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Published on 05/11/09 at 08:49
Value For Money :
Excellent
Everything has already been said ...
<ul> Light touch keyboard, 5 octave, velocity sensitive (4 settings) Controllers: pitch bend and modulation, Roland Stereo line output, headphone output, stereo line input (reproduced output) Hold pedal jack, Midi In, Out, Through 3 banks of 64 sounds, including one editable For each sound: reverb (or delay), chorus, filter, envelope, vibrato Mono-timbral 24 votes (or 12 for certain sounds) or bi-timbral (layer, in the same bank) 12 votes </ul>
UTILIZATION
The machine is simple to use too!
The manual is 20 pages and is written large. Easy to read, but it's not really necessary, unless special need (SyxEx. ..)
Editing the sounds is rather limited (few parameters), but extremely simple: 2 +4 knobs, 2 buttons. And no screen! Advantage: triturate the sound on the fly, and with a little practice, you always know where you are going. Hence the name "performance synthesizer ': synthesis Live!
Annoying default: only 32 user memories (bank 3). And the choice of memory is limited: a sound based on "Piano", the first preset (A or B) must be recorded in the first position of the bank memory, and nowhere else! A MIDI-SysEx backup is of course possible.
The keyboard is ok, light. The keys are responsive, but not very fast. It is velocity sensitive (4 settings), which was one of my selection criteria at the time. Apparently he is fragile (wear buttons ...), but I've never had a problem. Fo say I have not made extensive use ...
SOUNDS
A synth rather uneven: very good sounds like a very bad (matter of taste, fashion and use). Nothing really realistic. Some presets are awful, but we can always learn something when looking around. Others, like the famous 'leads', are really surprising. Must love the sound "synth 90's," and I like
Most of the presets are "inflated" by reverb or chorus, making them a bit too heavy (at least to play solo).
Some stamps use 2 votes (about half of the presets). The sound is richer at the expense of the polyphony which is then reduced to 12 (6 in case of overlap).
Another curiosity: the effect of "Reverb" is sometimes actually an echo (or delay), depending on the preset selected.
We quickly made the rounds of the possibilities of "synthesis", but thanks to the ease of access settings (all live) it still enjoys tinkering with a sound. A bit like an old analog synth.
For cons, the superposition of two sounds is interesting, either to enhance a sound, or to facilitate the game right hand / left hand. In fact, layering is not perfect. For example, the effect module is shared by the 2 stamps selected. It is then possible to add the echo (or some kind of time) to a sound that did not. It also appears that the 2 LFOs are not entirely independent ... Consequence: the stacking order influences the outcome, sometimes radically!
Another tip related to the overlay: using MIDI, it is possible to superimpose a sound itself. At first glance useless unless we remember that the sound settings apply only to selected first stamp: it was so close 2 stamps, but with env / filter / vibr different. Disadvantage: only one save area for the two layers.
Through it all, some really lousy presets (trumpet/bank2!) Are quite salvageable: it can get really rich sounds. Ultimately, we work primarily with the third bank, those sounds made by hand, which is superimposed at will. Appraisal: scratching a little, there are some very good thing!
OVERALL OPINION
My third synth, probably the most "complete" the three, despite its many limitations.
I like its simplicity: a synth-anti-brainer, excellent for beginners. Almost a toy (in a good sense), to have fun, as we can go to the piano after a meal. But a source external sound quickly becomes indispensable for serious use, at least to complete.
Excellent value for money at the time, bought 3,000 francs in 1994, or 580 euros today.
Today, my desires have changed. But I'm still attached to the keyboard for 3 reasons: it is a great keyboard, ideal for a small installation complete computer music for its ease of use: you turn, you can play, fun I am a great nostalgic
<ul> Light touch keyboard, 5 octave, velocity sensitive (4 settings) Controllers: pitch bend and modulation, Roland Stereo line output, headphone output, stereo line input (reproduced output) Hold pedal jack, Midi In, Out, Through 3 banks of 64 sounds, including one editable For each sound: reverb (or delay), chorus, filter, envelope, vibrato Mono-timbral 24 votes (or 12 for certain sounds) or bi-timbral (layer, in the same bank) 12 votes </ul>
UTILIZATION
The machine is simple to use too!
The manual is 20 pages and is written large. Easy to read, but it's not really necessary, unless special need (SyxEx. ..)
Editing the sounds is rather limited (few parameters), but extremely simple: 2 +4 knobs, 2 buttons. And no screen! Advantage: triturate the sound on the fly, and with a little practice, you always know where you are going. Hence the name "performance synthesizer ': synthesis Live!
Annoying default: only 32 user memories (bank 3). And the choice of memory is limited: a sound based on "Piano", the first preset (A or B) must be recorded in the first position of the bank memory, and nowhere else! A MIDI-SysEx backup is of course possible.
The keyboard is ok, light. The keys are responsive, but not very fast. It is velocity sensitive (4 settings), which was one of my selection criteria at the time. Apparently he is fragile (wear buttons ...), but I've never had a problem. Fo say I have not made extensive use ...
SOUNDS
A synth rather uneven: very good sounds like a very bad (matter of taste, fashion and use). Nothing really realistic. Some presets are awful, but we can always learn something when looking around. Others, like the famous 'leads', are really surprising. Must love the sound "synth 90's," and I like
Most of the presets are "inflated" by reverb or chorus, making them a bit too heavy (at least to play solo).
Some stamps use 2 votes (about half of the presets). The sound is richer at the expense of the polyphony which is then reduced to 12 (6 in case of overlap).
Another curiosity: the effect of "Reverb" is sometimes actually an echo (or delay), depending on the preset selected.
We quickly made the rounds of the possibilities of "synthesis", but thanks to the ease of access settings (all live) it still enjoys tinkering with a sound. A bit like an old analog synth.
For cons, the superposition of two sounds is interesting, either to enhance a sound, or to facilitate the game right hand / left hand. In fact, layering is not perfect. For example, the effect module is shared by the 2 stamps selected. It is then possible to add the echo (or some kind of time) to a sound that did not. It also appears that the 2 LFOs are not entirely independent ... Consequence: the stacking order influences the outcome, sometimes radically!
Another tip related to the overlay: using MIDI, it is possible to superimpose a sound itself. At first glance useless unless we remember that the sound settings apply only to selected first stamp: it was so close 2 stamps, but with env / filter / vibr different. Disadvantage: only one save area for the two layers.
Through it all, some really lousy presets (trumpet/bank2!) Are quite salvageable: it can get really rich sounds. Ultimately, we work primarily with the third bank, those sounds made by hand, which is superimposed at will. Appraisal: scratching a little, there are some very good thing!
OVERALL OPINION
My third synth, probably the most "complete" the three, despite its many limitations.
I like its simplicity: a synth-anti-brainer, excellent for beginners. Almost a toy (in a good sense), to have fun, as we can go to the piano after a meal. But a source external sound quickly becomes indispensable for serious use, at least to complete.
Excellent value for money at the time, bought 3,000 francs in 1994, or 580 euros today.
Today, my desires have changed. But I'm still attached to the keyboard for 3 reasons: it is a great keyboard, ideal for a small installation complete computer music for its ease of use: you turn, you can play, fun I am a great nostalgic