We have started to study the way in which you can create a sound with the aid of a hardware or virtual synthesizer. But, how does sound ─ which is up to now a combination of voltages or binary data packages ─ turn into something you can actually hear?
In part 1 of this article we discussed using cut, copy and paste editing techniques to fix rhythmic mistakes. This time around, we'll use those same edit tools to replace notes that are the wrong pitch or badly played.
When you hear the name Vernon Reid, your first thought is probably of his work with Living Colour, featuring his speedy and inventive guitar playing. But Reid is also an accomplished composer, scoring for films and TV, and he enjoys talking about gear and technology. Audiofanzine recently had a chance to chat with Reid about those subjects and m...
Reverb, delay and all other so-called time-based effects can sometimes "dirty up" your basic guitar sound to the point that you are forced to reduce their level in order to preserve a minimum of audio precision. Here's a way to get around that particular problem.
Today’s DAW software — not to mention a slew of third party plug-ins — offers you powerful processing options for manipulating the time and pitch of your audio. But did you know that you can fix a lot of rhythmic errors and even some pitch problems simply by using your DAW’s basic cut, copy and paste tools. Read on to find out more.
The simple act of clearing certain technical and practical tasks in the earliest stages of the production of a song can have miraculous effects, not only in terms of efficiency, but also from a creative point of view. In fact, it will limit "procedural distractions" that could eventually pull the rug out from under you at the height of your insp...
Video: Komplete Kontrol S Series Keyboards - A Demo of Native Instruments' Innovative New MIDI Controllers
We recently visited Native Instruments' Los Angeles office, an impressive place where you can see the famous “Hollywood” sign when you look out the window. Though the view was dramatic, we were more focused on the demo we got of the new Komplete Kontrol S Series keyboards.
Today we'll deal with another element that is essential to sound synthesis: Filters. They are widely used in subtractive synthesis, which is the most widespread form of synthesis, making filters pretty common on a great number of hardware and virtual instruments.
Apogee just released the newly redesigned Ensemble audio interface for Mac, a 30x34 unit featuring Thunderbolt 2 connectivity. We visited Apogee HQ in Los Angeles on the day it was released to video the new interface.