AER Compact 60 BK user reviews ( 8/10) - 22 user reviews

• 12/26/11

  chr35's review ( translated ) Improve this translation " Bluffing!"

  Characteristics

  Transistor amplifier of 60 watts. All connectors are essential Submitted. Reduces effects but rather devilishly effective. A quality reverb trs own. 2 separate channels, one optimized for voice. In addition it is ultra lightweight and can be mounted on a tripod.

  Utilization

  Config trs simple, you turn (watch the volume!) And we play. The sound is the best I've heard on an amp Electroacoustic. I redcouvre my Martin. No need for manual, everything is simple. A bit of breath occurs even when heard, but it s'loignant forget this fact.

  Sounds

  I play contemporary pop rock guitar and vocals. Accompanied by my looper, I am thrilled. Note that output "direct" is present, and plugs into a soundcard, I can record my times with the quality of sound of the amp.

  Overall Opinion

  Since one month, I do not spend more. I tried everything before (Marschall 50 and 100 but too bulky goods). T20 Troubadour, good dpanner. I remake that choice without hsiter. Finally, more than 800 even when the machine!
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• 12/23/11

  Avilla's review ( translated ) Improve this translation "Multipurpose"

  Characteristics

  Transistor amplifier (60 W)
  
  
  
  Face (left to right):
  
  Channel 1:
  
  Input High / Low (impdance)
  
  Clip / Gain / Colour / Bass / Middle / Treble
  
  Between 6.3 mm jack. Switch to the sensitivity dajuster dentre. High (high impdance): only for instruments quipsdun pizo sensor. Low (low impdance) pramplificateurs active team of instruments and microphones magntiques. Indicator of saturation. CONTRL dentre level. Mdiums contour filter. CONTRL serious. Mdiums of CONTRL. CONTRL treble.
  
  
  
  Channel 2:
  
  Input Line / Mic
  
  Clip / Gain / Bass / Treble / Eff. Pan / Select / Return / Power / Master
  
  With combination XLR and XLR jack 6.3 mm mle. Switch to the sensitivity dajuster dentre. Line: sources with line level, instruments with active and pramplificateurs magntiques microphones, Mic: Microphone symtrique fantme powered 30V. Indicator of saturation. CONTRL dentre level. CONTRL serious. CONTRL treble. CONTRL distribution of effects between the two channels. Switch to two programs deffet (rverbration, rverbration / time limit). Levels of CONTRL leffet house. Indicator of power. CONTRL gnral volume level.
  
  
  
  Rear (left to right):
  
  Phones / Tuner / Line-out / DI-Out / Send / Return / F / S Power
  
  Headphone output. Tuner Output APRS Master the CONTRL. Output (line) pramplificateur the APRS CONTRL Tone with effect from the APRS and CONTRL Master (this output can be used to lenregistrement). XLR (DI) APRS to the CONTRL Tone but no effect and before the Master CONTRL. Output for external gnrateur deffet. Between gnrateur deffet for external or other source, eg CD. Footswitch connection for a double with which the effects can be enabled / disables. Switch mains with fuse compartment (1A slow).

  Utilization

  Configuration extremely simple!
  
  
  
  I have a version of the manual in French quite clear to those who know the minimum amplification.
  
  Moreover, the basic use (voice, guitar, for example) is quite intuitive and it's almost plug / play. The knobs are fairly standard across: Gain, EQ, effects, effects pan (to add or remove in one of two channels), effect level (I MODEL old with only one option rverb or a single option with Dlay rverb) and master. There are some switches to change the imput in low / high (impdance) or if line / mic on channel 2. A troisime options for both effects.
  
  
  
  There are good sound quite easily!

  Sounds

  This amp should totally my style of music.
  
  
  
  I play plutt of MPB (Popular Music brsilienne), but not that of bossa and samba. So I use the guitar mainly nylon, with enough rhythm Submitted (many samba-funk, samba-rock, the more traditional genres as well, finally a broad range of rhythms and styles brsiliens). has meant that I dj branch of the voice and guitar Scheer (amplifies Obviously), but also percussion instruments with mic clip, violin rustic micro- contact, and even bass in situations galres o bassist did not take his amp!
  
  
  
  And plays! The small bbte is really versatile! Obviously dpend this context and I do not mean that it replaces a bass amp. Far from the but the question is that for small spaces with prsentations plutt informal and quiet (small rception or bar), it works well in gnral trs for voice and guitar in particular.
  
  
  
  And that's not all because I use it also as a return of both DI and scne, especially for rabeca (rustic violin), and my guitar (but not the two branches together of course).
  
  
  
  For instruments (from line), this little amp is spcial for Electroacoustic guitar, especially for nylon strings. So my case, my choice lpoque do.
  
  I use a Godin Multiac and sound from the amp is more than simply correct. It gives us back what we play.
  
  
  
  For microphones and instruments including voice, those prfrent effects, color or warm voice or anything like that, it is better to take a further option pedals or amp. It gives back a sound quite right.
  
  
  
  I bought long ago for playing in small bars, and for this it is very well. Not just in terms of sound but also for the practicable (lightweight, no clutter and powerful enough to be heard without breaking the ears of customers ct of the amp).

  Overall Opinion

  I have over 10 years (it is the old models), bought used a friend.
  
  Adj He traveled extensively and took shots of yours forever.
  
  
  
  Excellent voice and guitar to play in small spaces without major compromises.
  
  
  
  But it is really versatile because I use it for some time for plutt scne as a return and DI. And this is the "most" because the analog signal processor AER Compact 60 is a dot limit, a subsonic filter and enhancer. In short, a means for Godin, just like the guitars piezo magntique dots capture the clicks of the attack of the fingers, mdiateurs or nails are partially limitsdj the source. This can be really embtant for some styles of music (with distortion, for example), but with a guitar Electroacoustic capture piezo gnral it is an asset. Just an EQ pedals and you're jou. You could almost open hand dun compressor. In any case, no longer exclusively dpend possibilities of hardware (table mix, etc.) o rooms you play for this kind of problem rgler frquent enough.
  
  
  
  I certainly would do the same choice.
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• 10/24/11

  Jodjarbin's review ( translated ) Improve this translation " Compact 60 with almost new house 0661077660"

  Characteristics

  transistor, w 60, and jack or XLR connector
  
  4 slices effects (chorus, reverb and so beautiful)

  Utilization

  very easy to use

  Sounds

  any style of music but especially effective voice for guitars

  Overall Opinion

  Best value on the market
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• 08/09/11

  Johann.mam's review ( translated ) Improve this translation " Small but sturdy ...."

  Characteristics

  60w amp real ... Simple, intuitive controls ...
  
  Unpacking (I had not seen in real life) it's a little scary (it is hardly bigger than a pack of 24 ...), but once connected, it's impressive to hear the sound and power in such a small volume ...
  
  I, who wanted a simple configuration for aperitifs or concerts-concerts, it seems perfect ...
  
  It remains, however, test it by testing conditions but I am confident when I left to its volume in bar ...

  Utilization

  Very easy to use and easy handling. Simple adjustments to picking a good sound (button "color"). I had a bit more searching for the sound of the guitar played with a pick or fingers.

  Sounds

  I play on a series Tackamine G (medium range) without seeking the individual (no effects pedals): the sound is pure enough and reproduces the sound of the guitar (via its amplification, it is not his natural anyway).
  
  The integrated reverb is very good even if you can not adjust the depth (hall, room, etc.).

  Overall Opinion

  I did that for a week. So far, I spent my guitar directly into the mixer (with DI pedal noise), but the worries of concert settings led me to find another solution (and besides that I had to change my speakers ...).
  
  I have not yet found a negative side ... The only downside might be the thread that puts the EAR on a mic stand ... It's ok to repeat at home but I do not opt ​​for this system in concert. The risk is great that it can not be found on the floor ... And then it does not turn right and the left (unless moving the whole foot). I think I've seen adapters to put on a real speaker stand in the € 20 ... To be confirmed ...
  
  The price is significant but I did not want to invest in lower quality gear for fear of some time tell me that I should go to the line above ... But it seems to me to argue ....
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• 12/02/10

  vieuxdruide's review ( translated ) Improve this translation " Super"

  Characteristics

  Electronic two-channel amplifier power 60 watts with reverb effects, delay, chorus. with two input jacks.

  Utilization

  Easy to adjust, clear sound is a sound amplifier.
  
  but it is suitable for all styles including jazz guitar half body.

  Sounds

  Should bossa jazz folk
  
  I play a taylor nylon, a lag electro-acoustic folk and studio lag
  
  and HJ 800 hagtrom jazz.
  
  
  
  all sounds are possible, but it excels in sound.

  Overall Opinion

  I use it for three years, after trying several types of amplifier
  
  EIA is in my opinion a very versatile amp, with a very good value prix.de more it is very compact and lightweight.
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• 11/13/10

  toche13's review ( translated ) Improve this translation " Disappointed"

  Characteristics

  2 channels, a single XLR input and a single effect
  
  the connection is really minimalist

  Utilization

  Usage is very simple
  
  For the sound I was not convinced

  Sounds

  Tried this morning in a shop in Marseille with Taylor 414CE and Shure SM58
  
  I got a flat and its very disappointing for what I expected especially in terms of voice.
  
  I know I'm going to jump more than one, but that's my opinion ;-)

  Overall Opinion

  The most: the reputation of seriousness and solidity
  
  The lowest price of course
  
  Finally I broke down for a Jam 150 Epr much warmer and smooth with fine tuning and performance perfectly suited to my use: EA guitar and vocals.
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• 10/01/10

  boogieman2377's review ( translated ) Improve this translation " a classic for mobile musician"

  Characteristics

  All adj t said ... very complete device

  Utilization

  I never opened the manual ... no use

  Sounds

  EAR rput to be straight as an "i", so what comes out of the EAR, that's what comes out of your little finger and the quality of your guitar.
  
  
  
  The effects (reverb + dlai) extraordiaires but are not widely enough when we play in bars.
  
  
  
  The amplified voice is as good as the game scratches

  Overall Opinion

  I use 3 years, and this remains a classic when you displaces with your gear. The relative size / sound quality / strength is more proof ... EIA is an investment for the long term
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• 09/28/10

  fanzic's review ( translated ) Improve this translation " A sure thing"

  Characteristics

  The amp is a French limited edition model of 2004 bright red.
  
  
  
  Amplification type transistor, power 60 watt.
  
  The connection is complete and sufficient to use Stage 1: Jack & 1 input jack / XLR line output, possibility of adding an effect to the choice: chorus / echo / reverb built in ...

  Utilization

  The configuration setting is simple enough: setting serious midrange, treble, gain for channel 1 and the two channels

  Sounds

  Type rather transparent and crystalline, the sound does not detract from the instrument and does not spare these defects, it enhances the timbre of the instrument, you want to connect a top quality instrument.
  
  
  
  The effects are used sparingly: they are not bad quality, I use some of these effects sparingly: a little chorus and often a little reverb.
  
  
  
  Side song, its use in electro-acoustic context is quite popular: the side gives a straightforward and clear his right.

  Overall Opinion

  I use this amp for 5 years.
  
  
  
  D "excellent quality this amp filled his role well, he has" aged well "although since the competition is awakened in the sector Amp electro-acoustic ...
  
  
  
  I always appreciate these qualities and is generally used with a Godin A6 steel string, a Taylor 414 CE and my favorite a Taylor T5 with the same happiness ....
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• 09/14/10

  Andysan©'s review ( translated ) Improve this translation " Very good choice"

  Characteristics

  60 watts of power, enough to benefit approximately 300 people in a closed environment. Effects which means very troubleshoot ago. The flanger and chorus are pretty, reverb avoided.

  Utilization

  Very easy. The manual is useful only to manage the volumes between the integrated effect and insert effect if used, which are made with the same pot.

  Sounds

  Good sound, powerful and warm whatever the instrument (cello present, crystalline guitars, vocals set, not top synths because too colorful, attention to the condenser microphone feedback). However, from what I heard and tested, it delivers its maximum on electroacoustic guitars, his use of choice. The overall sound is crystalline, accurate color without special is the gross lack a little low anyway.

  Overall Opinion

  To use the fact that I, that is to say, the cello and voice for the teaching and animations, that's enough. For major concerts, it must provide to connect to a sound more impressive. I thought about moving on to higher Modelex but not immediately because of the advantage that one is that it is easily transportable.
  
  The cost is high but there is so much above other level of sound quality than it's worth it. After that, it is not necessarily the right choice for a guitarist who seek a particular sound.
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• 09/14/10

  pascal.stbe's review ( translated ) Improve this translation

  Characteristics

  2 entry, a dedicated acoustic guitar and a microphone or dedicated line.
  
  Correction on every input with phantom power for microphone input
  
  A reverb with general balance between the 2 inputs
  
  A ring circuit in / out can serve as additional input line and works perfectly
  
  A featherweight

  Utilization

  Very simply, a master volume and correction on each channel. Simple and effective

  Sounds

  The sound is perfect. A sound, a microphone and standing before the music. The sound is clear, defined bass with good and sufficient power for a small set of friends (up to 100 people attentive without problem)

  Overall Opinion

  This amp is great. I've had it 5 years and I think never part with it.
  
  FYI I also had a Roland AC60, and it has nothing to do, the sound appears tampered with, not natural, it seems less powerful because the distribution is more narrow and it weighs much heavier.
  
  The EAR is a really professional product, a little expensive, but it seems to me justified.
  
  Last comment, it really has no interest in electric guitar except with a Tonelab to troubleshoot at home.
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