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hutrond
Published on 03/06/11 at 11:40
made in Korea.
There's no simpler, a joystick, a microphone P90, a volume.
This gave me more, The handle is a little big, but it's also what I like, otherwise the build quality is ok ok varnish is not catch tetanus with the edges of frets and the P90 origin not sound bad at all.
UTILIZATION
The neck is as I said a little big but it suits me, I do not shred the sleeves,
The weight is very reasonable, access to acute enough. After it is also a choice, there is a microphone and a volume, I wanted more guitar with 2 microphones, sweat and push buttons everywhere, we are always there to change and fiddle with the knobs is a return to simplicity and also to force myself to find the rest in the fingers attacks and return to using the volume knob (there is that the running)
SOUNDS
for sound, in my case it's perfect, I go out on a Tiny Terror head with a Marshall cabinet with no effect and in parallel on a koch Studiotone him to some effect (but not too much). With a sound that was very thick, simple, perfectly crunchy, filled with good AC and AC passes in the mix between the lumberjack and bassist
OVERALL OPINION
It's been a year since I played with, I had the other, I always have it with others but this one I play most and that I enjoy most, and risk repeating myself, before I tended to want to change a microphone pass singles, double, back and ultimately the return to simplicity, there is nothing to fiddle with the focus a bit more about his game is saying that the tone has been following the place where we attack the following crunch force of the attack ... etc.
I would do without hesitation that choice
There's no simpler, a joystick, a microphone P90, a volume.
This gave me more, The handle is a little big, but it's also what I like, otherwise the build quality is ok ok varnish is not catch tetanus with the edges of frets and the P90 origin not sound bad at all.
UTILIZATION
The neck is as I said a little big but it suits me, I do not shred the sleeves,
The weight is very reasonable, access to acute enough. After it is also a choice, there is a microphone and a volume, I wanted more guitar with 2 microphones, sweat and push buttons everywhere, we are always there to change and fiddle with the knobs is a return to simplicity and also to force myself to find the rest in the fingers attacks and return to using the volume knob (there is that the running)
SOUNDS
for sound, in my case it's perfect, I go out on a Tiny Terror head with a Marshall cabinet with no effect and in parallel on a koch Studiotone him to some effect (but not too much). With a sound that was very thick, simple, perfectly crunchy, filled with good AC and AC passes in the mix between the lumberjack and bassist
OVERALL OPINION
It's been a year since I played with, I had the other, I always have it with others but this one I play most and that I enjoy most, and risk repeating myself, before I tended to want to change a microphone pass singles, double, back and ultimately the return to simplicity, there is nothing to fiddle with the focus a bit more about his game is saying that the tone has been following the place where we attack the following crunch force of the attack ... etc.
I would do without hesitation that choice