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4.0/5(2 reviews)
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Audiofanzine FRPublished on 10/11/08 at 23:24
(Originally written by thequad/translated from Audiofanzine FR)
Small, 30-watt solid-state amp.
2 inputs and 1 headphone output to play at home.
It also has a spring reverb.
It looks very nice with its vintage varnished pine cabinet, similar to some Mesa-Boogie models.
UTILIZATION
Very easy to use: two inputs (high/low) with different sensitivity, providing different output levels. A volume knob controls the gain intensity and a master knob the output level.
The amp also has a 2-band EQ (bass/treble) and a reverb control.
The sound is quite versatile... and a multi-effects processor will add more possibilities.
SOUNDS
I used this amp 10 years and then I bought a (too) bulky...…
Small, 30-watt solid-state amp.
2 inputs and 1 headphone output to play at home.
It also has a spring reverb.
It looks very nice with its vintage varnished pine cabinet, similar to some Mesa-Boogie models.
UTILIZATION
Very easy to use: two inputs (high/low) with different sensitivity, providing different output levels. A volume knob controls the gain intensity and a master knob the output level.
The amp also has a 2-band EQ (bass/treble) and a reverb control.
The sound is quite versatile... and a multi-effects processor will add more possibilities.
SOUNDS
I used this amp 10 years and then I bought a (too) bulky...…
Read more
(Originally written by thequad/translated from Audiofanzine FR)
Small, 30-watt solid-state amp.
2 inputs and 1 headphone output to play at home.
It also has a spring reverb.
It looks very nice with its vintage varnished pine cabinet, similar to some Mesa-Boogie models.
UTILIZATION
Very easy to use: two inputs (high/low) with different sensitivity, providing different output levels. A volume knob controls the gain intensity and a master knob the output level.
The amp also has a 2-band EQ (bass/treble) and a reverb control.
The sound is quite versatile... and a multi-effects processor will add more possibilities.
SOUNDS
I used this amp 10 years and then I bought a (too) bulky Marshall.
I was very satisfied during this time. It's main limitation comes from the 6" speaker... difficult to get the Angus Young sound...
OVERALL OPINION
I like this amp especially for its looks but also for its musical qualities.
Small, 30-watt solid-state amp.
2 inputs and 1 headphone output to play at home.
It also has a spring reverb.
It looks very nice with its vintage varnished pine cabinet, similar to some Mesa-Boogie models.
UTILIZATION
Very easy to use: two inputs (high/low) with different sensitivity, providing different output levels. A volume knob controls the gain intensity and a master knob the output level.
The amp also has a 2-band EQ (bass/treble) and a reverb control.
The sound is quite versatile... and a multi-effects processor will add more possibilities.
SOUNDS
I used this amp 10 years and then I bought a (too) bulky Marshall.
I was very satisfied during this time. It's main limitation comes from the 6" speaker... difficult to get the Angus Young sound...
OVERALL OPINION
I like this amp especially for its looks but also for its musical qualities.
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slavieroPublished on 05/24/11 at 02:44 (This content has been automatically translated from French)
amp transistor very compact hp 6.5 "
2 between a headphone
1 channel, EQUAL 2 band, a first post, spring reverb
very nice pine cabinet with dovetail!
the PERD class
UTILIZATION
very easy
SOUNDS
about half body jazz, blues, ls sounds are of good quality with very good bass for such a small chassis, much better than a micro cube for instance, it does not sound card at all, the reverb is very good, the distortion is great for cruncher and it looks like when you push a fuzz, it's still anecdotal and especially: when you push the gain was a distortion transistor which is not to imitate the lamps is fat, synthetic and yet sufficiently defined. this fuzz
the volume was so...…
2 between a headphone
1 channel, EQUAL 2 band, a first post, spring reverb
very nice pine cabinet with dovetail!
the PERD class
UTILIZATION
very easy
SOUNDS
about half body jazz, blues, ls sounds are of good quality with very good bass for such a small chassis, much better than a micro cube for instance, it does not sound card at all, the reverb is very good, the distortion is great for cruncher and it looks like when you push a fuzz, it's still anecdotal and especially: when you push the gain was a distortion transistor which is not to imitate the lamps is fat, synthetic and yet sufficiently defined. this fuzz
the volume was so...…
Read more
amp transistor very compact hp 6.5 "
2 between a headphone
1 channel, EQUAL 2 band, a first post, spring reverb
very nice pine cabinet with dovetail!
the PERD class
UTILIZATION
very easy
SOUNDS
about half body jazz, blues, ls sounds are of good quality with very good bass for such a small chassis, much better than a micro cube for instance, it does not sound card at all, the reverb is very good, the distortion is great for cruncher and it looks like when you push a fuzz, it's still anecdotal and especially: when you push the gain was a distortion transistor which is not to imitate the lamps is fat, synthetic and yet sufficiently defined. this fuzz
the volume was so huge and such a small beast, and pushed into a corner these sound wins: the crunch has this divine (there's more than clear) we feel that it is the limited equipment (preamp, amp, hp) who participated in this sense that you rarely see: a white heat
OVERALL OPINION
: J'n'ai no studio experience, but often found in interviews with the legend kind Pignose etc ... well it's like a Pignose but better! I have a Peavey Classic 30 that sends really well Repeat 'single but my heart is at g5!
However, for large distortion (because his is really nice but atypical) exit the pedals!
2 between a headphone
1 channel, EQUAL 2 band, a first post, spring reverb
very nice pine cabinet with dovetail!
the PERD class
UTILIZATION
very easy
SOUNDS
about half body jazz, blues, ls sounds are of good quality with very good bass for such a small chassis, much better than a micro cube for instance, it does not sound card at all, the reverb is very good, the distortion is great for cruncher and it looks like when you push a fuzz, it's still anecdotal and especially: when you push the gain was a distortion transistor which is not to imitate the lamps is fat, synthetic and yet sufficiently defined. this fuzz
the volume was so huge and such a small beast, and pushed into a corner these sound wins: the crunch has this divine (there's more than clear) we feel that it is the limited equipment (preamp, amp, hp) who participated in this sense that you rarely see: a white heat
OVERALL OPINION
: J'n'ai no studio experience, but often found in interviews with the legend kind Pignose etc ... well it's like a Pignose but better! I have a Peavey Classic 30 that sends really well Repeat 'single but my heart is at g5!
However, for large distortion (because his is really nice but atypical) exit the pedals!
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10
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Tech. sheet
- Manufacturer: Yamaha
- Model: G5 Combo
- Category: Solid-State Combo Guitar Amps
- Added in our database on: 10/11/2008
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Guitar Combo Amplifiers
Other names: g5combo, g 5 combo, g5 combo