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alchemist
Published on 05/27/06 at 11:32
Made in Japan
basswood body, handle Saddle of 22 boxes with rosewood fingerboard
mustang bridge (a little crappy but I'll come back)
mcaniques vintage type KLUSON
2 micros simple (ho hum mics)
2 switches (one for mic), which deactivate the microphone or be active in phase or out of phase (I'm not quite the term sr)
a volume, a tonalitbr /> Overall, the violin is good, it's not a squier, despite some level of the default key to mine (the wood n'tait too dry) but nothing damaging, however. C'tait a cheap guitar and its release is reflected in the simplicity of its design but it's robust.
UTILIZATION
The handle is pluttdroutant I, who was expecting a vintage Start neck bomb down I had the sensation of playing a round plutt modern. It is not the key is thick and flat, it was well in hand, however, and is enjoyable browse trs (the varnish does not suffer any default). Access in acute is correct, no prs as a stratum, we will say that this is not to imitate tudi petrucci solo blues but a nickel pass.
There is much talk of little sustain the mustang, it is certainly not exceptional but it can play a solo without problem above (I'd be a little difficult if not!) And then fuck those who want to sustain a 20s take a scratches neck through!
The weight is reasonable, we feel that we have something in the hands but without being obliged to go to the kin an APRS rpt.
As for the sound, the two switches prsentent a large variety of combinations but the average quality of the microphones can not use the bottom.
SOUNDS
Unplugged it for mdiums Submitted highlighted and sounds rather dry. Industry ... it's not terrible. First point the neck pickup is more powerful than the micro bridge (even on my yamaha I was not that blow l. The pickups are also a trs output level low compared to normal.
The mic tone is very soft and velvety and pretty plain lightweight crunch perfect for blues, jazz etc ... but trs draft in saturation. The mic acute bcp gives its too dry and plain distortion makes a sound at once dirty and starved heat, it make the change for the better now can (for me a lil killer price for GFS safeguard the distortion). positions trs funk sound mixed in the phase-out positions, and the two mics in phase mlangent the characters of each, more in this mode there is no hum what apprciable trs. It is therefore not adapted to the metal. The sound is generally plutt cold (because of microphones).
6 because of acute microwave.
OVERALL OPINION
I bought it for 600 on Thomann (the dernire in stock! And is no longer manufactured), I fell immediately for her, too beautiful and the violin is more than good my gut. Only microphones "pchent", especially the bridge which is replacing me. The original configuration suitable mainly for clean sounds and LGERS crunch and a change of pickups would increase versatility.
This is a guitar's personality and well it should be taken into account but it is a good instrument for low trs that adopts an electronic match its quality. A super cheap scratch basically.
basswood body, handle Saddle of 22 boxes with rosewood fingerboard
mustang bridge (a little crappy but I'll come back)
mcaniques vintage type KLUSON
2 micros simple (ho hum mics)
2 switches (one for mic), which deactivate the microphone or be active in phase or out of phase (I'm not quite the term sr)
a volume, a tonalitbr /> Overall, the violin is good, it's not a squier, despite some level of the default key to mine (the wood n'tait too dry) but nothing damaging, however. C'tait a cheap guitar and its release is reflected in the simplicity of its design but it's robust.
UTILIZATION
The handle is pluttdroutant I, who was expecting a vintage Start neck bomb down I had the sensation of playing a round plutt modern. It is not the key is thick and flat, it was well in hand, however, and is enjoyable browse trs (the varnish does not suffer any default). Access in acute is correct, no prs as a stratum, we will say that this is not to imitate tudi petrucci solo blues but a nickel pass.
There is much talk of little sustain the mustang, it is certainly not exceptional but it can play a solo without problem above (I'd be a little difficult if not!) And then fuck those who want to sustain a 20s take a scratches neck through!
The weight is reasonable, we feel that we have something in the hands but without being obliged to go to the kin an APRS rpt.
As for the sound, the two switches prsentent a large variety of combinations but the average quality of the microphones can not use the bottom.
SOUNDS
Unplugged it for mdiums Submitted highlighted and sounds rather dry. Industry ... it's not terrible. First point the neck pickup is more powerful than the micro bridge (even on my yamaha I was not that blow l. The pickups are also a trs output level low compared to normal.
The mic tone is very soft and velvety and pretty plain lightweight crunch perfect for blues, jazz etc ... but trs draft in saturation. The mic acute bcp gives its too dry and plain distortion makes a sound at once dirty and starved heat, it make the change for the better now can (for me a lil killer price for GFS safeguard the distortion). positions trs funk sound mixed in the phase-out positions, and the two mics in phase mlangent the characters of each, more in this mode there is no hum what apprciable trs. It is therefore not adapted to the metal. The sound is generally plutt cold (because of microphones).
6 because of acute microwave.
OVERALL OPINION
I bought it for 600 on Thomann (the dernire in stock! And is no longer manufactured), I fell immediately for her, too beautiful and the violin is more than good my gut. Only microphones "pchent", especially the bridge which is replacing me. The original configuration suitable mainly for clean sounds and LGERS crunch and a change of pickups would increase versatility.
This is a guitar's personality and well it should be taken into account but it is a good instrument for low trs that adopts an electronic match its quality. A super cheap scratch basically.