A newcomer from Sennheiser, the HD 480 PRO promises precision, comfort and robustness for studio and home use. We put it through its paces, measuring, listening and trying to take it apart. Our verdict? We'll tell you all about it...
After releasing the LM Drum, a LinnDrum clone, Behringer put out the BMX, a recreation of the DMX, an early '80s EPROM drum machine from Oberheim. How does this newbie stack up with the original?
No matter what level of guitarist you are - beginner, intermediate, advanced or professional - you need the right accessories to optimize your setup.
After the highly successful Hydrasynth series, ASM returns to the forefront with the Leviasynth, a hybrid polyphonic synth whose algorithms push the limits of FM, thanks to a particularly meticulous user interface. Is it enough to make us love this intimidating synthesis?
Line 6 recently unveiled the revamp of its Helix ecosystem, known for offering guitarists and bassists a complete simulation of the sound chain. In this review, we take a look at the flagship Helix Stadium XL Floor. Enjoy your reading!
If you’re having trouble choosing between an optical or FET compressor, Rupert Neve has the solution! Introducing the OptoFET, which combines both of those compression technologies in a single 1U rack unit.
The Fairlight was both the first sampler and the forerunner of CAM (Computer-Assisted Music). A look back at a decisive technical evolution, at the origin of many of today's production tools.
Bitwig is back with version 6 and is set to continue shaking up the DAW world. After a long beta-testing phase, this new version arrives with the promise of even more ergonomic software and features designed to simplify our lives.
The Yamaha DX7 marked a turning point in synthesis and music in the 1980s. The first consumer digital and FM synthesizer, it transformed the studio sound palette and introduced new sounds that became indispensable.
It's the story of a clumsiness, a bad trip or a machine going haywire. It's also the story of your favorite song.
