All user reviews of 4/5 for the Shure SM58

Micro singing type cardoïde ... specifications for bandwidth I think it is around 15Hz to 22khz other features I invite you to watch directly on their site.

Pricipals oriented song and scene it is available with or without switch and can also be used to borrow amps to troubleshoot even if it's not done is say if cash!

OVERALL OPINION

I use it for years, I tried Sennheiser, AKG etc. ...
It's the safe choice! All technicians know her, it is virtually indestructible and made constant after years of use. It gives full dimension to the concept of "safe bet"

A must have, and considering its price, a must park in your microwave.

I use it mainly singing Live. There's no denying he is more than adequate, while those with whom I have talked to are very happy.

But (because there is a but ...) the price is really abused!

In fact, Shure play a lot on "The Legend of micro Live! It is a fact, years ago it was great, it had no equivalent. Today ... Things have changed a lot. Sennheiser makes for MUCH less expensive very good microphones equally versatile and robust!

So if you have to lose in please. However, if your budget a little tighter, take a turn towards Sennheiser ...

OVERALL OPINION

Brief summary, it is a good mic but with a money altogether too high.

I tested a few models from Sennheiser, which amazed me! But I had already bought the SM58 so I would not sell it for nothing ...

However I bought the SH-55, only for the style because it's made at kiff-kiff (with some bonus but still nothing exciting ...)

See for yourself ^ _ ^ '

Cardioid dynamic microphone, designed for singing on stage.

Antipop integrated, robust construction.

Options: on / off switch (SM58)
Type: Dynamic (moving coil)
Frequency Response: 50 to 15,000 Hz
Unidirectional (cardioid), rotationally Symmetrical about microphone axis, uniform frequency With

Sensitivity (at 1,000 Hz Open Circuit Voltage)

XLR
-54.5 DBV / Pa (1.85 mV)

OVERALL OPINION

I use it on stage for a long time, whether mine or anyone (highly prevalent in studios and at least on small scenes.). It is well known for its robustness and CAPACT to limit the feedback, because of its very medium response was to blame el elsewhere that I would. I had a Beyer dynamic, which I found far better in terms of fidelity.

M'enfin for rock, pop, it makes the job.

Scene dynamic vocal microphone at the base, but not only! Very solid, proven since lonngtemps.

OVERALL OPINION

I bought two copies of this legendary microphone to a buddy that I had them at 55 € one (with stand and cable used). I never got used much, I am mostly recording occasionally, but I thought it was always nice to have the microphone at hand.
For the singing scene, no doubt, but it works where it interesting is that having recently done a comparison of miking guitar amps, and he did very well out well, especially in big mode distortion. At this level, I want to say that we should never have preconceived ideas about what a microphone is recording. Beware of the opinions of others and especially with regard to electric guitar sound. Between the guitar, amp, hp, microphone placement, sound card, the monitor system and of course personal taste, there may be many possible variations and what is good for one may be horrible for another. The best is still to be tested, but it is rarely possible under good conditions. Opinions are interesting to be sure not to make mistakes too, and when a microphone collects all the votes, we can be confident. But that does not mean that there is no other way possible.