To finish with the performance question, today we'll discuss a somewhat particular topic which was inspired by a comment posted in the French forum by ex-Moderator in Chief, Will Zégal, in response...
Dear friends, do allow me to open a brief parenthesis in our harmony series with this article.
Today we'll continue exploring the art of performance with an installment that could be easily renamed into "Theatrics for Dummies." However, anyone who takes the time to put into practice these ti...
You might be wondering why I'm writing about these scales as a "particular case" even though I hadn't mentioned them when talking about the altered and Bartok scales. Well, these two scales often l...
As you saw previously, the singer, as a performer, can be compared to an actor. However, unlike a "traditional actor," the singer must only rely on his/her voice to bring to life his/her character ...
In the previous article we started studying two particular cases among altered modes. Remember that altered modes are those built from a scale that is not major. The two cases in question are the a...
In the last article, I introduced you to the modes of harmonic and melodic minor scales. Before we begin to study each of them, I invite you to discover two of them more in detail right now, namely...
In this new installment of the chapter dedicated to vocal recording we will tackle the delicate issue of performance.
In the previous article we made a brief pause in the study of the characteristics of the different modes to introduce two particularly useful forms of writing in the modal system: the pedal and the...
Second installment dedicated to the things to do to prepare better for a recording session. Once again, certain things I'll write here might seem statements of the obvious for some of you. That sai...
In the last couple of articles we started to see how modes work, especially considering their harmonic characteristics and the cadences which support them.
