Last week we started discussing the importance of exporting alternative mixes starting with the basic ones you need, namely Vocal Up, Vocal Down, Instrumental, and A Capella. Today I will take it e...
Although he wasn’t formally trained in engineering, producer/engineer Billy Bush learned to record and mix from two of the best, Butch Vig of Garbage, and legendary producer Rick Rubin. Bush, who h...
This time we'll discuss the commonly called Stereo Room mics. This topic will take us quite some time because, personally, I think it's crucial.
Now that we've seen how to optimally make the final export of your mix, we can discuss a point often neglected by beginners: alternative exports.
Today we'll continue exploring the close-miking of additional drum kit elements that aren't necessarily indispensable, like the toms.
Dear friends, believe it or not, our epic saga through the wonders of mixing is slowly approaching its end. Nevertheless, before we get to the final stop we still have to look into some details, st...
From the first editing click to the last automation, mixing is a passionate and arduous job. That's why we decided to write this article to discuss some tools that can make your life much easier an...
Today, we will continue the chapter dedicated to drums recording considering other close miked elements that aren't necessarily indispensable... It depends on the situation, as you will see. We'll ...
Today I'll try to answer a question seldom addressed on the web, but which nevertheless is crucial: how to know when to call it quits...?
Last installment of our brief detour from the recording drums articles. Should you think about the drums from the listener's or the drummer's perspective? Keep on reading to find the answer...
In this installment I suggest yet another way to analyze your mix through the ears of other people. The principle this time is very simple: letting a bunch of people listen to your mix without them...
