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Gibson Les Paul Studio '60s Tribute
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Gibson Les Paul Studio '60s Tribute

LP-Shaped Guitar from Gibson belonging to the Les Paul series

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«  Fine achievement, providing essential micro without interference »

Published on 06/01/11 at 15:58
I've had it a week, honey burst finish splendid. I also recently a faded worn brown, and I did not want the same thing while remaining within the very roots. Have used!

Accastillage same, ditto wood used, which also alleviates body happiness.
Frets on tribute best finished, almost perfect.

Electron tribute to the former, not print here or pin connectors. No armor, for that matter but with single coils is not beneficial in practice because this parasite adonf ...

Very well made, solid feel obvious.
Compared to the faded handle here is less round, the profile is slim type, the difference is clear but not pass from a tele ibanez rg eh we remain in the same feeling.
The faded sounds a bit more direct and stronger vacuum is not looking for the extra mass of the neck profile 50s ...
In the kind of course that's great, plus it's true!

UTILIZATION

Physically it's great, Lester Polfus was not a lame do so.
The selector m'enquiquine, Zaur could put it elsewhere, but the original, so I quit.
Access ozégu is standard, I like to have sth in the legs, it's clear that my race row is better to do pirouettes techniques.

Good sound, yes and no, must adjust the height of the microphones that this story is not too high output.
In fact, Zonta mounted komalépok twice the same so it's far from optimal, but here it is for me to adapt myself to it's original, so respect.

SOUNDS

Good, sound, compared to my rough it faded with a pearl in super serious and less in the middle. In acute is less convincing because quite dry and especially delicate.
So we'll play clean in serious crunch in the middle and distal generous acute, and there is quite frankly a vamp.
Except that the noise breaks all records! Unbelievable but ultimately logical, large coils equal big noise sensors, and microphones are the same as no effect humbucker possible.
Already clean it annoying (much more than the faded micro serious split alone so simple), in a little more crunch (but the game makes it more fair), and lead is the madness!
And this at home on any smooth clean vox AC15 via digitech RP70 rule to ptizoignons noise gate and everything. I dare not imagine the racket in a group situation or worse, live ... Not go!

Digitech genesis headphones via VT999 Bébert one and I can position myself as I want and the noise almost completely disappears, and the sound is beautiful stereo wow. We can imagine for great quality recordings with this guitar.

For my taste the sound is too fat bass / clean, well balanced in the middle (but lack of sharpness), and in great big distortion on the treble.
In the middle is great for clean rhythm or gypsy funk, acute by clean I see no cons. The serious distortion is greedy and enjoyable in solo as always defined, and pearl.

Given the age of the design is very good for pests we were warned eh ...

OVERALL OPINION

I prefer this profile at the faded 50s, he did forget. The satin finish is warm to the skin is nice. This is not the same as the faded, leaving the pores of the wood really breathe, and I prefer.

Frankly, a great deal at this price, for 80 euros you have the choice between minihumbucker gibson (very smoothly) or virtual p90 DiMarzio, and there is concern over the noise.
As such it holds the record for the loudest guitar I have ever had, even the baja tele regatta not ...

Looks like it's all or nothing at gigi, the faded is not a parasite and it max.
I wonder how did the jazzmen to support p90 elsewhere.

I would do without hesitation that choice, a very good deal!