

What thing do you like most/least about it?

Most: versatility, power 25watts past by pushing a button, 3 CHANNELS loops and effects (adjustable) with footswitch switchable, the lead sound ...
Minimum: The guys who criticize Marshall saying they do nothing good for the JCM800 .... I invite them home to test for TSL100!

Knowing what you know now, would you make the same choice?
Because clearly the versatility of the gear is the most important thing to me: you diversify his game, his style, the gear follows the musical evolution and ultimately that's what costs the least! When I see friends who have changed 3 or 4 times the amp since I have mine so that eventually they get tired and always looking SOUND ....

What is your opinion about the value for the price?
Excellent for the head but the cab 1960a cons is not really terrible, I modified mine with 2 V30 + cross + silicone wiring and it really changes much in the end.

hello to you musician

The Marshall JCM 2000 TSL100 is a tube amp 100W
An input jack, assignable effects loop separately or jointly which opens the field of possibilities (Please do not use the effects loop! Please) is horrible on any amp. You can use to connect a pre-amp for example. No musician is so ... why some still to do?!
Upcoming speakers: 2X4, 1X4, 2X8, 1X8, 1x16 ohms (class)
An output emulated line out for direct recording (again, again ... stop messing around ... I will not add anything else.)

UTILIZATION

The setup is simple?
Yes

The manual is clear and sufficient?
No need. Anyway, he must rely on his ear and that's it.
Skunk Anansie guitarist to record their first album (many awards) with a guitar that cost him $ 70. No change. Yep. The amp is not the musician.

Do you get a good sound easy?
We get it sound good enough right quick, but ... must spend time on it to find the right sound. For a guitar sound is set with other musicians. Especially with the other guitarist (if any) and especially with the bass. Everything must be harmonious and logical.

SOUNDS

Will it fit your style of music?
Perfectly. I play post-hardcore or rock to clean arpeggios, the amp responds very hyper. The choice of guitar is very important. Not only the choice of guitar as the height of the microphones. I have a Fender Telecaster Deluxe, a Gibson SG Standard and an Ibanez ASX32 (with Seymour Duncan SH4) and soon a Fender Telecaster Standard.
For effects I use Boss and Line6.
The choice of speaker is very important ... very very very. But the best is surely not the most expensive. The better ear, his style, his music and his group.
I play with a 1960AV (Celestion V30) and it's just perfect. I have a 1960A is it makes a difference (especially on the roundness of sound)

OVERALL OPINION

For how long have you been using it?
7 years

Did you try many other models before getting this one?
Oh yes. Savage120 of ENGL, Mesa Boogie's, several Marshall, Fender few ...

What thing do you like most/least about it?
It's a pretty versatile amp (not the south either)

What is your opinion about the value for the price?
Right price

Knowing what you know now, would you make the same choice? ...
Oh yes.

! VERY IMPORTANT!
I tried 3 other JCM2000 TSL100 store (different stores) and it was really shit. So do not insult those who spit on this amp. I understand them.
My singer / guitarist working in a music store and we had a giggle when I tested one of their JCM2000 right after mine. Same in another store ... and the same again in another store. RIDICULOUS.
We must think about changing the lights too. If you think that is expensive and you'll end up spitting on the amp, do not cross the pitch then.
Without oil, the engine of the car died! There is none.
I had to change the PSU a few months ago. Due to cuts in current hardcore room my head suffered. And I'm rewarding by changing the PSU I won round and sound sensitivity of the amp. Which makes sense after all. Kerry King, Slash, etc. have changed amps. If you believe that buying the signing of this or that you will have the same ... there is already affected, sensitivity, experience and the relationship between the musician and his instrument but also changes. Why there http://www.voodooamps.com/home/Upgrades/tabid/334/Default.aspx