Computer Music articles
This time, I will give you an overview of the mixing method we will follow in the coming weeks. I don't intend it to be "The Method," since there are lots of other ones that are just as valid. However, I think this way of doing things will give you a solid foundation for you to develop your own method.
Jack Joseph Puig Speaks His Mind - Candid comments from the renowned producer/engineer about gear, mixing and more
One of the best known and most successful producer/engineers in the business, Grammy-winner Jack Joseph Puig has worked with heavyweights like U2, Green Day, Stone Temple Pilots, John Mayer, Fergie, Eric Clapton, Queen Latifah and countless others. Puig wears many hats, including as an executive vice president at Geffen Records, and as Director ...
Besides guaranteeing "virtual headroom" and an optimal level to process each track with any plug-in or outboard gear, the "gain staging" method described in the last installment also allows you to make your first "realistic" critical listening of the song you are about to mix, in order to fine-tune your vision about it and lay down the foundatio...
Should You Go Paperless Onstage? - The pros and cons of using an iPad to view charts and lyric sheets on the gig
If you’re one of those performing musicians who needs to bring charts and lyric sheets to the gig or rehearsal, you might want to consider getting rid of all that paper and your music stand, and conveniently viewing and storing all of those documents on an iPad or other tablet. Let’s look at the pros and cons.
In this installment, we will examine the first practical task of your mix, which also happens to be the last purely technical one. Once you've done it, you will finally be able to confront your vision of the song with its "reality" in order to establish a mixing strategy.
From what we've seen up to now, we could deduce the following: Mixing can be assimilated to assembling pieces of a 4D puzzle according to a given tempo to form a sonic moving picture. But what can we actually learn from looking at it this way?
As eloquent as it may be, the puzzle analogy for mixing conceals a major aspect of music ─ in the end, the puzzle represents only a static image, yet music is essentially dynamic. So it's only natural to complete the riddle by adding a new parameter to the equation: Time!
Video: Altering Pitch with Melodyne Editor 2 - Change pitches in melodies and inside of chords with Melodyne Editor 2
Celemony Melodyne Editor 2 is a powerful plug-in and standalone editor that can do a great deal of impressive DSP, involving both pitch and time. In addition to corrective work, it can also be used creatively to change melodies, and, even more impressively, change pitches of individual notes inside a chord, allowing you to reharmonize recorded a...