Last week I mentioned the preposterous idea of using a speaker instead of headphones to send the cue mix to the singer. This obviously entails the mic picking up a lot of bleed, however as I implie...
In the previous article I introduced synthetic scales, which made us dig up an element of scales and modes which we had already touched upon before: tetrachords. So before we move on I think it's i...
Today's article could've been easily included in the previous section because we are once again dealing with the comfort of the singer. However, I decided to make it part of a new, much larger sect...
Last time I told you we would discover a couple of somewhat particular scales: the harmonic major and double harmonic major scales. But they belong to a larger group called synthetic scales, which ...
Third and final installment of the chapter dedicated to the comfort of the singer during vocal recordings. Today, for the first time, we will discuss the gear used. However, before looking at it fr...
Today we'll continue studying the modes of the harmonic minor scale we began last week. I invite you to discover with me...
Second part of the chapter dedicated to the comfort of the singer when recording vocals. After discussing the place last week, today you'll see some really nice tricks that will allow the singer to...
After having studied in the previous article the altered modes of the melodic minor scale, today we'll look into those of the harmonic minor scale.
In the previous article I mentioned the famous "comfort zone" of the singer. In the coming weeks we'll look into the material conditions around a vocal recording which are susceptible of helping th...
After the brief deviation in the last installment, it's time to continue with our favorite altered modes.
To finish with the performance question, today we'll discuss a somewhat particular topic which was inspired by a comment posted in the French forum by ex-Moderator in Chief, Will Zégal, in response...
