Audio & music gear articles
EastWest's latest production, Ghostwriter, is a virtual instrument that's the result of a collaboration with Steven Wilson, a key figure in the prog and ambient music scenes in recent years. Is Wilson's name there mainly for marketing purposes, or is this joint effort a true masterpiece?
Toontrack recently released a new collection of amp models with effects called the Classic Amps EZmix Pack, which can be opened as presets in the company's EZmix 2 software. How do these emulations stand up in the competitive amp-modeling category?
Why Headroom is Important - Keep Your Levels Down and Your Headroom Up, and Your Music Will Sound Better
You’ve probably heard the term “headroom” thrown around a lot. What it is, essentially, is a margin of safety between the loudest peaks of your track — or tracks, in the case of a mix — and 0 dB on your DAW’s meter, where your signal starts to clip and digital distortion can rear its ugly head. The difference between the peaks and 0 dBFS is your...
Here at Audiofanzine, we’ve covered many individual aspects of mixing, and offered detailed information on what to do in preparation for a mix. But we've also gotten requests for an overview of the entire mixing process. The problem is that there is no “right” way to mix; every mixer does things somewhat differently. Keeping that in mind, here's...
Almost a year after releasing the free Little MicroShift, SoundToys has finally introduced its bigger sibling, a plug-in designed to add space and depth to a wide variety of sources. MicroShift is also the first SoundToys plug-in that offers authorization options beyond iLok.
Ashdown Engineering's PiBass head is the signature model of Polish bass legend Wojtek Pilichowski. I tested it along with the Mi12, a cabinet featuring a 12" speaker. The two products combine to make a 240-watt stack that costs under $900, and has a total weight of under 42 lbs, so it's not hard to see why Audiofanzine pushed me to do this review.