Behringer B-2 Pro user reviews ( 6/10) - 42 user reviews

• 12/11/11

  yoTrakkz's review "will last you"

  Characteristics

  The Behringer B-2 Pro is a stereo large diaphragm condenser microphone that is designed for use in the recording studio. The mic has two separate capsules and all, along with it's own power supply and 5 pin cable. The mic has a frequency response ranging from 30 Hz to 20 kHz and has cardioid, figure eight, and omni directional pick up patterns to choose from. The mic also comes with a case and it's own shock mount.

  Overall Opinion

  As far as stereo microphones go, you aren't going to find many of them that are cheaper than the Behringer B-2 Pro . More and more you're starting to see microphones like this for cheaper, but I haven't seen many stereo microphones going for this low price. Of course you're getting a cheaply made stereo microphones, but it's a stereo microphone nonetheless and it actually sounds pretty nice. I've only used the Behringer B-2 Pro as a room microphone while recording a drum kit, but it did a really nice job of picking up the ambient sound in the room, while giving a very nice stereo spread feel. It's nice that you don't have to worry about phasing or anything, so in the future I'd definitely like to try out the Behringer B-2 Pro as drum overheads as well. I've used a few other microphones from Behringer, but this is probably the best bang for your buck out of any of them I've used. This would be fine in either a professional or home studio, but only in a professional studio if you're going to use it once and a while. If you want a stereo mic to use on a daily basis, I'd recommend something like the Shure VP88 instead, as it sounds better and will last longer. However, if you're interested in a good sounding stereo microphone on the cheap, the Behringer B-2 Pro is the way to go.
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• 07/14/11

  Kierkes's review "Behringer reaches a bit too high with the B-2 Pro"

  Characteristics

  *Microphones are very subjective. Some microphones that work for some brilliantly may be disastrous on others. It is therefore important to understand the context in which this review is written and take it with a grain of salt, like all reviews on microphones should be treated.*
  
  
  
  The Behringer B-2 Pro is a large diaphragm multi pattern studio condenser, and where Behringer's budget model of selling their microphones screeches to a resounding halt.
  
  
  
  It is not that the B-2 Pro is a terrible microphone; it's quite usable, and has very acceptable specs. First off, it is multi pattern, with the pickups switchable between cardioid, figure 8, and omnidirectional. It has a standard frequency response of 20-20,000 Hz, a self noise that varies minimally (based on the pickup pattern you're using at the time) around 17 dB and a signal to noise ratio that again, varies a bit around 77 dB. This makes the Behringer B-2 Pro absolutely acceptable spec wise. It also includes the 10 dB pad and the low frequency roll off.
  
  
  
  On a less essential note, Behringer generously includes a shockmount, a windscreen, and a nice flight case to put the entire package in for transport and storage. Not to mention, the Behringer B-2 Pro actually looks quite nice. The problem lies in the sound of the microphone:
  
  
  
  It suffers from that high frequency exaggeration that plagues most budget microphones, and while I may forgive Behringer for doing this to their very cheap microphones, the B-2 Pro has crossed the line into the territory of microphones that do not do this to the sound.

  Overall Opinion

  There, quite simply, is no reason to buy the Behringer B-2 Pro, unless you love the sound of the low end microphones. Anyone can criticize me by saying that it's the person, not the gear, that counts, but when it comes to the Behringer B-2 Pro, I can completely agree with them (I do, anyway) and still drive them away from the B-2 Pro. You can find a bunch of microphones at this price, but if you're about to "settle" on the B-2 Pro, stop. Take a look around. There are a few magical microphones hovering around the B-2's price that outshine it in sound quality, and yes, even features.
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• 12/16/10

  Audiofanzine FR's review

  Characteristics

  Originally written by fabrice.fargues on Audiofanzine FR.
  
  
  
  Condenser mic with different polar patterns (cardioid, omnidirectional, figure 8)
  
  Low cut and 10dB pad
  
  Sold with case, wind screen and suspension

  Overall Opinion

  I bought it twice: the manufacturing quality, the easy handling and the price appealed to me...
  
  I use it to record choirs. The sound precision is ok. The definition is very good in high frequencies without being harsh. Very good for female vocals. The mids sound a bit too "hard." It captures the deepness of male voices but has a slight lack of warmth. A good preamp will compensate that a bit...
  
  I was pleasantly surprised by the timbre reproduction of rich and complex sounding instruments like a clarinet or a flute, when close miking (otherwise the high frequencies are too emphasized). It can handle loud sources (trombone, trumpet) and is very versatile. Good product considering its very affordable price.
  
  Of course, it's not a Neumann U87 (I'm a fan): it has neither the precision nor the warmth, but the value for money is very good.
  
  
  
  Pros:
  
  
  
  - comprehensive set of accessories
  
  - Selectable polar pattern
  
  - All-round mic
  
  - Value for money
  
  - Clean sound
  
  
  
  Cons:
  
  - Mids are a bit "hard"
  
  - Overemphasized high frequencies
  
  - Lack of warmth and roundness
  
  
  
  It has never failed (no defects) after four years of use. With a good EQ and a good preamp, you'll get satisfying results but don't expect the same sound as an M149 because there is a huge difference between them... Very useful to learn and understand miking techniques (polar pattern, position, etc.) without going bankrupt... High-quality products will come later...
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• 11/28/10

  mooseherman's review "Unnaturally good microphone for less than 200 dollars"

  Characteristics

  This is a studio condenser microphone. It is large diaphragm. This microphone probably wouldn't work well outside of a studio environment, but seeing as it's really cheap, it wouldn't be a horrible idea to experiment with it outside. I still woudn't use it in a live environment though, as it has few, if any, applications. The microphone has a -10 db pad as part of its features. It also has three different pickup patterns, normal, figure 8, and omnidirectional. It is almost like a cheaper version of a U87. It comes with a shock mount and clip, as well as a pop screen which is egg-shaped. The mic, as a condenser, requires phantom power to operate.

  Overall Opinion

  I was surprised to find that this mic is as good as it is, as the quality of Behringer products in general is often described harshly and negatively. This mic does work quite like a U87 does. I like to use it on acoustic guitars, vocals (especially spoken word, or rap). I've had it work decently on a piano too, but not a superb sound. When running them both through a high quality API mic pre, like I did at the studio I work for, the U87 beats it hands down, which is to be expected. However, at home on my Digi 002, and when recording a part that doesn't require a crystal clear signal, it's still worse, but not drastically so. Therefore, I'd have to say that I can really only recommend this microphone to home studio users. I haven't heard much about how durable it is, but I haven't had any issues with it breaking. I'm almost expecting it to, given Behringer's reputation, but so far it seems sturdy enough. I would certainly say that there are better mics out there, but none that are even remotely as cheap as this one.
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• 01/19/12

  MyKeyBass's review ( translated ) Improve this translation " A monitor!"

  Characteristics

  See doc of the manufacturer.

  Overall Opinion

  This is the only condenser microphone that I tried (I have been offered) and I must say that, given the price, it is rather interesting for small "home-studio owners" who, like me, n ' have no means but looking for a micro stretch with a minimum of interest.
  
  Even if the lump desired by Behringer to 12kHz can disturb, it also "clarify" his voice a little (I tend to be severe enough). Not necessarily a fatal flaw in itself, but if you want to leave a voice proper, it must apply to the song and ... the mix!
  
  I have never tried otherwise than for singing.
  
  
  
  The title "watch" is that it is some time after plugging it as usual on my EMU 1820, here I am with a sound that fluctuates and who finally cutting back a few minutes later and disappears new.
  
  Having heard of some problems with the phantom power supply of the EMU, I order a nice little box that allows me to power two condenser microphones and there ... always the same!
  
  I did not dare to start my incriminate B2-PRO and yet it is of him is the problem (I said he is always stored in its original plastic bag then put in the suitcase).
  
  I dismounted and I realized that the head containing the capsule is somehow plugged into the body of the microphone and it may well be that the contacts merdouillent time. By slightly turning the head (without forcing either), the problem seems to have disappeared for some time. A monitor!
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• 11/01/11

  SuperTonin's review ( translated ) Improve this translation " it works well!"

  Characteristics

  condenser microphone type "studio"
  
  48v power supply required

  Overall Opinion

  used to model a six titles after trying to make the voice with a dynamic (SM58), here we are still in another dimension, the sound of the voice is close and clear, with the SM58 it sounded rough and "cardboard"
  
  
  
  Static is a low cost, but I think it is more suitable than any dynamic record voice ... the problem is that I do not know much so I can only say that the value for money is good and everything works fine!
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• 09/23/11

  barry's review ( translated ) Improve this translation " Good versatile micro"

  Characteristics

  Condenser microphone with three polar patterns (cardioid, multi and bi). -10dB attenuator and low-cut filter. I use it mainly to record the song but also for catch of acoustic instrumentals (guitar in particular) coupled with another microphone. I still have a very good report.
  
  For the song I still need to remove acute (the sound or mixing), it whistles a bit otherwise.

  Overall Opinion

  I use it for 3 or 4 years and am very happy. I would do this choice given my budget at the time. Now, my wallet would allow me to type a little higher, so I would definitely better, but the price / quality ratio is very good.
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• 09/17/11

  Cleriensis's review ( translated ) Improve this translation " buy a closed yeulx"

  Characteristics

  micro versatile, colorful, but when you know it, we can judiciously need color.
  
  condenser microphone.

  Overall Opinion

  I use it for 5 years.
  
  I like his value for money stunning. I love her outstanding sound quality especially in omni (it's better than akg c 414 on this ground there ...) I like her less low end that lacks definition (for the cons is that less a 414 .. c) I like least is that the suspension gadget .. in fact do not count on it too if you want a REAL suspension.
  
  I have owned micro Rode, AKG, I used the DPA, I know very well Shoeps. Of course the comparison does not really deal with DPA or Shoeps, but frankly for the price should not go without is a much better deal (Report Q / P) or a Rode audiotechnica ... in my opinion, but it's still a micro China. I said that I had four B2-Pro, and none have shown real differences in quality compared to others, the construction is quite reliable.
  
  Value / Price unbeatable.
  
  I would do without hesitation that choice, and sometimes I still use this microphone for its own qualities (especially in omni) are still useful to me. But I have a lot more expensive.
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• 09/14/11

  Cimerian's review ( translated ) Improve this translation " Happening everywhere - Reliable"

  Characteristics

  Faintly budget
  
  Voiceover
  
  Guitars

  Overall Opinion

  6 years, no failure or click or plop!
  
  
  
  Yes I know other mics ...
  
  
  
  Bump in the 6 pound, a little metal!
  
  
  
  With a tight budget so
  
  
  
  Finally a micro very correct, reliable (for me)
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• 09/13/11

  lauke_lux's review ( translated ) Improve this translation " Reasonable price"

  Characteristics

  Capacitor, cardoide & bi-cardoide. Comes delivered in a briefcase and Support "suspended".
  
  I only qq recordings, including listenable www.myspace.com / laukelux ("Step it Up & Go" home and "Higher Ground" by repeating with friends, but I'm not sorry Johnny ... ;-))), Quartz Audiomaster recordings directly via a small mixer into the PC sound card without any addition, except for the grate of a live amp Digitech 2101LE for Step it Up & Go That amateurism !
  
  This mic is a little fat in the midrange and not really 100% linear, but for rock, blues, jazz a little crazy to take an amp or grate is widely enough I think. Now I am far from being a pro and a recording studio I guess it is not satisfactory to take voice and then treat it, too colorful. But hey, for that price I consider it a very good buy.

  Overall Opinion

  Used since 2003 (with intervals of 1-2 years graaaandes)
  
  I have tried no other model before. Our drummer has a studio (studiounderground Larrazet) with Neumann & AKG condenser, and qd is even something else!
  
  Special: For the price difference of a micro classical vav is striking and absolutely interesting
  
  Value / Price flawless for me. If it again I will not take over vocal mic, because it helps me too little now, or I will take one or SMXX Zennheiser standard (not condenser) for more practical to implement everywhere.
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