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xavierthrash
Published on 02/21/08 at 13:10
Tube preamp (with transformer) with features EQ, Compressor, De-Esser, Gate.
Frequency Response (Mic): 10 Hz-100 kHz (- 3 dB at 100 kHz)
Rate of common mode rejection (Mic) 80 dB at 1 kHz, 78 dB at 10 kHz (-20 dBu)
Level of harmonic distortion (mic), A-weighted:
Gain = 20 dB -97.1 dBu
Gain = 40 dB -91.1 dBu
Gain = 65 dB -69.4 dBu
Dynamic Range (Mic): 118 dB
Frequency Response (line / instrument): 10 Hz -180 kHz (- 3 dB at 100 kHz)
Rate of common mode rejection (line / instrument): 80 dB at 1 kHz, 78 dB at 10 kHz, 0 dBu, Line Only)
Level of harmonic distortion (line / instrument, A-weighted:
Gain = 5 dB -99.4 dBu
Gain = 20 dB -97.2 dBu
Gain 42 dB = -79 dBu
Input Impedance: 20 ohms Line / Instrument 1 MOhm
Maximum input level: Line: +22 dBu / Instrument: +14 dBu
Dynamic range (line / instrument): 119 dB
Maximum output level: +20 dBu (XLR / Jack)
Output Impedance: 50 Ohms
Powered by toroidal transformer: 20 VA
Fuse: 315 mA (230 V/50 Hz)
Dimensions: 482 x 88 x 210 mm (2 U rack), Weight: 4.15 kg
Input / Output:
XLR balanced inputs formats, Jack.
Entreacute e micro.
High input impedance.
XLR balanced outputs formats, Jack.
UTILIZATION
Nothing more simple, it's a preamp ...
SOUND QUALITY
HUGE!
I use only the voices, and particulierment live, but I'm sure he would be perfect for the studio and other sources.
the "key" SPL is perfect for me.
OVERALL OPINION
Less than a year as I have, but I never part with it even if he comes to die I bought a direct!
most is the color, and all the extras SPL
the least is that I scorched the lamp after one week, because (apparently related) of a voltage generated by the 48V (not all inclusive explained that the electronics has given new life the beast ...)
I work with RME, Presonnus, Avalon, TLA, but more for the studio, Live is perfect on a voice accompanied by a small KMS105 families.
Obviously, this is my humble opinion, we will say that the grain of the singer is also something, at least fully satisfied.
Frequency Response (Mic): 10 Hz-100 kHz (- 3 dB at 100 kHz)
Rate of common mode rejection (Mic) 80 dB at 1 kHz, 78 dB at 10 kHz (-20 dBu)
Level of harmonic distortion (mic), A-weighted:
Gain = 20 dB -97.1 dBu
Gain = 40 dB -91.1 dBu
Gain = 65 dB -69.4 dBu
Dynamic Range (Mic): 118 dB
Frequency Response (line / instrument): 10 Hz -180 kHz (- 3 dB at 100 kHz)
Rate of common mode rejection (line / instrument): 80 dB at 1 kHz, 78 dB at 10 kHz, 0 dBu, Line Only)
Level of harmonic distortion (line / instrument, A-weighted:
Gain = 5 dB -99.4 dBu
Gain = 20 dB -97.2 dBu
Gain 42 dB = -79 dBu
Input Impedance: 20 ohms Line / Instrument 1 MOhm
Maximum input level: Line: +22 dBu / Instrument: +14 dBu
Dynamic range (line / instrument): 119 dB
Maximum output level: +20 dBu (XLR / Jack)
Output Impedance: 50 Ohms
Powered by toroidal transformer: 20 VA
Fuse: 315 mA (230 V/50 Hz)
Dimensions: 482 x 88 x 210 mm (2 U rack), Weight: 4.15 kg
Input / Output:
XLR balanced inputs formats, Jack.
Entreacute e micro.
High input impedance.
XLR balanced outputs formats, Jack.
UTILIZATION
Nothing more simple, it's a preamp ...
SOUND QUALITY
HUGE!
I use only the voices, and particulierment live, but I'm sure he would be perfect for the studio and other sources.
the "key" SPL is perfect for me.
OVERALL OPINION
Less than a year as I have, but I never part with it even if he comes to die I bought a direct!
most is the color, and all the extras SPL
the least is that I scorched the lamp after one week, because (apparently related) of a voltage generated by the 48V (not all inclusive explained that the electronics has given new life the beast ...)
I work with RME, Presonnus, Avalon, TLA, but more for the studio, Live is perfect on a voice accompanied by a small KMS105 families.
Obviously, this is my humble opinion, we will say that the grain of the singer is also something, at least fully satisfied.