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Fender Classic '50s Stratocaster
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All user reviews of 5/5 for the Fender Classic '50s Stratocaster

STC-Shaped Guitar from Fender belonging to the Classic series

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  • elvisguitareelvisguitare

    Fender Classic '50s StratocasterPublished on 12/15/04 at 02:05
    (This content has been automatically translated from French)
    Fender mexico !!!!! 3 single coil sound blues, classic microphone selector, tuning the volume and tonality and the handle which made the reputation fender

    USE

    Channel: perfect
    Ergonomics: perfect
    esttique: green flachant like the !!!!! magnificent (mine is cream and it's not bad either). But esttique a guitar bonnifie with age: painting use, blows, wear sleeve, varnish us .....
    Sonority: a double microphone in place of the single bridge pickup, you can do what you voullez

    SONORITS

    Each his own, but bluesman who respects must admit that in fender strat, have an incredible round !!!!!! The shape and weight make this guitar a extencsion human corp:-). Accompanied by an old tu…
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    Fender mexico !!!!! 3 single coil sound blues, classic microphone selector, tuning the volume and tonality and the handle which made the reputation fender

    USE

    Channel: perfect
    Ergonomics: perfect
    esttique: green flachant like the !!!!! magnificent (mine is cream and it's not bad either). But esttique a guitar bonnifie with age: painting use, blows, wear sleeve, varnish us .....
    Sonority: a double microphone in place of the single bridge pickup, you can do what you voullez

    SONORITS

    Each his own, but bluesman who respects must admit that in fender strat, have an incredible round !!!!!! The shape and weight make this guitar a extencsion human corp:-). Accompanied by an old tube amp (not need a very powerful amp: 20w suiffisent) you get the most recognized histroie sounds of the blues. With amps newest and most powerful types marshall 100w, you get a clear sound excelent. an incomparable crunch, but for a game on a very pusissant distortion, it's more the same. To enjoy this strat with a powerful distortion, we must equip a dual microphone for acute (dzimarzio, that's what I did) and with the most complete guitar.

    NOTICE GLOBAL

    I have a fender strat mexico for 7 years. I have several electric guitar, and I confess that to play the blues, and rock70 is that I take the most. Quality price ratio is amazing Verily, to suddenly not intRet Verily buy a Fender us. In short, I counsel all lovers of blues and rock 70 through against metaleux for the hard rocker, and a fan of distortion power, better take something else like epiphone!
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  • MGR/Andy MooreMGR/Andy Moore

    Fender 50s Reissue Stratocaster

    Fender Classic '50s StratocasterPublished on 01/01/07 at 15:00
    Did a fair classical training, been playing guitar & bass for 35 years, drums for 30 years, sound-engineering and producing for about 20 years. Musical tates are varied; basically well-written songs will usually work for me. I love electric blues, indie, jazz, the list goes on.

    I was looking to replace an old Squier Strat I had (stupidly) sold, around April 2006. Played loads of guitars - as you do - and knew I'd get on fine with this guitar within a minute or two. Bought new in London for 400 GBP.

    Straight out-of-the-box It feels like it's 30 years old! The pickups (staggered Alnico magnets) sound brilliant. It has that unique and wonderful 'spanky' signature Strat sound, without having…
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    Did a fair classical training, been playing guitar & bass for 35 years, drums for 30 years, sound-engineering and producing for about 20 years. Musical tates are varied; basically well-written songs will usually work for me. I love electric blues, indie, jazz, the list goes on.

    I was looking to replace an old Squier Strat I had (stupidly) sold, around April 2006. Played loads of guitars - as you do - and knew I'd get on fine with this guitar within a minute or two. Bought new in London for 400 GBP.

    Straight out-of-the-box It feels like it's 30 years old! The pickups (staggered Alnico magnets) sound brilliant. It has that unique and wonderful 'spanky' signature Strat sound, without having to wait five years playing it in. All the plastic parts - pickup covers, knobs and toggle swith - look nicely yellowed as if aged. The honey-coloured neck seems an old-fashioned shape - Fender call it "soft v-shape" and plays as sweet as anything The retro lacquer is beautiful. The thing that strikes me every time I play the guitar is how it just doesn't feel like a new guitar at all - fantastic.

    Colour choice. At the time I got it options were limited to Fiesta Red (mine) or a very surfy light blue colour, but now it's also available in black or a sunburst. But this merely an aesthetic point and therefore hardly a legitimate gripe! Make no mistake: this is a genuine player's instrument.

    Build is at least as good as USA-made Fenders, actually I'd say it is better - if some of the new S1's I played are anything to go by. (horrible) From the many many guitars I tried I think the USA-made guitars seem to suffer from patchy quality-control, whereas the Mexican stuff I tried all seems to be consistently top-notch. Personally I don't get the "US-made-snobbery" that seems to be going around. The Mexican instruments rock, period. MInd you, the favourite guitar I own is an early 1990's Japanese Strat which everyone who plays it mysteriously want to buy or steal....

    Obviously everyone who has ever played an electric guitar should experience a Strat at some point in life. Whether looking for your first, replacing a loved guitar now past for whatever reason, or simply adding to the collection; try one. Then be prepared to want it, because it's a true Fender Strat for a lot less cash than one with "Made in USA" stamped on the headstock. Or could that just be Fender cashing-in on the snobbery thing? Play it yourself then go figure.

    This review was originally published on http://www.musicgearreview.com
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  • MGR/Scott BayleyMGR/Scott Bayley

    Fender Classic Series '50s Stratocaster

    Fender Classic '50s StratocasterPublished on 10/08/02 at 15:00
    I bought a Mexican build '50s classic at a music store in Newcastle, Australia in 1999 for about $1500 AUS which at the moment is about$800 US. I played the demo one and really dug the pure strat sound it made.

    What I like??
    The neck pickup tone!!!
    It sings!!

    You know that really rich, full sort of 'tubey' strat neck pickup tone, well this Mexican has it in bundles. Lately I've been getting into licks that sound a bit like Beck's work from Young Guns 2, using the out of phase bridge/middle combo' and this sounds really cool as well.

    The one significant shortcoming of this guitar is the background pickup noise. This would only bother you in a studio though, because it while it's notic…
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    I bought a Mexican build '50s classic at a music store in Newcastle, Australia in 1999 for about $1500 AUS which at the moment is about$800 US. I played the demo one and really dug the pure strat sound it made.

    What I like??
    The neck pickup tone!!!
    It sings!!

    You know that really rich, full sort of 'tubey' strat neck pickup tone, well this Mexican has it in bundles. Lately I've been getting into licks that sound a bit like Beck's work from Young Guns 2, using the out of phase bridge/middle combo' and this sounds really cool as well.

    The one significant shortcoming of this guitar is the background pickup noise. This would only bother you in a studio though, because it while it's noticeable, it probably wouldn't bother you on stage.

    I checked the display model very throughly in the shop (a daphne blue one) and found some slight flaws on the fretboard lacquer. The one I bought (surf green) has no faults though. Overall, this guitar has a good quality of finish. It holds tune very well; in fact it is more stable than a Strat Ultra I had a few years ago...

    Well, I was looking to get back into playing after a 7 year hiatus. Back when I was playing in a weekend covers band I had an '88 Jap' Strat; (lifeless, sterile, thin, these words come to mind), and a '91 Strat Ultra; (very, very playable). I was plugging on to the obligatory Marshall, through a TS-9 Tube Screamer. I was trying to get that rich sort of Eric Johnson tone; (Ah Via Musicom). The Ultra came pretty close too I spose'... These days I'm running this Mexican straight through a '74 Twin Reverb, and when I can I turn it up loud... She's Sweet ...

    Ahhhhhhhhhhh Stratocasters...

    At the moment my tastes in tone lean towards Hendrix's cleaner stuff, Eric Johnson (still!!) and Robert Cray. This instument has enough tonal flexibility to generate sounds that come very close to these guys (but some of that has to be due to the Twin as well I spose')...

    I have started saving for an original vintage, and I'll probably end up with a '60s model, but until then, this guitar more than satisfies my need for that clean, rich classic Stratocacster tone.

    It aint' an original, but geez' the difference is minimal.
    If you can't afford a vintage right now, try one of these, money really well spent I reckon.

    This review was originally published on http://www.musicgearreview.com
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  • iamqmaniamqman

    The surf is up!

    Fender Classic '50s StratocasterPublished on 10/11/11 at 10:07
    This is a very well-built guitar right here in America that has a great tone great feel and overall great versatility. The Fender Stratocaster is a simple guitar but yet a guitar that has given so much influence for a guitarist and musicians for decades. It has the right perfect balance of tone simplicity and versatility that makes him one of the finest instruments in all of music history. These guitars when they first for introduced had such a great feeling a great tone and worry good addition to the Fender Telecaster at the time. These guitars come with three single coil pickups, a volume control knob, and two tone control knobs and a 5 way pick up selector. There's not a whole lot of ext…
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    This is a very well-built guitar right here in America that has a great tone great feel and overall great versatility. The Fender Stratocaster is a simple guitar but yet a guitar that has given so much influence for a guitarist and musicians for decades. It has the right perfect balance of tone simplicity and versatility that makes him one of the finest instruments in all of music history. These guitars when they first for introduced had such a great feeling a great tone and worry good addition to the Fender Telecaster at the time. These guitars come with three single coil pickups, a volume control knob, and two tone control knobs and a 5 way pick up selector. There's not a whole lot of extra electronics and switches in different push pull knobs or controls. She's very simple and very basic which gets you pretty much the best tone possible.

    UTILIZATION

    Alder body (polyester finish)
    Maple soft V-shaped neck (gloss urethane finish)
    25-1/2" scale length
    Maple fingerboard
    7.25" radius
    21 vintage-style frets
    1.650" nut width
    3 vintage-style single-coil pickups with staggered pole pieces, alnico magnets, and aged covers
    5-position pickup switch
    Vintage-style synchronized tremolo
    Master volume, neck pickup tone control, middle pickup tone control
    Fender Ping vintage-style tuners
    Chrome hardware
    1-ply white 8-hole pickguard
    Aged knobs and switch tip
    Synthetic bone nut

    SOUNDS


    These guitar sounds fantastic anyw where you put them in in, such as a clean setting medium setting or higher gain amplifier setting. They have such a great feel and a great tone and are extremely versatile from genre to genre of music. I primarily like the tone of the Fender Stratocaster with a nice high again amplifier such as a Marshall JMP amplifier. They will sound good no matter how you run them or if you have a multiple effects processors or rack units or a giant pedal board going into an amp. These guitars will give you exactly what you give it and the dynamics are fantastic.

    OVERALL OPINION


    These guitars are very easily found in the used classifieds online anywhere such as eBay or other classifieds on guitar forms and even most online retailers or music shops will carry these guitars. Sometimes they vary from neck to neck so I suggest trying out a few to find out which style that you prefer. They also come in arrangement of different pick ups and colors so there is a lot of options to choose from. I highly recommend this guitar to anyone is looking for a great versatile instrument to record or play gigs with.
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  • zakk wyldezakk wylde

    Fender Classic '50s StratocasterPublished on 06/23/04 at 09:49
    (This content has been automatically translated from French)
    Mexican but quality

    UTILIZATION

    Perfect Channel
    guitar for all styles except heavy metal very heavy

    SOUNDS

    Its very crunch
    perfect for blues rock

    OVERALL OPINION

    Very little use
  • bonzaybonzay

    Fender Classic '50s StratocasterPublished on 12/12/04 at 07:29
    (This content has been automatically translated from French)
    Well,
    Start is a Mexican, everything from classic, namely
    21 frets, 3 Fender single coils, two tones, one volume, a 5-way switch,
    vintage mechanical handle, soft V, vintage vibrato
    I put ten because it's exactly what I wanted

    UTILIZATION

    The soft handle V is excellent for me and my hands of loggers ...
    ca happening and nickel I won a lot in speed and precision in my game since I have.
    the access to acute, bah is a Start ... V by the handle against lost a little speed at the end of round, but the level necessary to be able to account for
    As for sound, then ...
    versatility is a huge ... I never play on a real Stratocaster, and I thought that the simple adjustments t…
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    Well,
    Start is a Mexican, everything from classic, namely
    21 frets, 3 Fender single coils, two tones, one volume, a 5-way switch,
    vintage mechanical handle, soft V, vintage vibrato
    I put ten because it's exactly what I wanted

    UTILIZATION

    The soft handle V is excellent for me and my hands of loggers ...
    ca happening and nickel I won a lot in speed and precision in my game since I have.
    the access to acute, bah is a Start ... V by the handle against lost a little speed at the end of round, but the level necessary to be able to account for
    As for sound, then ...
    versatility is a huge ... I never play on a real Stratocaster, and I thought that the simple adjustments that can so easily change the sound

    SOUNDS

    Since I play everything, but mostly 70's stuff that fits me nickel
    tampering in the regulation of the guitar and those of the amp, you get a roughly have any sound imaginable ...
    crystalline sounds like I love a balance Excellent ... in short, that happiness

    OVERALL OPINION

    I've had two weeks. and I do not yet found him lacking, even for a Mexican, a plate from a screw put through, but hey, I'm not fussy ...
    I tried full of stratabound and is the one that captivated me. There's been the trigger when I had a sound gilmourien
    value for money is excellent, 700 euros in cover with two jacks, not the shit too!
    I buy a replacement without hesitation, but can be with a rosewood fingerboard
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  • elvisguitareelvisguitare

    Fender Classic '50s StratocasterPublished on 12/15/04 at 02:07
    (This content has been automatically translated from French)
    Fender Mexico !!!!! 3 micro simple blues sound, a classic micro selector, volume and tone and the handle which made the reputation of fender

    UTILIZATION

    Channel: perfect
    Ergonomics: perfect
    esttique: in green like the wane !!!!! beautiful (mine is cream and it's not bad either). But a guitar esttique Bonnifait with age: use paint, hitting, neck wear, varnish us .....
    Sound: with a double instead of a micro micro acute simple, you can do that you would like

    SOUNDS

    Each style, but all self-respecting blues must admit that the Fender Stratocaster from home, have a handle incredible !!!!!! The shape and weight make this a scratch :-) extencsion the human body. Accomp…
    Read more
    Fender Mexico !!!!! 3 micro simple blues sound, a classic micro selector, volume and tone and the handle which made the reputation of fender

    UTILIZATION

    Channel: perfect
    Ergonomics: perfect
    esttique: in green like the wane !!!!! beautiful (mine is cream and it's not bad either). But a guitar esttique Bonnifait with age: use paint, hitting, neck wear, varnish us .....
    Sound: with a double instead of a micro micro acute simple, you can do that you would like

    SOUNDS

    Each style, but all self-respecting blues must admit that the Fender Stratocaster from home, have a handle incredible !!!!!! The shape and weight make this a scratch :-) extencsion the human body. Accompanies an old amp lamp (not need a very powerful amplifier: 20w suiffisent) you get the sounds of the most recognized histroie blues. Amplifiers with more recent and more powerful types marshall 100w, you will get a clear sound Excellent. an incomparable crunch, but for a game on a very pusissant distortion, it's the same. To take advantage of this stratum with a powerful distortion, it must be equipped with a dual microphone for the treble (dzimarzio is what I did) and you with the most scratch complte.

    OVERALL OPINION

    I have a Fender Stratocaster Mexico for 7 years. I have several electric guitar, and I confess that playing the blues, and the rock70 is that I take most often. Quality price ratio is incredible, the coup Intrets not really buy a fender us. In short, I counsel all fans of blues and rock 70, cons for metal, hard rocker, and a fan of distortion in power, is better to take something else like epiphone!
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  • johnjfkjohnjfk

    Fender Classic '50s StratocasterPublished on 06/15/05 at 02:13
    (This content has been automatically translated from French)
    Mexican guitar, 21 frets, neck maple veneer with the famous V Neck typical strato 50's, hand microphone are basic but they are however individuals (explanation see sound), a thorough look at the body is different from its sister the 60's the lower body is wider which gives a very different profile I had a classic 60's in series and I was afraid for me I think I saw through it but not quite there normal.attention a difference according to the colors you if it's then the sunburst alder body if it is poplar.

    UTILIZATION

    Handle all the more enjoyable coating the slides are fast enough, however, by the time the handle can parraitre drier and can generate when you are surprised, if not…
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    Mexican guitar, 21 frets, neck maple veneer with the famous V Neck typical strato 50's, hand microphone are basic but they are however individuals (explanation see sound), a thorough look at the body is different from its sister the 60's the lower body is wider which gives a very different profile I had a classic 60's in series and I was afraid for me I think I saw through it but not quite there normal.attention a difference according to the colors you if it's then the sunburst alder body if it is poplar.

    UTILIZATION

    Handle all the more enjoyable coating the slides are fast enough, however, by the time the handle can parraitre drier and can generate when you are surprised, if not a big problem. access to acute is correct as easy as on the 60's because of this last is not as wide curves. very good ergonomics reasonable weight, atention to the wood of poplar, alder is good you have to like wearing heavy but it's not a gibson either. for his advice I changed a potentiometer see your electronic component dealer they will sell you good quality if you ask, and yes the sound passes by, by changing the settings can have a thinner you! ahaahh the right sound! is the stratum must master if not three quarters of people will have the same sound you must spend time goes on more time and I am more and more about the ass that I shall say the contaire puff spend time on your back and after strat! 10/10 not because the rest is in your finger.

    SOUNDS

    Style pop rock jazz blues and all that you can try mixing to venture into fusion with a hendrix always has the recipe or the way blues clapton god Grat this for me completely. I play with a Peavy classic 30 with a TS9 but traffickers and my vox wha converted into a sort of Clyde McCoy and king wha (wink to those who imagine that it can make) and a fuzz with a sound property has made me a hand with germanium in and a lot of time to adjust the sound as it takes to find ouff done. after all in a clear sound but it kills Grat is not to be judged is that you play on it eh! The settings are classic pickup without the intermediary and the neck pickup a lot more interesting over looking good combination you can switch between the serious and sour ASEZ has a hollow sound, neck pickup position and tone and tone1 sur4 2 sur6 only go through the microphone you will see.

    OVERALL OPINION

    I have 4 years since I gave it a name then you know it's a great history between us, what I like least is the bridge pickup but your imagination to find something else I like her and I did not give my recipe, because without a tone for this micro everyone is a little handicapped, but with effects over everyone has a sound, a cort j'aieut SL2800 before the first Grat super model but will remain a Start a Start is like comparing a stratovolcano and a TV is not demand the same things, value for money there is no break of sugar possibility in two fender fender it rings or it does not ring but the collection classic series and very honest and I weigh my words, I already try a 70's and some people better than us, choosing without hesitation
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  • rhum66rhum66

    Fender Classic '50s StratocasterPublished on 10/26/05 at 04:50
    (This content has been automatically translated from French)
    -Mexican Manufacturing.
    -21 Frets / radius 7.25/micros fender alnico V PLTS DGRAD / 5 positions
    -Vintage bridge (6 screws).
    AMENDMENT NOTICE: see rum 66, 2004

    See post in 2004 I think about this guitar and its original configuration.
    This is to report to you of a change of pickups that I did it several months ago This now.
    APRs have to search long review of the various microphones available for strats, I choose rsolu Vintage "57/62" from Fender.
    This choice does east by two factors, firstly the User's rewiew of ste amricain Harmony-central, where all the pickups available on the market are subject to review and secondly, by the simple IDE that strats "Amrican vintage" tea…
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    -Mexican Manufacturing.
    -21 Frets / radius 7.25/micros fender alnico V PLTS DGRAD / 5 positions
    -Vintage bridge (6 screws).
    AMENDMENT NOTICE: see rum 66, 2004

    See post in 2004 I think about this guitar and its original configuration.
    This is to report to you of a change of pickups that I did it several months ago This now.
    APRs have to search long review of the various microphones available for strats, I choose rsolu Vintage "57/62" from Fender.
    This choice does east by two factors, firstly the User's rewiew of ste amricain Harmony-central, where all the pickups available on the market are subject to review and secondly, by the simple IDE that strats "Amrican vintage" teams are those microphones.
    I wanted the pure vintage effect is that the twang with grain and a level of output that does not have that food grain, so a low output ...
    Fender micro runissant CEZ CHARACTERISTICS Manir the most straightforward are 57/62, with coeficient K is the lowest: 5.6K.
    followed by "69", then "54", the Fat 50 ', the Tex mexs specially and finally Texas.
    More information on these microphones are available in the 2004 Fender Frontline.
    Obviously we RVers to test so-same all these products but we must make a choice.
    I knew well the fabulous dj texas spcial francs for their characters and expressive,
    but I wanted to find the "thinness" of the 50 sounds.
    This is done, these mics offer the crystal that dcline the handle to the bridge with a perfect harmony.
    The off phases are reminiscent Clapton, and the positions filled plutt hendrix Little Wing.
    For the record, this guitar has turned an evening of beef in the hands of four pro guitarist who never stopped dressing on it like this:
    - "Damn, this scraper is made to play the hendrix"
    And that before starting the grandiose title of Manir.
    So if you find that your Classic SERIES 50 '50 is not enough, Do not hesitate to give it 57/62, you will not regret it.
    On the other hand, I changed my amp, I play a dsormais DELUXE REISSUE 65 lamps, which is essential to render this type of microphones.

    UTILIZATION

    Saddle-handle a pice trs be enjoyable and more enjoyable Aesthetics.
    Frtage-vintage (mini jumbo), in either trs enjoyable, but finishing with the key is not always on top (but not overnight the quality of the game -
    Mine is surf-green, a color called "vintage". Varnishes are less pais (and therefore softer) than varnishes that can be found on amricaines (except for Highway 1), so attention to micro shocks.
    Mechanical-vintage, less prcise as oil baths, but this guitar is meant to replicate the sensation of at least 50'...( they take reasonable agreement trs.).
    -They are good at a price stratocaster raisonnable.j 'have two classic reissue MODELS 50 and 60.
    The slap 50 more than the 60 given the rosewood fingerboard, but the diffrence is not Determines and your choice should not hang this level.
    Note that 60 is close enough prs another of my team of Texas Special Start, to the point that I abandoned the ide of the upgrade level.
    For the 50, not upgrade, unless you have some money thrown out the windows, the hardware itself is sufficient.
    Trs good for blues rock gnral.
    micro, individual, full sound and round and round cot trs acid bridge (the neck pickup is a little steep, but only in excellent positions mix.Les phase inversion are good anything less pronounced funky with modern microphones

    SOUNDS

    Blues-rock or country-swamp.
    -Fender with a hybrid in 1993 (field 25 SE) is not a roland MODELLING mal.Avec is good, but I think these guitars must give their full measure of amps lamps.
    In short, we walk between Knopfler and Buddy Guy, the sound is saturated in blues or rock trs according micros.Amateur large selection of sound, pass your chemin.c is a guitar for the crunch and subtle trs sounds crystal clear.

    OVERALL OPINION

    I played the last two year now and I alternate with my shameless amricaines (+ Start, Lone Star and squier 84). These guitars stand comparison in terms of sound.
    however, the finishes are a little below and microphones to be central MRIT rewire in phase inversion, for less hum.
    -I am familiar with Stratocasters and for me the classic SERIES 50 and 60 is a matter of knowing that the best The series is the Sunburst guitar (alder), while others are poplars.
    Mine are, and poplar trs sound good (I wanted the colors vintage).. In memory of Jimmie Vaughan Start is peulier tl and the Tim Burton.
    -If you are not manic at certain finishes, you want the vintage without breaking the bank, it is a good investment and you can always upgrade the pickups with the Arequipa Amrican vintage series for 310 outside installation.
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  • julien92julien92

    Fender Classic '50s StratocasterPublished on 11/08/05 at 11:05
    (This content has been automatically translated from French)
    A ramjet is no introduction.
    This is a Mexican manufacturing with a superb wooden handle with a small white painted that yellow ... Maple and I think the key is in the same block.
    Three pottards (1volume, 2tonalits) and a selector.
    Three simple microphones.
    Acastillage plastok vintage and slightly beige, ca claque! (They wanted to used the same plastic as the strat'57 which served as a copy).
    A beautiful jewelry.
    ps: it is slightly more expensive in sunburst.

    UTILIZATION

    The thing I loved at first contact with damme is the handle, the two dove-cots trs. It is calle perfectly between the pads with U-shape
    Like many of strata, it has only 21 frets so no problem to wal…
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    A ramjet is no introduction.
    This is a Mexican manufacturing with a superb wooden handle with a small white painted that yellow ... Maple and I think the key is in the same block.
    Three pottards (1volume, 2tonalits) and a selector.
    Three simple microphones.
    Acastillage plastok vintage and slightly beige, ca claque! (They wanted to used the same plastic as the strat'57 which served as a copy).
    A beautiful jewelry.
    ps: it is slightly more expensive in sunburst.

    UTILIZATION

    The thing I loved at first contact with damme is the handle, the two dove-cots trs. It is calle perfectly between the pads with U-shape
    Like many of strata, it has only 21 frets so no problem to walk across the set.
    The vibrato is a well hold the height at which it is allowed, there is not a fish it out every time.
    Its weight is far from excessive.
    Personal I did not see what was the role pottard tone of the environment and I always leave one on 10 (high) because otherwise the sound is puffy in the middle pickup. However in the bridge position, treble singlent sometimes a little and it must then get off at 5 or 0 (especially at high volume).
    I also leave the volume as background in the first half of the cource is void and then ente 5 and 8, the food sustain. So a 10 forever.
    The same time it leaves no possibility for the 50 parameters, we easily find its bearings.

    SOUNDS

    The sound is amazing! The sound is warm, slightly more "telecasterienne" a strat-style highway or a std mexico, vintage trs.
    I play classic rock and I am a height of hendrix pink floyd led zep through and I forget. There are sounds clear round trs trs or more metal but soft, not harsh for ca. It trs crunch well and each note of an agreement stands. It responds well to distos trs (as long as it is by distos metal, though ...), sounds trs aves own a beautiful sustain and a nice potato. It's clean, metals it is not for you. A beautiful sound trs trs enjoyable.
    However the pickups a little sizzle but not trs annoying.

    OVERALL OPINION

    I've had about 10 months and I am beginning ravi.Au I test a highway and a classic 60 '. I found the highway too metal and I was leaning more towards the 60 'which was the warmest and one day a salesperson told me "I have the 50' too." Then I thought "why not go" and APRS have loved the grip, I scratched once and loved it even hotter than the 60 '. After 2 minutes, I said I would buy it without hsiter. Excellent qualitprix (700 euros) being given the quality of the intrument. I play on a pramp boss gx 700, and even if it has aged well, there are ways to find good sounds, cot amp, I have a marshall 30dfx and shit it, it sounds good (the preamp of a epeu ratrape gx 700) but I had the opportunity to test it on tube amps (Hiwatt Custom, fender bassman 59 and Vibrolux) and ca harmonizes to perfection whether for potatoes HIWATT or the heat of the bassman.
    I do it again this choice without hsiter.
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  • GrattouzeGrattouze

    Fender Classic '50s StratocasterPublished on 11/17/05 at 11:03
    (This content has been automatically translated from French)
    Strato is a beautifully crafted Mexico trs. Wood and varnish, binding, finishing, everything is really beautiful. has makes you want to play it. The handle is rather U pais, to love. Personally to me has not impede but I'm used to the sleeves flat.

    UTILIZATION

    Touch is enjoyable trs on this skyscraper. Access in AIGS nickel. Lgre this guitar because of the woods sounds like a real dj Start without being branch: trs crystalline sound. Branch is the big foot. It only needs a good amp to sound.

    SOUNDS

    Also because of the wood it lacks a little sustain, and again. By boosting the amp with distortion and rgl hard enough you can push it to its limits. But its role is not the…
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    Strato is a beautifully crafted Mexico trs. Wood and varnish, binding, finishing, everything is really beautiful. has makes you want to play it. The handle is rather U pais, to love. Personally to me has not impede but I'm used to the sleeves flat.

    UTILIZATION

    Touch is enjoyable trs on this skyscraper. Access in AIGS nickel. Lgre this guitar because of the woods sounds like a real dj Start without being branch: trs crystalline sound. Branch is the big foot. It only needs a good amp to sound.

    SOUNDS

    Also because of the wood it lacks a little sustain, and again. By boosting the amp with distortion and rgl hard enough you can push it to its limits. But its role is not the extension mtal or solos, and more. It excels for clean sounds, the rhythm, the distos lgres and crunchies, the arpges ... The grain is really late. I plugged into a Fender amp 650 performer with a lamp in the saturated channel. I recommend using a compression pedals (the Marshall is my prfre, it colors the sound less than the Boss), has added the missing sustain especially if you want the prserver susceptibility neighbors. With a high amp trs can possibly be without it (no neighbors, the pedals! Though ...) A little above the chorus and it is good.

    OVERALL OPINION

    Before buying it I tried all kinds of strata in the store: of Mexico, one of Highways, the Chres, Under Chres ... I fell on it dj seeing her .. The stroke of grace aa t see the MODEL sunburst, more expensive but really nice. A Highway ct it's ugly. And frankly it's trying silent height. An excellent price quality ratio, subsequently confirmed in various articles and benchmarks I've read.
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  • NajcallNajcall

    Fender Classic '50s StratocasterPublished on 12/13/05 at 20:05
    (This content has been automatically translated from French)
    Fender StratCaster frabrique in Mexico, 21 fret maple neck and very rounded end (apart must be put "" "sticky varnish) and the strings that I think really take away from the handle hummmm bizar printing, there are at least 5 good millimeter between them, alder body, lacquer very very "sucker", 3 single coil pickup, pottards 3: 1 volume and 2 severe acute Tone, Color surf green belllllllllle too, all made of violin ... .. toy u can say it, but it wanted to "tradition of the 50s."

    UTILIZATION

    So start by the handle, for comparison before a Whale j'tais wh-st, then pass the handle off the handle round and flat and thin and short given the number of band ca do something! jadore this …
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    Fender StratCaster frabrique in Mexico, 21 fret maple neck and very rounded end (apart must be put "" "sticky varnish) and the strings that I think really take away from the handle hummmm bizar printing, there are at least 5 good millimeter between them, alder body, lacquer very very "sucker", 3 single coil pickup, pottards 3: 1 volume and 2 severe acute Tone, Color surf green belllllllllle too, all made of violin ... .. toy u can say it, but it wanted to "tradition of the 50s."

    UTILIZATION

    So start by the handle, for comparison before a Whale j'tais wh-st, then pass the handle off the handle round and flat and thin and short given the number of band ca do something! jadore this round, but the problem is the varnish ultra vacuum but hope that it fades with time ARFF .... and also the strings are space as I have to point out earlier, it is rather odd, it is really appyu on the strings to fill the 5 mm (at the beginning jai dailleurs a nail that has literally jump because of its attacks by causing weight ....), if: it floats in the air lol is lightweight and can say it all very well balanced!! Disagree and it almost never does, even in light of the barbaric attack

    SOUNDS

    Then, the sound is rather beautiful, do not you wary of the simple micro .... micro center fills two in fact, the grave would be extremely warm and soft, ideal for blues rock and jazz melodies, micro acute shortage of fishing for my taste, it's for her that she is at home for my lutherier change to an acute and Rio Grande in what else .... ^ ^ pray, but he would agree to the original post rock soft rock pop, punk nespere not make another and not worth missing daigu and fishing. The sound is very crystal clear and distortion is that of happiness ^ ^ I put 9 / 10, Pacek the "perfect" nalready not, apart from me ...

    OVERALL OPINION

    I had a week in hand to be honest, I got a 600 euro in a magazine for scratches nogent 94, it seems that this little guitar shop is one of the best known of europe .. .. humm sceptque finally good. C e Jaime in the scratches, the handle end, short and rounded apart the two flaws that are Lecart varnish and string-set.
    I had my whale wh-st, but was faster than I move on let's say lol, I hesitated a long time with a Les Paul, jlai are beautiful ... but my heart was right to me and opt for a fender, particularly jai took this color becaufe chui amoureu of Billie Joe's guitar is none other than the lead singer of green day ... quality mail order prices bha I find myself but it's true that compared to other skyscrapers are in. foto!
    I would do if this choice?? Hummmm no doubt that ho ho!!
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  • WhaRatWhaRat

    Fender Classic '50s StratocasterPublished on 05/18/06 at 02:06
    (This content has been automatically translated from French)
    In which country was it made?
    Manufacturing mexiquaine of very good quality violin much better than the vintage model 57 ...

    How many frets, what kind of micro as well as their configuration?
    21 frets exploitable you feel really at ease handling strat requires extra

    What type of bridge?
    Bridge Start with the classic vibrato tit

    What type of race?
    Channel U super super nice better than the 60 in my opinion ... is a try

    UTILIZATION

    Then I took my slap uh how to say?? euhhh vui b'en a lap at the Duchess is a treat stick is truly the best race I could keep up today.
    We walk on the handle like a highway (not for shredders), but this handle is a real handle on strat …
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    In which country was it made?
    Manufacturing mexiquaine of very good quality violin much better than the vintage model 57 ...

    How many frets, what kind of micro as well as their configuration?
    21 frets exploitable you feel really at ease handling strat requires extra

    What type of bridge?
    Bridge Start with the classic vibrato tit

    What type of race?
    Channel U super super nice better than the 60 in my opinion ... is a try

    UTILIZATION

    Then I took my slap uh how to say?? euhhh vui b'en a lap at the Duchess is a treat stick is truly the best race I could keep up today.
    We walk on the handle like a highway (not for shredders), but this handle is a real handle on strat n'peux no more at ease
    The guitar is very well balanced with no leaning strap.
    The sound is just terrible

    SOUNDS

    A yeah that's what type of stratum I have been waiting to tell you my lontemps strato 62 to € 2,000 sleep in my closet ... it's still telling you.
    I played on a super good marhsall DSL401 plain ... I changed for the wonderful Blues Junior 15W All Tube the recess is the slap!
    It gets all the sounds of the classic Start ... just listen the sound's Matthieu Chedid (-M-) b'en the melody in my it's the same in his legerment crunch his grave the fact we can easily having the sound of SRV with all the slamming of the stratum is a jewelry

    OVERALL OPINION

    I use it for two years now is really the guitar that I had to like what we should not always be ruined for the class and a nice guitar ... I find the classic series Mex franchment try anything extra before you ruined a vintage american model (made in Japan and more ...)
    The value for money and very affordable really is the opportunity of the century
    For anything I would not trade this guitar for my not even Ricken 330
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  • MumbliMumbli

    Fender Classic '50s StratocasterPublished on 07/04/06 at 14:21
    (This content has been automatically translated from French)
    I do not return it, the WhatRat explained very well.
    I also have 2 color sunburst model, so the body is alder (3 parts)
    I never touched the 57 reissue, but it looks a lot like him!

    UTILIZATION

    I tried the 60's and 50's the following: 2 seconds in the 50's I decided irrevocably!
    The one piece maple neck and slight V-gloss I conquered. decidedly, I'm really a fan of the comfort of maple keys. Well, for the varnish is not nitrocellulo, but suddenly, it has the advantage of not sticking to fingers too (try a 52 tele, you will understand ...).
    the rest (access to acute, ergonomics ,...) is the standard in standard, everything comes naturally under the fingers, except the vibra…
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    I do not return it, the WhatRat explained very well.
    I also have 2 color sunburst model, so the body is alder (3 parts)
    I never touched the 57 reissue, but it looks a lot like him!

    UTILIZATION

    I tried the 60's and 50's the following: 2 seconds in the 50's I decided irrevocably!
    The one piece maple neck and slight V-gloss I conquered. decidedly, I'm really a fan of the comfort of maple keys. Well, for the varnish is not nitrocellulo, but suddenly, it has the advantage of not sticking to fingers too (try a 52 tele, you will understand ...).
    the rest (access to acute, ergonomics ,...) is the standard in standard, everything comes naturally under the fingers, except the vibrato, but that's because I still do not know how m ' use it ...
    as to his, well, just plug in and it sounds stratum in the purest tradition.
    one small problem though: the mechanical and vintage vibrato, it helps not require the agreement ... but look good for the c, o)

    SOUNDS

    I was looking for a strat long time, I tried one qques (fender us, including G & L Tribute), and Ben is the one who won it: a scratch I think this has nothing to envy to its large US sisters, we have the Start sound, chattering as they like.

    If you like the sound / light crunch to Gilmour, Knopfler, Clapton, Robert Cray and others, try, you m'endirez news! and no need to add tons of pedals, live in a good tube amp, and it is happiness!

    on the other hand, if you search for the big sound, go your way, or change the pickups (the violin is really excellent), because the output level and sound of the original microphones do not mix with the saturax.

    OVERALL OPINION

    It is only 15 days I have, so I will update this notice once the euphoria of the early past. but for now, and compared to my other guitars sometimes 3 or 4 times as expensive (see my profile), well it is really the way!

    I love the most: the sound strat par excellence!
    what I like least: the holding of agreement (not being a simple adjustment ...)

    other models tested: standard and deluxe strat US, G & L Tribute (I carefully avoided the stratum clapton, because I know I would have cracked, even if not compatible with a smile on my banker ...)

    Exceptional value for money: bought from thomann for 550 euros!

    again this choice? no doubt about it!
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  • sgt peppersgt pepper

    Fender Classic '50s StratocasterPublished on 12/06/06 at 01:20
    (This content has been automatically translated from French)
    It is a stratum in the purest tradition, o its name from classic.
    Channel V profile, a pice in stocky, with a glossy varnish.
    The three simple vintage microphones, have aged and yellowed covers (or hallyday joplin!)
    The colors are gorgeous kitsch (because it is kitsch?).
    Mine is green cadillac finally surf green if you prfrez.

    UTILIZATION

    The neck is amazing! To be honest, I bought it for a, it offers comfort and a game worthy of its slamming major stratum.
    The guitar is lgre and we obtain immediately a good sound, without artifice or effect. The clean is a rgal, the bluesy crunch too.
    Note a string of remoteness from the sleeves of the treble, which requires a small …
    Read more
    It is a stratum in the purest tradition, o its name from classic.
    Channel V profile, a pice in stocky, with a glossy varnish.
    The three simple vintage microphones, have aged and yellowed covers (or hallyday joplin!)
    The colors are gorgeous kitsch (because it is kitsch?).
    Mine is green cadillac finally surf green if you prfrez.

    UTILIZATION

    The neck is amazing! To be honest, I bought it for a, it offers comfort and a game worthy of its slamming major stratum.
    The guitar is lgre and we obtain immediately a good sound, without artifice or effect. The clean is a rgal, the bluesy crunch too.
    Note a string of remoteness from the sleeves of the treble, which requires a small adjustment

    SOUNDS

    I use it on a Vox AD15 VT, which provides for ppites modlisation, so that it goes well almost everywhere.
    However, it is not exemplary in the field of versatility, you'll always sound strat trs. IDAL is for blues, old rock (Cream, Hendrix, Pink Floyd, SRV), but do not play with Satriani.

    Positions 2, 4 and 5 are my prfres, but nothing is stabilized I did that for several days.
    I put 9, for the lack of versatility, but also the price to pay when seeking a real Start.

    OVERALL OPINION

    I bought one made in US highway of good quality, I just customize and says a luthier for rglages optimum.
    I did not blame the highway, although suprieur what can be said, but after six months, I had one wish c'tait to go further in mind Fender, and change in favor of the 50 classic has become one obviousness.
    From the mouths of several people (sellers, makers and users), the classic 50 Exceeds some amricaines.
    I am now convinced, and we must go to the del 'made in', but be aware that we seek when we acquired it because it is kind.
    Given that I play, and complment my les paul std ft, it is perfect and I put 10.
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