In this new installment of the chapter dedicated to vocal recording we will tackle the delicate issue of performance.
In the previous article we made a brief pause in the study of the characteristics of the different modes to introduce two particularly useful forms of writing in the modal system: the pedal and the...
Second installment dedicated to the things to do to prepare better for a recording session. Once again, certain things I'll write here might seem statements of the obvious for some of you. That sai...
In the last couple of articles we started to see how modes work, especially considering their harmonic characteristics and the cadences which support them.
In this article we'll continue on the same path as last week, reviewing the characteristic cadences of each mode.
Today we'll see how you can look after the singer during a recording session. Do note that for the sake of simplification, whenever I write "singer" in this chapter I will be referring generically ...
If you only have your talent and hard work to deliver a good concert, here are some nifty tools to help you make your gigs more visually appealing.
There's probably not one single article in the first 45 articles of this series, which dealt essentially with the tonal system, where I didn't mention cadences.
This week we'll begin discussing one of the most important topics of this series: vocal recording. As you will see in this brief introduction, recording vocals correctly doesn't just mean putting u...
In the previous article you saw the rules for the Phrygian, Lydian and Mixolydian modes. Today we'll look at the Aeolian and Locrian modes.
Third and last part of this interlude dedicated to dialog within the framework of a record production. Today we will look at this topic from the point of view of the home studio loner.
