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jmarcz
Published on 07/05/08 at 17:25
I've had 4 or 5 years on a copy of LP (a Samick ... yes I know ...).
I bought this old when I rcupr scratches without microphones and I played the vaguely hardcore oldschool (raised fist, Youth of Today, ...).
In the era I played on a JCM2000 TSL100 Marshmall I had with this mic a much better sound (improved seed, palm mute more clean) on the channel crunch pushed back on the lead (or the rigor OD1 mode but certainly not the way OD2).
It is my opinion intrt fMeasure output level is that you can have a well saturated even on an amp that does not have much gain and dynamics of micro grate allows the gain on a beach intrssante only with the right hand (for right-handed).
Inconvnient: I bought a Jacques FB2, and although the output level of the pedals activates silent infrieur bypass ... know. But no problem with Boss.
So on my old Samick (bought 500 bales of the era), I have one in the neck position Duncan SH4 (RCup) and a DiMarzio X2N the bridge three times the price of the guitar in microphones. It's silly, but not before I disassemble to know about what other scratches up.
Neck position, with a high enough moves away SETTING THE ropes (7 or 8 mm) for the levels are quite X2N cohrents and sounds blend well (even in the split), the level of X2N output decreases and it becomes more precision. It is true that not X2N normment low but allows for a more saturated fat in prcis in a config classic LP (HH) has worked well and c ' is quite versatile if you split an ACBL but it is always true with a high degree.
Note the Difference in level between double and split is important.
It seemed a good choice the era but it is true that apart from this kind of micro graouh has little intrt, it can Integrates a versatile mic config but always with the component "graouh". That said it should work better than a scratch rsultats Coren plywood.
So I put 8 because it is what trs why he does Designed also for the lack of flexibility must admit (though another partner when we can micro m I get by in a lot of styles).
I bought this old when I rcupr scratches without microphones and I played the vaguely hardcore oldschool (raised fist, Youth of Today, ...).
In the era I played on a JCM2000 TSL100 Marshmall I had with this mic a much better sound (improved seed, palm mute more clean) on the channel crunch pushed back on the lead (or the rigor OD1 mode but certainly not the way OD2).
It is my opinion intrt fMeasure output level is that you can have a well saturated even on an amp that does not have much gain and dynamics of micro grate allows the gain on a beach intrssante only with the right hand (for right-handed).
Inconvnient: I bought a Jacques FB2, and although the output level of the pedals activates silent infrieur bypass ... know. But no problem with Boss.
So on my old Samick (bought 500 bales of the era), I have one in the neck position Duncan SH4 (RCup) and a DiMarzio X2N the bridge three times the price of the guitar in microphones. It's silly, but not before I disassemble to know about what other scratches up.
Neck position, with a high enough moves away SETTING THE ropes (7 or 8 mm) for the levels are quite X2N cohrents and sounds blend well (even in the split), the level of X2N output decreases and it becomes more precision. It is true that not X2N normment low but allows for a more saturated fat in prcis in a config classic LP (HH) has worked well and c ' is quite versatile if you split an ACBL but it is always true with a high degree.
Note the Difference in level between double and split is important.
It seemed a good choice the era but it is true that apart from this kind of micro graouh has little intrt, it can Integrates a versatile mic config but always with the component "graouh". That said it should work better than a scratch rsultats Coren plywood.
So I put 8 because it is what trs why he does Designed also for the lack of flexibility must admit (though another partner when we can micro m I get by in a lot of styles).