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learningAUDIO RECORDING - ultimate guide (100 episodes) - Or how to become a pro sound engineer ;)
Once the mastering series is finished and now that the mixing guide is (finally!) arriving the end, it's only natural that Audiofanzine asked me to extend this tale told backwards with a new series dedicated to recording.
interviewHeadphone mix for the singer - Part 4 - The ultimate guide to audio recording - Part 99
In this fourth part you'll learn how to fine-tune the cue mix for the singer by improving the ordinary in no time.
interviewHeadphone mix for the singer - Part 3 - The ultimate guide to audio recording - Part 98
After the brief detour last week to discuss a less conventional way to handle the cue mix, today we'll go back to the more traditional way, that is the use of a good ol' pair of headphones. We'll discuss a method that will allow you to provide the singer a perfect cue mix while at the same time help you set the recording levels.
interviewHeadphone mix for the singer - Part 2 - The ultimate guide to audio recording - Part 97
Last week I mentioned the preposterous idea of using a speaker instead of headphones to send the cue mix to the singer. This obviously entails the mic picking up a lot of bleed, however as I implied back then, you can minimize this horrible crosstalk to make it acceptable. Lets see how...!
interviewHeadphone mix for the singer - Part 1 - The ultimate guide to audio recording - Part 96
Today's article could've been easily included in the previous section because we are once again dealing with the comfort of the singer. However, I decided to make it part of a new, much larger section dedicated to the handling of headphone mixes when recording vocals. Let's go!
interviewThe comfort of the performer - Part 3 - The ultimate guide to audio recording - Part 95
Third and final installment of the chapter dedicated to the comfort of the singer during vocal recordings. Today, for the first time, we will discuss the gear used. However, before looking at it from a technical point of view, I think it's better to linger a bit on the practical side of things from the viewpoint of the performer, so that he/she ca…
interviewThe comfort of the performer - Part 1 - The ultimate guide to audio recording - Part 93
In the previous article I mentioned the famous "comfort zone" of the singer. In the coming weeks we'll look into the material conditions around a vocal recording which are susceptible of helping the performer in creating this comfort bubble. And when I say material conditions I'm not talking about gear but rather to the physical environment in whi…
learningSinging or the art of performance - Part 4 - The ultimate guide to audio recording - Part 92
To finish with the performance question, today we'll discuss a somewhat particular topic which was inspired by a comment posted in the French forum by ex-Moderator in Chief, Will Zégal, in response to a previous article
learningSinging, or the art of performance - Part 3 - The ultimate guide to audio recording - Part 91
Today we'll continue exploring the art of performance with an installment that could be easily renamed into "Theatrics for Dummies." However, anyone who takes the time to put into practice these tips will see an amazing improvement in the recording of vocal performances. Cross my heart and hope to die if they don't!
learningSinging, or the art of performance - Part 2 - The ultimate guide to audio recording - Part 90
As you saw previously, the singer, as a performer, can be compared to an actor. However, unlike a "traditional actor," the singer must only rely on his/her voice to bring to life his/her character within the framework of a recording production.