All user reviews for the Sennheiser MD 421
It has a not so obvious bass roll-off switch intended to reduce the proximity effect, labeled from "M" (which I presume is for "music", or flat response) to "S", which I suppose means "Speech", or full roll-off starting @ 500Hz.
It is also very well built, mine was bought used and has no dents or obvious scratches at all.
I love it on bass cabinets, specially since I've been recording stoner/doom stuff that is just amazingly fuzzed up and somewhat loud (remember though that loud amps = great sound is a myth). I also like it on toms, depending on how the drummer hits the kit and the genre. If it's really loud and rock-ish I'll put the 421's without thinking twice.
They're also inexpensive, maybe not 57 cheap but still a pretty good deal. My only complaint is the retarded design on the clamp that just seems to be made by the devil himself so you drop the mic over and over again.
Good thing it's built like a tank.
1 people found this review helpful
Pjones9's review "A must have for pro-recording"
One of the most important characteristics of this microphone is the ability to handle very high sound pressure levels, so it's ideal for miking drums and loud amps. Sound quality is top-notch.
In conclusion, I would't get any other microphone for recording drums (especially toms). If you are looking for a very versatile, resistant and precise microphone for recording in studio or live this should be your first choice!
1 people found this review helpful
MGR/AlexV's review "Sennheiser MD 421"
Our studio bought 4 of these about 3 years ago for around $400.00 from Sweetwater. We purchased as a part of creating a good mic library for a new studio at our Recording Arts College in Nashville, TN.
The MD 421 has an incredibly hi max SPL making it great for miking amps and drums. It also has very good bass response and is used a lot in broadcast much like the EV RE 20. This mic features a 5 position bass roll-off switch making it very tunable and gives it the ability to virtually act as 5 different mics and works great for reducing the proximity effect. This is my go-to mic for tons on a drum kit and lower end guitar tracks.
The bass roll-off option is very difficult to navigate because it isn't labeled correctly so you have to go in blind and just listen. This isn't necessarily a bad thing - just be sure to check your settings every time that you use this mic.
This mic has been hit with drum sticks more times than I can count and the grill, although a bit scratched up, still remains dent-less. The clips to hold to mic have a release button that lets go pretty easily so you have to be very caution when setting up and tearing down.
Bottom Line? The Sennheiser MD 421 is a studio workhorse and is valuable in so many scenarios. Individually they are rather affordable and it's definitely worth the investment if you decide to get three or four.
This review was originally published on http://www.musicgearreview.com
I have been using these ever since I got started with recording. They sound great on pretty much all drums except the kick drum, although I know people who even use it there. The real selling point is using these on toms though, as they really shine in that situation and that's what these mics are primarily known for. They aren't so great above around 6k, so you wouldn't really want to use these for vocals or anything that you want to sparkle. But anything that you want to have some real substance and bite would do well to do be recorded with a 421. These mics are relatively cheap to come by, so they are definitely worth picking up. They are a great value considering the awesome sounds you can get through these. I couldn't imagine recording drums without them, so I would of course get them again.
1 people found this review helpful
Ashall's review (This content has been automatically translated from French)
</span> <div style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; background-position: initial initial; margin: 8px;"> <span style="font-family: Times; font-size: small;">I use it to take pictures of his sax, trombone, clarinet (not good for AC), perceived (average for AC); contrary to what I have read, the use of this microphone is quite restricted.
sax, trombone, vocals, cymbals, bass drum, OK
for use in stage, it is a good micro.pour the studio, c is good enough as said above, but I have had the opportunity to compare the versatility of this microphone with that of b1 behringer (static for once) and b1, for a small fee does as well and even better because good for percussion such as the bodhran, or for a clarinet for more open.
the MD421 is good for the sound engineer in addition to other microphones.
home studio for a small budget, it is a micro too specific and expensive.</span> </div> <span style="font-family: Times; font-size: small;">
CMC6's review (This content has been automatically translated from French)
Indeed, the clip is not what sennheiser at the best, and attention to drummers and other musicians a little lumberjack, it is quite fragile ... To be placed in locations out of reach of a clumsy
for Technology, 9, 4 for the rest so it will be 6.5 ...
In short, I put 7, simply to be careful ...
This is a good microphone, versatile enough for many more linear than some of the major best-seller (52 beta aim to avoid person)
So, I use it often for melodic or harmonic instrumentals: guitar, bass mainly, but I do not hesitate to place it on other instrumentals, even if it has not been my choice to end it I was rarely disappointed. For the battery, it ranks well for toms serious, if only one does not seek too much attack, otherwise you have to work placement. For the bass drum, personal, I like too, but it is used for jazz music style ...
The price is quite high, certainly, but the quality is paid for, as with any. It is a model that has proven itself. If only one ale of good stuff behind, we did a lot of things.
2 of 4 people found this review helpful
le_kornichon's review (This content has been automatically translated from French)
I test on a trumpet, recording tracks of 5 with Shure SM57, SM58, Beta57, BETA58 around. The 421 is by far my prfr Other worthless cot.
On the voice, not bad too, but the BETA58 done better.
Commonly used on the toms or bass drum, or who return to guitar amp, you can find her full application seeking!
1 of 2 people found this review helpful
chaton's review (This content has been automatically translated from French)
for live and studio
It's a microphone that you come across often is everywhere, can be filled with something, guitar, bass, drums, brass, ...
it has a medium low trs nice and easy to work.
I often Utis on toms, bass amps, guitar amplifiers ...
1 people did not find this review helpful